%ISOlat1; %ISOlat2; %ISOnum; %ISOpub; %ISOtech; ]> &hdr; The Colonial Revival Bibliography I. Multiple Topics/Compilations Axelrod, Alan, ed. <hi>The Colonial Revival in America</hi> New York: W.W. Norton, 1985. I One of the most important works of recent Colonial Revival scholarship. Consists of seminar papers on the full range of colonial revival expression in American life. Chapters include William Butler, "Another City upon a Hill: Litchfield, Connecticut, and the Colonial Revival," Charles B. Hosmer, Jr., "The Colonial Revival in the Public Eye: Williamsburg and Early Garden Restoration," Edward Teitelman and Betsy Fahlman, "Wilson Eyre and the Colonial Revival in Philadelphia," Mardges Bacon, "Toward a National Style of Architecture: The Beaux-Arts Interpretation of the Colonial Revival," Catherine M. Howett, "A Georgian Renascence in Georgia: The Residential Architecture of Neel Reid," Charles H. Carpenter, Jr., "The Tradition of the Old: Colonial Revival Silver for the American Home," Rodris Roth, "The New England, or 'Old Tyme,' Kitchen Exhibit at Nineteenth-Century Fairs," Susan Prendergast Schoelwer, "Curious Relics and Quaint Scenes: The Colonial Revival at Chicago's Great Fair," Melinda Young Frye, "The Beginnings of the Period Room in American Museums: Charles P. Wilcomb's Colonial Kitchens, 1896, 1906, 1910," Celia Betsky, "Inside the Past: The Interior and the Colonial Revival in American Art and Literature, 1860-1914," Beverly Seaton, "A Pedigree for a New Century: The Colonial Experience in Popular Historical Novels, 1890-1910," Karal Ann Marling, "Of Cherry Trees and Ladies' Teas: Grant Wood Looks at Colonial America," Jeanne S. Rymer, "Arthurdale: A Social Experiment in the 1930s," and William B. Rhoads, "The Colonial Revival and the Americanization of Immigrants." Bishop, Robert, and Patricia Coblentz. <hi>The Worlds of Antiques, Art, and Architecture in Victorian America</hi> New York: E.P. Dutton, 1979. I An ambitious attempt to cover all aspects of Victorian artistic production, including the Colonial Revival. Comstock, Helen. "A Reconstructed City: Virginia's Old Capitol." The Connoisseur 101-102 (May - July 1938): 227-234; 283-290; 3-10. I Three-part series in a British magazine that considers the history, architecture and decorative detail of the restoration work at Colonial Williamsburg. Giffen, Sarah L., and Kevin D. Murphy. <hi>"A Noble and Dignified Stream": The Piscataqua Region in the Colonial Revival, 1860-1930</hi> York, ME: Old York Historical Society, 1992. I Collected essays focusing on the colonial revival in a particular region of Maine. Chapters include Donna Brown, "Purchasing the Past: Summer People and the transformation of the Piscataqua Region in the Nineteenth Century;" Richard M. Candee, "The New Colonials: Restoration and Remodeling of Old Buildings Along the Piscataqua;" Lucinda A. Brockway, "'Tempus Fugit': Capturing the Past in the Landscape of the Piscataqua;" Woodard D. Openo, "Artistic Circles and Summer Colonies;" Karen Oakes, "'Colossal in Sheet- Lead'; The Native American and Piscataqua-Region Writers; and Kevin D. Murphy, "The Politics of Preservation: Historic House Museums in the Piscataqua Region." Kaplan, Wendy, ed. <hi>"The Art that is Life": The Arts & Crafts Movement in America, 1875-1920</hi> Boston, New York, Toronto & London: Little, Brown and Company, 1987. I Essays and cataloged items from the American Arts & Crafts movement. Richard Guy Wilson's "American Arts & Crafts Architecture: Radical though Dedicated to the Cause Conservative" discusses the Colonial Revival's relationship to the movement. "The Restoration of Colonial Williamsburg in Virginia." Architectural Record 78 (December 1935): 355-458. I An entire issue on the restoration of Williamsburg. Includes the following articles by people involved in the project: "The Restoration of Colonial Williamsburg in Virginia," by Fiske Kimball, "The Historical Background," "Notes on the Architecture," by William Graves Perry, "City Plan and Landscaping Problems," by Arthur A. Shurcliff, and "Paints, Furniture and Furnishings," by Susan Higginson Nash. Rossano, Geoffrey L., ed. <hi>Creating a Dignified Past: Museums and the Colonial Revival</hi> Savage, MD: Rowman & Littlefield Publishers, Inc., 1991. I Collection of papers from a 1987 symposium that focuses on the Colonial Revival's influence on museums. Essays include "Looking Backward to the Future: The Colonial Revival and American Culture," by Harvey Green; "Cherry Hill: The Evolution of a Colonial Revival Home, 1882-1955," by Jacqueline Calder; "A New Look at Colonial Williamsburg," by Betty Crowe Leviner; "Pennypacker Mills: A Nineteenth-Century Historian's Vision of the Past," by Margaretta Sander; "The Colonial Revival: New Words for an Old Book," by Ellen M. Rosenthal; "The Wadsworth-Longfellow House: From History Maker to Myth Maker," by Elizabeth J. Miller; and "Tea in Yorktown Parlor: Wallace Nutting's Legacy at the Joseph Webb House," by Douglas Kendall. Wilson, Richard Guy, Dianne H. Pilgrim, and Richard N. Murray. <hi>The American Renaissance, 1876-1917</hi> New York: The Brooklyn Museum, 1979. I Overview of the Colonial Revival movements in architecture, painting and decorative arts in the context of the American Renaissance of the late-nineteenth and early twentieth centuries. II. Architecture "American Architecture. - Past." American Architect and Building News 1 (29 July 1876): 242-244. II Promotes the colonial as an example of something contemporary architects have overlooked -- the ability to work in a definite and well-understood style (although "[T]he style was feeble, lifeless, monotonous, and, in the hands of a man of original genius, would have been a poor tool; but, to the men who had to use it, it was salvation"). "American Colonial Architecture." The Architect and Building News 185 (15 March 1946): 160-161.II Brief synopsis on a photographic exhibition of 18th- and early 19th- century "Colonial style" buildings organized by the Georgian Group and the Victoria and Albert Museum in the 1940s. Summarizes the architecture of the early colonies, noting Jefferson, McIntyre, Gibbs, Chambers, and Wren's influence. "The American Tradition." House Beautiful 80 (July 1938): 10-17.II Dedicated to imparting "a better understanding of American decoration," this issue features thirteen views of restored interiors in major examples from each of the original colonies, including Morven (New Jersey), Edenton (North Carolina) and Carter's Grove (Virginia), with brief historical descriptions. Anderson-Lawrence, Jennifer. "The Colonial Revival at Cliveden." M.A. thesis,University of Delaware, 1991. II Case study of the preservation of an important colonial house during the height of the Colonial Revival movement. Andree, Herb, with Noel Young, Neil, Patricia Halloran and Wayne McCall; introduction by David Gebhard. <hi>Santa Barbara Architecture: From Spanish Colonial to Modern</hi>, third edition Santa Barbara, Calif.: Capra Press, 1995. II Refinement of 1975 edition with additional illustrations and photographs, reviewing regional distinctions in style. Informative captioning includes alterations as well as architect and construction date, and features projects by George Washington Smith, Goodhue, Craig, Underhill, Benton and others. Andrews, Robert. "The Changing Styles of Country Houses." Architectural Review 2 (1904): 439.II A polemic that contrasts "the typical American Country House" of the early 20th century as a stately, "continental" or "northern European" improvement over the "informal", "Latin" or "English", and "picturesque, romantic sort" designed during the late 1800s. Features sixteen house exteriors, mainly in Massachusetts and Pennsylvania. Andrews, Wayne. "Random Reflections on the Colonial Revival." Archives of American Art Journal 4 (April 1964): 1-4. II Argues that the colonial revival is an architectural style that freely translates originals rather