- Header
- Front Matter
- Article A Rationale of Literary Annotation: The Example of Fielding's
Novels
- by Martin C. Battestin
[pp. 1-22]
- Article Recent Editorial Discussion and the Central Questions of Editing
- by G. Thomas Tanselle [pp. 23-65]
- Article A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An
Incident from John Capgrave's Scriptorium
- by Peter J. Lucas
[pp. 66-95]
- Article The Shrinking Compositor A of the Shakespeare First Folio
- by Gary Taylor [pp. 96-117]
- Article The Printing, Proof-reading, and Publishing of Thackeray's Vanity
Fair: The First Edition
- by Peter L. Shillingsburg [pp. 118-145]
- Article The Publication of Tennyson's "Lucretius"
- by Edgar F. Shannon, Jr. [pp. 146-186]
- Article Verdict on GW 2182 and 2183
- by Dennis E. Rhodes [pp. 187-189]
- Article
Establishing Shakespeare's Text: Poins and Peto
in 1 Henry IV
- by Fredson Bowers [pp. 189-198]
- Article
Astrological Analysis as an Editorial Tool: The
Case of Fletcher's
The Bloody Brother
- by J. C. Eade [pp. 198-204]
- Article John Nourse and His Authors
- by John Feather [pp. 205-226]
- Article The Library of George Tollet, Neglected Shakespearean
- by Arthur Sherbo [pp. 227-238]
- Article William Cowper and the European Magazine
- by Arthur Sherbo [pp. 238-241]
- Article William Blake's Techniques of Engraving and Printing
- by G. E. Bentley, Jr.
[pp. 241-253]
- Article Signatures and Dashes in Novels Printed by T. C. Newby in the
Eighteen-Forties
- by G. D. Hargreaves
[pp. 253-258]
- Article A George Eliot Notebook
- by Valerie A. Dodd [pp. 258-262]
- Article Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton
Forman
- by the late W. D.
Paden [pp. 262-267]
- Article Additional Manuscripts of Faulkner's "A Dead Dancer"
- by Louis Daniel Brodsky [pp. 267-270]
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