Compositor Determination and Other Problems in
- by Alice Walker [pp.3-15]
The Compositors of Hamlet Q2 and The
Merchant of Venice
- by John Russell Brown [pp.17-40]
The Printing of Hamlet, Q2
- by Fredson Bowers
Collateral Substantive Texts (with Special
Reference to Hamlet)
- by Alice Walker [pp.
The Relation between the Second Quarto and the
Folio Text of Hamlet
- by Harold Jenkins [pp.
Dryden's Mac Flecknoe: The Case for
- by Vinton A.
Dearing [pp. 85-102]
Quadruple Imposition: An Account of Goldsmith's
- by William B. Todd
Parisian Panel Stamps between 1480 and 1530
- by Ernst Kyriss [pp. 113-124]
A London Ornament Stock: 1598-1683
- by C. William Miller [pp.
The Text of Peele's Edward I
- by Dora Jean Ashe
The Two Compositors in the First Quarto of
Peele's Edward I
- by Frank S. Hook [pp.
The Printing of a Valerius Maximus Dated 1671
- by Curt F.
Bühler [pp. 177-181]
The Precedence of the 1676 Editions of Milton's
Literæ Pseudo-Senatûs Anglicani
- by Bruce Harkness [pp. 181-185]
The Missing Term Catalogue
- by Cyprian Blagden [pp. 185-190]
The Circulation of Some London Newspapers,
1806-1811: Two Documents
- by Robert L. Haig [pp. 190-194]
The Booksellers' "Ring" at Strawberry Hill in 1842
- by A. T. Hazen [pp. 194-198]
Matthew Arnold and Percy William Bunting: Some
New Letters 1884-1887
- by Robert Liddell Lowe [pp. 199-207]
The First Book Printed at Bari
- by Dennis E. Rhodes [pp. 208-211]
Abstracts from the Wills and Estates of Boston
- by Rollo G. Silver
A Selective Check List of Bibliographical Scholarship for 1953
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