than copies historical buildings--an important point during the era of high modernism. Bach, Richard F. "Early American Architecture and the Allied Arts - A Bibliography." Architectural Record 59-60, 63-64 (March-July, 1926, June-September 1928): 265-273, 328-334, 483-488, 525-532, 65-70, 577-580, 70-72 and Adv. sec. 136-140, 190-192 and Adv. sec. 142, 144. II Bibliography of selected books and articles on colonial decorative arts and architecture published before 1928. Bailey, Rosalie Fellows. <hi>Pre-Revolutionary Dutch Houses and Families in Northern New Jersey and Southern New York</hi> 1936; reprint New York: Dover Publications, Inc., 1968. II Documents the houses and lives of Dutch settlers before the Revolution. Barrington, Lewis. <hi>Historic Restorations of the Daughters of the American Revolution</hi> New York: Richard R. Smith, 1941. II Guidebook to 243 buildings in 43 states, where preservation or restoration was in some way effected by the State and National Chapters of the National Society of the Daughters of the American Revolution. Barry, William E. <hi>Pen Sketches of Old Houses</hi> Boston: James R. Osgood and Co., 1874. II Odd assortment of 97 heliotropes, including some interiors and interior details, and despite its title, New England meeting houses, university halls, tombstones, and churches not as organized as E. Whitefield's portfolio. Baum, Dwight James. "Making Old Homes New: Some Recent Country-House Alterations." Architecture 38 (December 1918): 333-341. II Detailed explanations, plans, and photographs of Baum's 1915 restoration of the 18th-century Skillman and Delafield houses in Riverdale, New York, and the more modest Schwenke House in Bay Shore, Long Island. Bibb, A.B. "Old Colonial Work of Virginia and Maryland." American Architect and Building News 25-26 (15 June, 29 June, 17 August, 14 September, 5 October 1889): 279-281, 303-305, 71-73, 123-124, 161-163. II Describes the colonial architecture of Virginia, including Williamsburg, Jamestown, Carter's Grove, and Shirley. Bibb, A.B. "Old Colonial Work of Virginia and Maryland -- II."American Architect and Building News 25 (29 June 1889): 303-305. II Describes the colonial architecture of Williamsburg and Jamestown. Black, William Nelson. "Colonial Building in New Jersey." Architectural Record 3 (January-March 1894): 245-262. II Promotes the originality and taste of New Jersey colonial architecture, lauding the Queen Anne style for its historical tendencies. Blackall, C.H. "Good and Bad Colonial Architecture."Architectural Review 6 (1899): 1-5, 15-18.II Illustrated comparison of more than 30 Colonial residences, domestic interiors, government buildings, and university structures along the eastern seaboard, with particular attention to certain architectural features, such as staircases, archways preceding stairs, stairway soffits, newel posts, mantels, and doorways. Blackall implores contemporary builders to use such elements "sensitively" and "correctly." Bohl, David with Joseph Garland, Paul Hollister, Jr., Nancy Curtis, Richard Nylander and Philip A. Hayden. <hi> Beauport: the Sleeper-McCann House</hi> Boston: Godine, Society for the Preservation of New England Antiquities, 1990. II Three illustrated essays on Beauport, Henry Davis Sleeper's home in Gloucester, Massachusetts. Positions Beauport as an eclectic Colonial Revival production, not by its historical accuracy, but by Sleeper's zest for historical eclecticism, with descriptions about Sleeper's extensive glassware, furniture, painting, and tapestry collections. Appendices include simultaneous chronologies of Sleeper, Beauport and American decorative arts, labeled floorplans, commissions, and recommendations for additional reading. Brown, Glenn. "Old Colonial Work in Virginia and Maryland." American Architect & Building News 22 (22 October 1887): 198-199.IIThree brief paragraphs alluding to the influence of Langlay, Gibbs and William Pain on colonial motifs before 1815. Brown, R., Jr, and Robert Jackson. "Old Colonial vs. Old English Houses."American Architect and Building News 17 (3 January 1885): 3-4.II Citing building techniques used in England and Scotland (specifically the old Suffolk village of Lavenham), Brown argues that cement and lime would be more durable and aesthetically pleasing choices than wood for construction in America. Jackson's essay supports Brown's claim by demonstrating how lime and cement function successfully in England's harsher climate, and advocates techniques for the practical and decorative applications of cement. Bunting, Bainbridge. <hi>Houses of Boston's Back Bay: An Architectural History, 1840-1917</hi> Cambridge: The Belknap Press of Harvard University Press, 1967. II Charts the topographical, social and architectural history of Boston's Back Bay area through four historical/stylistic periods: formation (1844-1857), academic design (1857-1869), individual expression (1869-1885), and formal refinement (1885-1917). The chapters are organized to reflect these categorizations. Concludes with an assessment from the perspective of city planning. Includes meticulous appendices that inventory Back Bay houses, churches, schools and public buildings, organized by street, including date constructed and architect. Bunting, Bainbridge. <hi>John Gaw Meem, Southwestern Architect</hi> Albuquerque: University of New Mexico Press, 1983. II Chronicles Meem's career and design aesthetic as an adaptation of colonial forms from the Southwest. Covers Meem's arrival in New Mexico, his architectural philosophy, the history of his architectural career, and a selection of “Outstanding Commissions” by Meem, with an appendix that catalogs the Meem's office files. Berke, Arnold. <hi>Mary Colter, Architect of the Southwest</hi> New York: Princeton Architectural Press, 2002. II Examines Colter's work primarily for the Harvey Company, specializing in hotels, restaurants and Santa Fe Railway terminals. Positions Colter as a Colonial Revival designer drawing on the Southwest's Native American and Hispanic roots, and influenced directly by the Santa Fe's westward expansion and its related touristic development. Blanco, Hilda. "Style Matters: the Case of Santa Barbara."Places 13 (2 Spring 2000) 56-63. II Blanco charts the support for Santa Barbara's Spanish Mediterranean aesthetic as a movement by civic leaders that was spurred on, in part, by renovations after the 1925 earthquake. She views this concerted campaign as a precursor to New Urbanism, noting how the community's sense of identity, history and continuity were amplified by the city's historicist approach to building codes and city planning. <hi>The Book of a Hundred Houses: A Collection of Pictures, Plans and Suggestions for Householders</hi> Chicago: Herbert S. Stone & Company, 1902. II Fifty-five short illustrated essays on houses across America (and some in England and Scotland), most of which have a colonial flavor. Boulton, Alexander O. "The House of Many Layers."American Heritage 43 (May/June 1992): 82-89. II Discusses the early twentieth century remodeling of Carter's Grove in the context of the Colonial Revival movement. Boulton, Alexander O. "The Tropical Twenties." American Heritage 41 (May/June 1990): 88-95. II A brief review of the Mediterranean Revival work of Addison Mizner in Florida. Braden, Susan R. "Florida Resort Architecture: The Hotels of Henry Plant and Henry Flagler." Ph.D. dissertation, Florida State University, 1987. II Examines Florida resort hotels from the 1880s to the 1920s, from grand Mediterranean Revival buildings to smaller, clapboard-covered Colonial Revival structures. Bragdon, Claude F. "Colonial Work in the Genesee Valley." American Architect and Building News 43 (24 March 1894): 141-142. II Brief review of colonial architecture in the Genesee Valley area of New York; concludes that the work is more Southern in character than New England. Brownell, Charles E., Calder Loth, William M.S. Rasmussen, and Richard Guy Wilson. <hi>The Making of Virginia Architecture</hi> Richmond: Virginia Museum of Fine Arts, 1992. II Companion volume to an exhibition on Virginia architecture, demonstrating the variety of colonial and Colonial Revival architecture in the Old Dominion. Richard Guy Wilson's "Building on the Foundations: The Historic Present in Virginia Architecture, 1870-1990," specifically addresses the continuing presence of colonial architecture. Bunting, Bainbridge. <hi>John Gaw Meem, Southwestern Architect</hi> Albuquerque: University of New Mexico Press, 1983. II Monograph on the career of John Gaw Meem (1894-1984), who specialized in Spanish Colonial and "Territorial Revival" architecture. Byers, Charles Alma. "The "Colonial Bungalow:" A New and Charming Variation in Home Architecture." The Craftsman 28 (July 1915): 409-414. II Describes a West Coast variation of New England-style colonial revival, in the form of the Gray house (Los Angeles) by architect Harold Bowles. Bowles combines a basic California Bungalow with the shingled roof and weather-board siding of the "Colonial cottage," to create an "extremely dignified Colonial appearance." Cervin, O.Z. "The So-Called Colonial Architecture of the United States."American Architect and Building News 48 (18 May, 25 May, 1 June, 8 June, 15 June, 29 June 1895): 63-64, 75-77, 87-88, 97-99, 115-118, 130-131. II Early survey of colonial architecture, covering the domestic, religious and public architecture of the thirteen colonies. Praises the work for being "dignified . . . pure, simple, homelike and peerless," and promotes the revival of such architecture. Chamberlain, Samuel. "Colonial Williamsburg." Pencil Points 20 (September 1939): 589-594.II Early etchings for a 1939 AIA Convention and International Congress record details for Williamsburg's Governor's Palace, Apothecary Shop, Raleigh Tavern, Public Gaol, House of Burgesses, and Bruton Parish Church that may have changed during the restoration process. Chamberlain, Samuel. <hi>Open House in New England</hi> Brattleboro, VT: Stephen Daye Press, 1937. II A guidebook containing descriptions and photographs of colonial-era New England houses open to the public. Chandler, Joseph Everett. <hi>The Colonial Architecture of Maryland, Pennsylvania and Virginia</hi> Boston: Bates, Kimball & Guild, 1892. II Fifty photographs of the interiors and exteriors of colonial and early nineteenth century buildings. Chandler, Joseph Everett. <hi>The Colonial House</hi> New York: Robert M. McBride & Company, 1916. II A history of colonial houses designed for history buffs and contemporary builders "who wish to avoid in their possible building operations, certain short-comings recognizable in much of the supposedly-in-the-old-vein modern work;" includes chapters on restorations, "What not to Do," Modern Colonial examples, and colonial gardens. Chase, David. "George Champlin Mason, Sr.," and "George Champlin Mason, Jr.," in William H. Jordy and Christopher P. Monkhouse. <hi>Buildings on Paper: Rhode Island Architectural Drawings, 1823-1945</hi> Providence: Bell Gallery, List Art Center, Brown University, 1982. II As architects and active amateur historians in Newport, the Masons' enthusiasm for the region's Colonial roots directly affected Newport's 19th-century transformation into a world-class resort town. Mason Sr.'s articles in the Providence Journal and New York Evening Post, and his book, Newport and Its Cottages (1870s), as well as Mason Jr.'s restorations and published analyses considerably influenced the adaptation of Colonial style in contemporary aesthetics and home decoration. This biographical review credits Mason Jr.'s Frederick Sheldon house as one of the first Colonial Revival houses. Chase, David. "Notes on the Colonial Revival in Newport: Escaping the "Vandalism of Civilization." Newport History 55 (Spring 1982): 38-62. II Tells the story of six colonial buildings in Newport, Rhode Island (Touro Synagogue, Trinity Church, Colony House, Brick Market, Sabbatarian Meeting House, and Redwood Library) and their preservation and use in the nineteenth century. Christen, Barbara and S. Flanders, eds. <hi> Cass Gilbert, Life and Work: Architect of the Public Domain. </hi> New York: W. W. Norton, 2001.II Nineteen historians, architects, curators, and legal mediators for preservation recount Gilbert's lasting architectural influence on American civic architecture and urban planning. Robert Stern's Introduction credits Gilbert's commitment to the City Beautiful movement as an exemplar for the improvement of social and cultural life through architecture; others consider equally specific aspects of Gilbert's formation, public rapport, and use of monumentality. Clark, Clifford Edward, Jr. <hi>The American Family Home, 1800-1960</hi> Chapel Hill and London: University of North Carolina Press, 1986. II Examines the colonial revival and many other stylistic developments in relation to the social history of the American family. "Colonial Architecture in the West." Architectural Record 20 (October 1906): 341-346. A brief study of the Charles Jeffrey house by Pond & Pond, an example of the adaptation of colonial styles in the 'West' (Kenosha, WI). "Colonial Houses and their Uses to Art." American Architect and Building News 3 (12 January 1878): 12-13. II This article argues that colonial buildings should serve as models for American architects, just as British architects have turned to their own past to create a Georgian revival. Also reviews Arthur Little's Early New England Interiors. Cook, Clarence. "Architecture in America." North American Review 135 (September 1882): 243-252. II Criticizes the "blunders" of contemporary architects, suggesting that they turn to colonial architecture for models of proportion, picturesqueness and comfort. Corner, James M., and E.E. Soderholtz. <hi>Examples of Domestic Colonial Architecture in Maryland and Virginia</hi> Boston: Boston Architectural Club, 1892. II A follow-up to their New England book, in the same format: photographs of the exteriors and details of 18th- and early 19th-century houses. Corner, James M., and E.E. Soderholtz. <hi>Examples of Domestic Colonial Architecture in New England</hi> Boston: Bates & Guild Company, 1891. II Photographs of New England colonial houses designed to provide reference material for architects. Corse, Murray P. "Puritan Architecture." Architecture 45 (January 1922): 1-5, 43-46. II Interesting in its focus on the merits of 17th-century (pre-Georgian) architecture. Promotes the style as particularly adapted to the contemporary shortages of labor and materials. "Country Houses Designed by Aymar Embury Which Express the Modern American Spirit in Home Architecture." The Craftsman 17 (November 1909): 164-172. II Presents four houses in "the Dutch style" by Aymar Embury, a revivalist architect who published prolifically in the early twentieth century on colonial architecture and its modern usage. Cousins, Frank. <hi>Colonial Architecture. Series I - Fifty Salem Doorways</hi> Garden City: Doubleday, Page & Company, 1912. II A collection of photographs of doorways from fifty colonial houses in Salem, Massachusetts. Crye, Lisa. "Colonial Revival With A Spanish Accent." The Arlington Historical Magazine 11 (October 1999): 7-13.II A brief survey of the time when "haciendas were all the rage" in Arlington, Virginia, thanks in part to Frank Lyon, the Monitor newspaper owner. Lyon's western travels inspired him to build Lyonhurst (now, Missionhurst) in the Spanish eclectic style, during the 1920s. David, A.C. "A Modern Instance of Colonial Architecture." Architectural Record 17 (April 1905): 305-314. II An article on the Arnold house (Albany, NY) by McKim, Mead & White. The author describes the best qualities of the colonial house as "instinct with that spirit of moderation, refinement and good form;" all of these appear in the Arnold house, which remains original and distinct rather than a copy of a historic building. Davis, Deering. <hi>Annapolis Houses 1700-1775</hi> New York: Bonanza Books, 1947. II A photographic survey of the interiors and exteriors of colonial houses in Annapolis. Desmond, Harry W., and Herbert Croly. <hi>Stately Homes in America from Colonial Times to the Present Day</hi> New York: D. Appleton and Company, 1903. II A chapter on "The Colonial Residence" outlines the history, advantages and limitations of the high colonial style. Advocates the colonial style only for the "modest and inexpensive dwelling" for "quiet people of good taste, and without much originality." Dixon, Thomas W., Jr. "The C& O's Colonial Revival StationsChesapeake and Ohio Historical Magazine 19 (January and February 1987): 4-11; 3-10. II Descriptive explanation of the Chesapeake and Ohio line's campaign to renovate and streamline terminals in Kentucky (Maysville, Pikeville, Paintsville) and West Virginia (White Sulphur Springs) between 1913 and the late 1950s. Includes elevations, plans, and photographs. Dow, Joy Wheeler. <hi>American Renaissance</hi> New York: William T. Comstock, 1904. II In a review of domestic architecture, Dow, an enthusiastic promoter of the colonial revival, disagrees with other commentators over its main attractions: rather than "symmetry, restfulness and good proportion," Dow claims that the "secret" of the colonial revival is its link with the historical past. Dow, Joy Wheeler. "Colonial Houses of the Earliest Type." The American Architect 113 (29 May 1918): 701-706. II A description by the architect of his neo-"Jacobean-Colonial" house "Keepsake" in Marquette, Michigan. Dow, Joy Wheeler. "The Dramatic Note: Concerning a Fourth and a Fifth Dimension in Architecture." The American Architect 114 (9 October 1918): 417-423. II Dow uses colonial houses as examples of his fourth and fifth dimensions in architecture, which involve the character and history of a building; he believes the increasing popularity of colonial houses is due to these characteristics. Drake, Samuel Adams. <hi>Our Colonial Homes</hi> Boston: Lee and Shepard Publishers, 1894. II A collection of histories of twenty famous New England buildings from the colonial period, such as the Hancock mansion, Revere house, Adams mansion and Old Ship Meeting House; argues for the preservation of such "bricks belonging to the American foundation." Dunbar, Jean. "One House at a Time [Candace Wheeler]."Preservation 50 (5 Sept.-Oct. 1998): 60-67. II Illustrates Wheeler's innovative role in Colonial Revival style interior design and architecture, chronicling major textile and interior designs for Louis Comfort Tiffany, Associated Artists, the White House and the Woman's Building at the 1893 World's Columbian Exposition. Explores Wheeler's “pioneering" advocacy as a businesswoman who supported women's rights to work, and her artistic and social reform work at an artistic community in New York, designed in the Colonial Revival style. Eberlein, Harold Donaldson. <hi>The Architecture of Colonial America</hi> Boston: Little, Brown and Company, 1915. II A general history and analysis of colonial architecture for the architect and layman, focusing on styles but attempting to make connections with the societies that produced the buildings. Eberlein, Harold D. "Examples of the Work of Mellor & Meigs." Architectural Record 39 (March 1916): 213-246. II A portfolio of colonial-influenced country house designs by a leading Philadelphia firm. Eberlein, Harold Donaldson. "Three Types of Georgian Architecture: The Evolution of a Style in Philadelphia." Architectural Record 34, 37 (July 1913, February 1915): 56-76, 159-176. II Distinguishes between colonial (local adaptations of inherited traditions) and Georgian (an expression of Renaissance classicism interpreted by the English) architecture, then identifies three distinct forms of Georgian in the colonial-era houses around Philadelphia. Eberlein, Harold Donaldson, and Cortlandt Van Dyke Hubbard. <hi>American Georgian Architecture</hi> Bloomington, IN: Indiana University Press, 1952. II A stylistic history of American colonial architecture. Eberlein, Harold Donaldson, and Cortlandt Van Dyke Hubbard. <hi>Colonial Interiors: Federal and Greek Revival.</hi> Vol. 3rd series New York: Bonanza Books, 1937. II Third series of studies of Early American interiors; focuses on Middle-Atlantic states and examples from the "earlier and later Georgian modes" as well as the "Regency or Federal manner." Edgell, G.H. <hi>The American Architecture of To-Day</hi> New York and London: Charles Scribner's Sons, 1928. II A book on late-Twenties architecture in America that includes an insightful analysis of contemporary colonial revival domestic work. The Editorial Committee and the Publication Committee of The Great Georgian Houses of America for the benefit of the Architects' Emergency. <hi>Great Georgian Houses of America</hi>.Vol. I of II New York: The Kalkhoff Press, Inc., 1933. II A collection of drawings, with a few photographs, of colonial-era houses done by architects in the 1930s as part of the Architects' Emergency Committee. The Editorial Committee and the Publication Committee of The Great Georgian Houses of America for the benefit of the Architects' Emergency. <hi>Great Georgian Houses of America.</hi> Vol. II of II New York: The Scribner Press, 1937. II Second volume of a collection of drawings, with a few photographs, of colonial-era houses done by architects in the 1930s as part of the Architects' Emergency Committee. Eggers, O.R. <hi>Sketches of Early American Architecture</hi> New York: The American Architect, 1922. II Pencil sketches of a variety of early American buildings. Embury, Aymar II. <hi>American Country Houses of Today</hi> New York: Architectural Book Publishing Co., 1912. II Although Embury does not create a separate category for Colonial Revival houses, but groups his examples by architectural firms (from Albro to Zantzinger), his 1912 pictorial review is intended to demonstrate why "the general average of recent design is distinctly high." Features Cram, Goodhue and Ferguson; Carrére and Hastings; Albert Kahn, and other design projects as far west as Cleveland and Chicago, creating a distinct historical impression of a moment in time. Embury, Aymar, II. <hi>The Dutch Colonial House</hi> New York: Robert M. McBride & Company, 1919. II Unique for its emphasis on non-English colonial, the subtitle says it all: "Its Origin, Design, Modern Plan and Construction, Illustrated with Photographs of Old Examples and American Adaptations of the Style." Embury, Aymar II. <hi>Early American Churches</hi> Garden City, NY: Doubleday, Page & Co., 1914.II Another survey by the so-called "tourist/architect", influenced by Schuyler and The Georgian Period, which reveals Embury's respect for Bulfinch and Benjamin's "true architectural feeling for proportion and detail." Embury, Aymar, II. <hi>The Livable House</hi> New York: Moffat Yard and Company, 1917. II Embury was the foremost promoter of Dutch Colonial Revival architecture. This book, designed for potential homeowners of "moderate income," presents a variety of colonial-inspired designs by various architects. Embury, Aymar, II. "Modern Adaptations of Dutch Colonial." The International Studio 35 (August 1908): XLIX-LII. II A brief argument for the suitability of Dutch Colonial for the modern house; includes photographs of four houses by various architects. Embury, Aymar II. "Old New Orleans." Architectural Record 30 (July 1911): 85-98. II Provides detailed descriptions of the city's specific districts and buildings, noting their relationship to French precedents in contrast to the English patterns that shaped colonial architecture in other parts of the country. Embury, Aymar II. <hi>One Hundred Country Houses</hi> New York: The Century Co., 1909.II Embury's introduction, "The New American Architecture", offers a period-specific rhapsody about "a land... unhampered by the monuments of a dead past." Features Dutch, New England, and Southern Colonial house exteriors from Pennsylvania, New York, California, New Jersey, Connecticut and Massachusetts, as well as Spanish Mission and 'Japanesque' styles. Embury, Aymar II. "Pennsylvania Farmhouses." Architectural Record 30 (November 1911) : 475-485.II Documents eleven Colonial-era Pennsylvania Dutch farmhouses, noting which Colonial features these post-Colonial structures adopt, and unique construction and ornamentation methods. Encourages borrowing, but disparages the stereotyped Colonial stylisms that too often defined early 20th-century buildings. Embury, Aymar II. "Three Old Dutch Roads and the Houses along Them." Country Life in America 16 (October 1909): 592.II Illustrates exterior views of twelve Old Dutch houses, large and small, along colonial-era routes in New Jersey (the Paramus, Nyack and Teaneck roads), originally built between 1746 and 1826. Etting, Frank M. <hi>An Historical Account of the Old State House of Pennsylvania</hi> Boston: James R. Osgood and Co., 1876. II Chiefly useful for its contemporary commentary on Independence Hall at the time of the Philadelphia Centennial, as well as late 19th century photographs of museum exhibits and furnishings, engravings of Philadelphia, and a photographic record of the original frame for the Liberty Bell. Fallon, John T. "Stairways in Houses of Modest Cost. II. The Colonial Type of Stairway." Brickbuilder 24 (July 1915): 159-163. II Discusses the history and continued use of the colonial stairway, "one of the most important influences in American interior architecture," which is "eminently suitable to our modern life." Flahery, Carolyn. "The Colonial Revival House." The Old-House Journal 6 (January 1978): 1, 9-11. II A short article from a restoration magazine on the history and characteristics of colonial revival houses. Floyd, Margaret Henderson. <hi>Architecture After Richardson:Regionalism before Modernism... Longfellow, Alden and Harlow in Boston and Pittsburgh</hi> Chicago: The University of Chicago Press, 1994.II Throughly documents the 'linear post-Richardson style" of M.I.T.-educated and Richardson-trained architects, Longfellow, Alden and Harlow. In particular, 27 iconic Cambridge-area house commissions by Henry Wadsworth Longfellow's nephew, Alexander, are described as "among the earliest to use specific colonial buildings as precise models." Precursors, interaction with other firms, and affiliated commissions between 1910 and 1960 are also featured. Floyd, Margaret Henderson. "Measured Drawings of the Hancock House by John Hubbard Sturgis: A Legacy to the Colonial Revival." In Architecture in Colonial Massachusetts: A Conference Held by the Colonial Society of Massachusetts, September 19 and 20, 1974. Boston: The Colonial Society of Massachusetts, 1979. II An examination of the role of the John Hancock House in the early preservation and colonial revival movements. Floyd, Margaret Henderson. "Redesign of 'The Grange' by John Hubbard Sturgis, 1862-1866." Old-Time New England 71 (1981): 47-67.II Sturgis' 1862 redesign of a Ogden Codman's Federal-period home in Lincoln, Massachusetts, "The Grange", represents one of his most important and largest commissions. Several well-photographed interior views of this and related Sturgis projects imply how Sturgis' choices preceded the revival movement occasioned by the Philadelphia Centennial Exhibition in 1876. Forman, Henry Chandlee. "The Beginning of American Architecture." College Art Journal 6 (Winter, 1946): 125-132.II Useful in this forum as an example of scholarship that considered early American architecture as a directly 'medieval' expression. French, Leigh, Jr. <hi>Colonial Interiors: Photographs and Measured Drawings of the Colonial and Early Federal Periods</hi>.1st series New York: William Helburn, Inc., 1923. II A survey of the interior architecture of New England colonial houses, using photographs and measured drawings. Gardner, G.C. "Colonial Architecture of Western Massachusetts." American Architect and Building News 45 (15 September 1894): 99-100. II Briefly reviews some colonial-era architecture in small Massachusetts towns. Garrett, Wendell. <hi>American Colonial: Puritan Simplicity to Georgian Grace</hi> New York: The Monacelli Press, 1995. II A generalized survey of colonial architecture and design that attempts to place the buildings in a historical context; contains many photographs of present-day renovations and reconstructions. Gebhard, David. "The American Colonial Revival in the 1930s." Winterthur Portfolio 22 (Summer-Autumn 1987) : 109-148. II An insightful analysis of colonial revival architecture in the 1930s that attempts to determine the reasons for its popularity. Gebhard, David and Harriette Von Breton. <hi>Los Angeles in the Thirties, 1931-1941</hi> Los Angeles: Hennessey and Ingalls, 1989. II Overview of the architectural context in Los Angeles, including the role of Spanish Colonial revival styles. From the "California Architecture and Architects" series, with bibliographical references and index. Gebhard, David. "Royal Barry Wills and the American Colonial Revival." Winterthur Portfolio 27 (Spring 1992): 45-74. II Looks at the work of one of the most successful colonial revival architects of the Twenties and Thirties, now a forgotten figure in American architecture. Gebhard, David. "The Spanish Colonial Revival in Southern California (1895-1930)."Journal of the Society of Architectural Historians 26 (May 1967): 131-147. II Gebhard analyzes the Colonial Revival architecture of Southern California, dividing it into two phases: the Mission Revival (1880s-1910s) and the Hispanic Revival (1910s-1930s). He also argues for the Colonial Revival's role in inspiring early twentieth century avant-garde movements in the region. Gebhard, David. <hi>Santa Barbara: The Creation of a New Spain in America</hi> Santa Barbara: University Art Museum, 1982. II Exhibit catalog of plans, elevations, sketches and designs proposed, but usually not built, between 1896 to 1982. Gebhard's introduction offers a thorough account of how the Spanish Colonial Revival took root in Santa Barbara. "Georgian Architecture in America." The Architect's Journal 103 (4 April 4 1946): 267-270.II A largely pictorial review of the 1946 Victoria and Albert Museum exhibit on Georgian architecture, featuring limited exterior views of the Headmaster's House at Phillips-Exeter Academy, the Porter House (Hadley, Massachusetts), Mount Vernon, the Elisha Morgan House (Cortland, New York), the University of Virginia Rotunda, and the Pirate and John Mead Howells houses (Charleston). "The Georgian House." The American Architect 117 (7 January 1920): 5-6. II Promotes the Georgian style as patriotic, specifically referencing the Robinson house (Long Island, NY) by John Russell Pope, an architect known more for his classical work. "The Georgian Period." Architectural Record 54 (August 1923): 197.II An unattributed book review in the "Notes and Comments" sections credits the new edition of the 1898 original for its "vast store of accurate information... it is safe to say that no book of its character... has been nearly so exhaustive in scope, has exercised a more profound, more enduring, or a more wholesome influence". Effusely praises the reissue of this six-volume folio set as a pioneer effort in awakening a consciousness about America Colonial and Georgian architecture. "A Georgian Revival." Architectural Record (September 1913): 230 .II An unattributed and positive editorial in "Notes and Comments" observing that Boston newspapers were "urging local architects to devote themselves with ever greater unanimity to this one style". Gibson, Louis H. <hi>Beautiful Houses: A Study in House-building</hi>New York: Thomas Y. Crowell & Company, 1895. II A primer on domestic architecture in France, England, Switzerland, and America, including a chapter on Old Colonial Architecture, "the best known example of an architectural expression of the character of a people." While the chapter focuses on temple-fronted houses, later examples in chapters on house plans and details show variations of colonial adaptations. Gibson, Louis H. "True Architecture." The American Architect and Building News 89 (31 March 1906): 111-114. II In the context of a speech about what architecture should be, the author praises colonial architecture but chastises colonial revival work for its lack of character. Glenn, Thomas Allen. <hi>Some Colonial Mansions and Those Who Lived in Them</hi> Philadelphia: Henry T. Coates & Company, 1897. II The story of fourteen colonial mansions (Westover, Morven, Cedar Grove, Bohemia Manor, the Van Rensselaer mansion, Rosewell, Shirley, Carter's Grove, Clermont, Doughoregan Manor, Graeme Park, Brandon, Berkeley and Tuckahoe) and the powerful families that owned them. An interesting early attempt to combine architectural and social history. Goforth, W. Davenport, and William J. McAuley. <hi>Old Colonial Architectural Details in and around Philadelphia</hi> New York: W. M. Helburn, 1890. II Fifty plates of drawings of details (column capitals, balustrades, stairways, etc.) from colonial buildings in the Philadelphia area. Goodnow, Ruby Ross, and Rayne Adams. <hi>The Honest House</hi> New York: The Century Co., 1914. II A guide for the potential small house builder that promotes colonial-inspired interiors and exteriors. Greenberg, Allan C. <hi>Allan Greenberg: Selected Works</hi>, Vol. 39, Architectural Monographs. London: Academy Editions, 1995. II A monograph on the work of one of the most rigorous colonial revivalists of the late twentieth century. Contains short essays by Greenberg and Carroll William Westfall. Greene, Virginia A. <hi>The Architecture of Howard Van Doren Shaw</hi> Chicago: Chicago Review Press, Inc. , 1998. II Examines the work of architect Howard Van Doren Shaw (1869-1926), the designer of many Georgian Revival houses in the northern suburbs of Chicago. Hamlin, Talbot. <hi>The American Spirit in Architecture</hi> New Haven: Yale University Press, 1926.II Encyclopedic format devotes separate chapters to Later Colonial style in the New England, the Central Colonies, and the South, with separate chapters on "Architecture in the North: 'Late Colonial'" the Spanish Renaissance, and "Memorials, Monuments and Expositions". Captions and photographs also include details, such as so-called 17th-century wall painting, paneled walls, many interiors, mantels, and doorways. A Liberty Bell edition from "The Pageant of America: A Pictorial History of the United States" series. Hamlin, Talbot F. "Americana: Spirit of Early Buildings Transcends Periods." Pencil Points 19 (October 1938): 655-662. II An attempt to determine the American spirit in architecture, in order to made a correct assessment of contemporary work; in doing so, Hamlin praises the colonial originals but criticizes Colonial Revival for its lack of spirit. Hammond, John Martin. <hi>Colonial Mansions of Maryland and Delaware</hi> Philadelphia and London: J.B. Lippincott Co., 1914.II Sixty-five illustrations of "colonial survivals" intended to portray revival motifs. Concentrates on Annapolis, Maryland and New Castle, Pennsylvania houses, family ownership, genealogical connections that influenced architectural style, some mention of expense, and a few interesting interior details. Handlin, David P. <hi>The American Home: Architecture and Society, 1815-1915</hi> Boston and Toronto: Little, Brown and Company, 1979. II This book provides an extensive social and cultural history of American home life during the period when the Colonial Revival arose and became popular. While not addressing style, it touches on many issues that affected domestic life and architecture during the period. Hardwicke, Mary Greer. "Town Houses and the Culture of Recall: Public Buildings and Civic Values and the Architectural Firm of Kilham, Hopkins & Greeley, 1900-1930." Ph.D. dissertation,Boston College, 1987. II Examines the many city halls and municipal buildings in New England designed by Kilham, Hopkins & Greeley, most of which were in a colonial style. Hardwicke relates the Colonial Revival to a "culture of recall" developed by middle and upper classes as a response to a perceived moral crisis in American society. Hartman, George E. <hi>Hartman-Cox: Selected and Current Works</hi> Mulgrave, Australia: The Images Publishing Group Pty. Ltd. , 1994. II A collection of late-twentieth century classical and colonial-inspired work across America by the architectural firm of Hartman-Cox. With an introduction by Richard Guy Wilson. Heilbrun, M., ed. <hi> Inventing the Skyline: The Architecture of Cass Gilbert. </hi> New York: Columbia University Press/New York Historical Society, 2000. II Based on the New York Historical Society's Gilbert collection and subsequent exhibition. Includes biographical timeline, significant commissions, and essays by separate contributors on Gilbert's practice, the use of drawings in his office, specific projects, Gilbert's responses to historic open space, and his New York skyscrapers. Herbert, William. <hi>Houses for Town or Country</hi> New York: Duffield & Co. , 1907. II A survey of American town and country homes; promotes colonial adaptations along with a number of other styles. Hewitt, Mark Alan. <hi>The Architect & the American Country House, 1890-1940</hi> New Haven and London: Yale University Press, 1990. II In this survey of American country houses, Colonial and Hispanic Revivals are briefly discussed and illustrated. Hitchcock, Henry-Russell. <hi>American Architectural Books</hi>. New Expanded Edition New York: Da Capo Press, 1976. II A list of books, portfolios, and pamphlets on architecture and related subjects published in America before 1895. Hitchcock, Henry-Russell. "American Colonial Architecture." The Architectural Review 99 (May 1946): 151-152.II A relatively harsh review of the “American Colonial Architecture”exhibit at the Victoria and Albert Museum in London. Hitchock criticizes the exhibition for omitting architectural examples from the true Colonial period, suggesting that the exhibit should have been more accurately titled “Georgian Architecture". He concludes that the poor quality of photography and inaccurate captions were “unprofessional” and likely to engender disinterest in early American architecture. Holdon, Wheaton A. "The Peabody Touch: Peabody and Stearns of Boston, 1870-1917." Journal of the Society of Architectural Historians 32 (May 1973): 114-131. II The architectural firm of Peabody and Stearns was a major Boston presence, and Robert S. Peabody was an early promoter of the modernized Colonial Revival. Holman, E.E. "Colonial Style in Bungalows." The International Studio 35 (July 1908): XXII. II An architect explains his merger of the colonial and bungalow styles for a house in Corscana, Texas. Howe, Lois L., and Constance Fuller. <hi>Details From Old New England Houses</hi> New York: The Architectural Book Publishing Co. , 1913. II Measured drawings of the details of Early American houses in New England by two female architects. Howells, John Mead. <hi>The Architectural Heritage of the Piscataqua: Houses and Gardens of the Portsmouth District of Maine and New Hampshire</hi> New York: Architectural Book Publishing Company, Inc. , 1937. II An architectural history of the Piscataqua region with over three-hundred photographs and measured drawings of 17th- and 18th-century buildings, by a prominent architect of the 1930s; also includes a detailed historical introduction by William Lawrence Bottomley, one of the leading Colonial Revival architects of the twentieth century. Howells, John Mead. <hi>Lost Examples of Colonial Architecture</hi> New York: William Helburn, Inc., 1931. II A collection of photographs from altered or destroyed colonial-era public and private buildings. Humelsine, Carlisle H. "Fifty years of Colonial Williamsburg." Antiques 110 (December 1976): 1267-1291. II Briefly recounts the history of the Williamsburg reconstruction with many historical and contemporary photographs. Isham, Norman M., and Albert F. Brown. <hi>Early Connecticut Houses: An Historical and Architectural Study</hi> Providence: The Preston and Rounds Company, 1900. II An historical book based on extensive fieldwork; designed to further interest in colonial architecture. Isham, Norman M. and Albert F. Brown. <hi>Early Rhode Island Houses</hi> Providence: Preston & Rounds, 1895.II One the earliest examples of a thorough, 'scientific' and scholarly approach in colonial architecture studies, featuring measured plans, sections, and elevations augmented by inventories and field research. Ivers, Louise. "Cecil Schilling, Long Beach Architect." Southern California Quarterly 79 (Summer 1997): 171-204.II As architect, president of the Long Beach Architecture Club in the 1930s, and Arthur B. Benton's nephew, Schilling (1890-1940) introduced Spanish Renaissance and other 'avant-garde' styles to Long Beach ahead of his time, according to Ivers. Although many buildings were lost to urban renewals in the 1970s, the author's illustrations helpfully compare many of Schilling's solutions to architectural designs from Parisian surveys in his personal library. J.A.F. "An Architectural Masquerade." American Architect and Building News 12 (9 September 1882): 120-121. II Criticizes American colonial architecture by implying that it is unfit for emulation and revival. J.M.B. "A Few More Words About Queen Anne." American Architect and Building News 2 (6 October 1877): 320-322. II A British writer seconds Robert S. Peabody's call (in the same journal six months earlier) for closer attention to American colonial as the basis for a national style. Jackson, Joseph. <hi>American Colonial Architecture: Its Origin and Development</hi> Philadelphia: David McKay Co. , 1924. II Examines the architecture of the colonial era, focusing on regions rather than styles; unique in its inclusion of French colonial architecture in Canada and New Orleans. Kaynor, Fay Campbell. "Thomas Tileston Waterman: Student of American Colonial Architecture." Winterthur Portfolio 20 (Summer-Autumn 1985): 103-147. II Waterman was one of the foremost historians of colonial architecture in the early twentieth century and a leading figure in the early preservation movement. Kelly, J. Frederick. <hi>The Early Domestic Architecture of Connecticut</hi> New Haven: Yale University Press, 1924. II A history of Connecticut colonial houses, based on extensive measuring and drawing of existing buildings. Kendell, Douglas. "Wallace Nutting at Wethersfield: The Colonial Revival and the Joseph Webb House." Connecticut Antiquarian 40 (1989): 7-19. II The former director of the Webb-Deane-Stevens Museum provides a concise biographical review of Nutting, and his purportedly unsuccessful stint as curator of the Webb House between 1916 and 1918. Includes many of Nutting's romanticized interior photographs, illustrating his unique design aesthetic. Kennedy, Roger G. <hi>Mission: The History and Architecture of the Missions of North America</hi> Boston and New York: Houghton Mifflin Company, 1993. II A general survey of Spanish colonial mission architecture with wonderful photographs. Kimball, Fiske. <hi>Domestic Architecture of the American Colonies and of the Early Republic</hi> New York: Charles Scribner's Sons, 1922. II One of the first scholarly treatments of the domestic architecture of the colonial period by a pioneer American architectural historian. Kingman, Ralph Clarke. <hi>New England Georgian Architecture</hi> New York: The Architectural Book Publishing Company, 1913. II Fifty-five measured drawings of details from New England 17th- and 18th-century buildings. Kingsley, Karen. "Designing for Women: The Architecture of Newcomb College." Louisiana History 35 (Spring 1994): 183-200. II A discussion of James Gamble Rogers' "Southern Colonial" design for Newcomb College (1911-17), focusing on the desire of the girls college to distinguish itself from the "masculine" architecture of nearby Tulane University. Lamb, Martha J., ed. <hi>The Homes of America</hi> New York: D. Appleton and Company, 1879. II A history of some famous American houses. Includes a section on the Colonial period, in which the author claims colonial architecture was merely a practical adaptation to environmental and social conditions that did not reflect any "peculiar moral, religious, social or intellectual idea." Lee, W. Duncan. "The Renascence of Carter's Grove." Architecture 67 (April 1933): 185-195. II The story of the twentieth century restoration of the Carter's Grove mansion told by the architect in charge. Little, Arthur. <hi>Early New England Interiors</hi> Boston: A. Williams and Co., 1878. II A collection of sketches of details and views from the interiors of New England colonial-era homes. Lounsbury, Carl R. "Beaux-Arts Ideals and Colonial Reality: The Reconstruction of Williamsburg's Capitol, 1928-1934." Journal of the Society of Architectural Historians 49 (December 1990): 373-389. II An examination of how Beaux-Arts design principles influenced the architects who reconstructed the Virginia Capitol, resulting in a conflict between classical ideals and historical reality that shaped design decisions in the restoration of Colonial Williamsburg. Maas, John. "Architecture and Americanism or Pastiches of Independence Hall." Historic Preservation 22 (April-June 1970): 17-25. II The author documents American buildings across the country which are patterned after (or replicas of) Independence Hall. Maas, John. <hi>The Victorian Home in America</hi> New York: Hawthorn Books Inc., 1972. II A study of American domestic architecture in the Victorian era that looks briefly at the colonial revival, the Shingle and Queen Anne styles, but makes no connections among them. Magruder, Charles. "The White Pine Monograph Series."Journal of the Society of Architectural Historians 22 (March 1963): 39-41. II The White Pine Series of Architectural Monographs, published by the White Pine Bureau from 1915 to 1940, were an important source of photographs and measured drawings for twentieth-century Colonial Revival architects. Mason, George C., Jr. "Colonial Architecture I." American Architect and Building News 10 (13 August, 20 August 1881): 71-74, 83-85. II A report delivered to the American Institute of Architects in 1880, calling for research into our colonial architectural heritage in an attempt to learn the principles that shaped and guided architecture in the colonial period. Masson, Kathryn and James Chen. <hi>Santa Barbara Style</hi>New York: Rizzoli, 2001. II Photographic review of Colonial Revival 'masterpieces' built mainly in the early 20th century, such as Casa del Herrero and Lotusland, with basic histories and construction accounts. Related to Susan Sully's Savannah Style and Charleston Style reviews. Matheson, Donald Wesley. "To grandfather's house we'll go": New England and the Colonial Revival of the Mid-Nineteenth Century." M.Arch.H. thesis,University of Virginia, 1992. II Examines the colonial revival architecture of the Boston area from the 1850s and 1860s, which is often overlooked as a "survival" rather than a revival. Argues that the revival was both a reaction to the Greek Revival and an ideological statement. Matheson, Timothy M. "The Architecture of Oil: The Colonial Revival in Beaumont, Texas, 1902-1914." East Texas Historical Association Journal 27 (1989): 3-15. II A look the domestic architecture of the wealthy elite of Beaumont, Texas - an oil town that came to prominence in 1901 - and the relationships between the town's colonial revival designs and the wider national movement. May, Bridget A. "Progressivism and the Colonial Revival: The Modern Colonial House, 1900-1920." Winterthur Portfolio 26 (Summer-Autumn 1991): 107-122. II An interesting article that analyzes colonial revival domestic architecture as an outgrowth of social and political progressivism. Maynard, Barksdale. "'Best, Lowliest Style!': The Early-Nineteenth-Century Rediscovery of American Colonial Architecture."Journal of the Society of Architectural Historians 59 (September 2000. II Summarizes and illustrates a series of "picturesque perceptions of the Colonial" considered the ideal in the 1870s, including simplicity and solidity, smallness and lowness, retirement and embowerment, and material or stylistic preferences, with detailed text support. Maynard, William Barksdale. "The Picturesque and American Architecture: A Reappraisal." Ph.D. dissertation,University of Delaware, 1997. II Argues that the renewal of interest in colonial architecture during the nineteenth century was partially due to the increased influence of Picturesque thought. McMillian, Elizabeth, with photography by Melba Levick; foreword by David Gebhard. <hi>Casa California: Spanish Style Houses from Santa Barbara to San Clemente</hi> New York: , Rizzoli, 1996. II Gebhard's introduction breaks Spanish Colonial architecture into the Mission style from 1890 to 1920, and the Mediterranean style from 1920 to 1940, both admittedly based on a largely fictional architectural heritage. Lavish photographs illustrate a progression that culminates with Ricardo Legorreta's 1991 Greenberg House in Brentwood. McMillian, Elizabeth Jean and Matt Gainer. <hi>California Colonial : the Spanish and Rancho Revival Styles</hi> Atglen, Penn.: Schiffer Publishers, 2002. II Views, essays and information on 25 Southern Californian beach houses, representing different architectural styles (including Spanish Colonial, Mission and Mediterranean styles), with narrative rationales by the designers and clients. McKim, Charles Follen, ed. <hi>New-York Sketch-Book of Architecture</hi>. 3 vols New York: E.P. Dutton & Co., 1874-1876 . II An important journal of drawings and photographs published in three volumes between January, 1874, and December, 1876. The journal was edited by Charles Follen McKim, one of the first promoters of the Colonial Revival, and Henry Hobson Richardson. In the first issue, McKim wrote of the need to preserve "some record of the early architecture of our country, now fast disappearing;" other issues included colonial work like the Berkeley and Robinson houses in Newport. McKim, Mead & White. <hi>The Architecture of McKim, Mead & White in Photographs, Plans and Elevations</hi> New York: 1915-1920; reprint New York: Dover Publications, Inc., 1990. II A reprint of "A Monograph of the Work of McKim, Mead & White 1879-1915," (1915-1920), with an introduction by Richard Guy Wilson. Metcalf, Pauline C. <hi> Ogden Codman and the Decoration of Houses</hi> Boston: The Boston Athenaeum and David R. Godine, Publishers, 1988. II Essays by Metcalf, Nicholas King, Christopher Monkhouse, Henry Hope Reed and Richard Guy Wilson support Codman's reputation as a decorator of "suitability, simplicity and taste". Includes illustrations, detailed chronology, a list of commissions, and a roster of measured drawings. Middleton, G.A.T. "English 'Georgian' Architecture. The Source of the American 'Colonial" Style.'" Architectural Record 9 (October 1899): 97-108. II An early attempt to trace the English roots of colonial Georgian architecture. Miller, Claude H. "Building an Early American Home." Country Life 57 (April 1930): 41-42, 96, 114. II Describes the process of building a modern home in New Jersey based on a 1730 model; concludes that such a home is practical and cost-effective. Miller, Rod. "Jens Fredrick Larson and Collegiate Georgian Architecture." Ph.D. dissertation,University of Louisville, 1998. II Boston-based Larson (1891-1981) cemented his success as a campus architect and planner with his book, Architectural Planning for the American College(1933), but intentionally designed in the Georgian Revival style despite the rise of Modernism. Miller investigates the contrast between the motives and benefits of traditionalism and Modernism. Mizner, Addison. <hi>Florida Architecture of Addison Mizner</hi> 1928; reprint New York: Dover Publications, Inc., 1992. II A monograph of the work of Addison Mizner (1872-1933), who specialized in Mediterranean Revival resort hotels and mansions in Florida during the early twentieth century. With an introduction by Donald W. Curl. Mitchell, William R., Jr. <hi>J. Neel Reid, Architect, of Hentz, Reid & Adler and the Georgia School of Classicists</hi> Savannah, GA: Golden Coast Publishing, 1997.II The former director of the Georgia Historic Commission's Historic Site Survey and initiator of the state's National Register revisits the career of Atlanta-based architect, Joseph Neel Reid (1885-1926). The Alabama-born Neel Reid trained at Columbia University and briefly, at the Ecole de Beaux Arts, and frequently relied on the American Georgian style to impart status to mansions built during Atlanta's early 1900s suburban boom, in the Druid Hills subdivision and elsewhere. Monkhouse, Christopher. "The Making of a Colonial Revival Architect." In <hi>Ogden Codman and the Decoration of Houses,</hi> Pauline C. Metcalf, (ed.), Boston: The Boston Athenaeum and David R. Godine, Publishers,, 1988,49-64. II Biographical review of Ogden Codman's development, education, early designs and collaborations with Herbert Browne, through sketches and photographs of various house projects and furnishings. Moore, Charles. <hi>The Life and Times of Charles Follen McKim</hi> Boston: Houghton Mifflin, 1929.II Moore's chapter on "Puritan Liberalism and Pagan Austerity in New England Architecture" and concluding chapter, "Twenty Years After", will be of particular interest. Appendices include a full office roster of the firm, and a chronology; all major projects and many excerpts from correspondence are included, with most illustrations taken from Alfred Hoyt Granger's 1913 publication. Murphy, Rhoda Jaffin. "Apostle of Americana." House Beautiful 133 (May 1991): 24, 28, 122, 146.II A concise, popular biography of Wallace Nutting, describing his influential role as one of the first Americans to value "Pilgrim Century furnishings", and how this attitude motivated his commercial photography and furniture reproduction businesses. Newcomb, Rexford. <hi>The Colonial and Federal House: How to Build An Authentic Colonial House</hi> Philadelphia & London: J.B. Lippincott Company, 1933. II A "how-to" book from Lippincott's Home-Maker Series that provides information on the various details of colonial architecture and how to bring them together for a modern adaptation. Newcomb, Rexford. <hi>The Spanish House for America, Its Design, Furnishing, and Garden</hi> Philadelphia: J.B. Lippincott Company, 1927. II Catalogs the history and design elements of the "sun-loving" Spanish Colonial style for potential homeowners. Newcomb, Rexford. <hi>Spanish-Colonial Architecture in the United States</hi> New York: J.J. Augustin, 1937. II One of the earliest scholarly attempts to promote the architecture of the Spanish colonists as an important historical resource as well as a model for modern design; the last chapter presents examples of contemporary architecture based on such precedents. "New Types of Small Houses That Combine Beauty and Efficiency." The Craftsman 30 (July 1916): 392-395, 421-423. II A review of small country homes designed by Aymar Embury. Northend, Mary H. <hi>Historic Homes of New England</hi> Boston: Little, Brown and Company, 1914. II Tells the stories of twenty-one historic New England homes and the people who lived in them; includes descriptions of their early-twentieth-century interiors. <hi>Old Colonial Brick Houses of New England</hi> Boston: Rogers and Manson Company, 1917. II Photographs and measured drawings of the exteriors of brick houses from colonial New England, for use by architects "who may employ them as documents in work they are designing." O'Neal, William B., and Christopher Weeks. <hi>The Work of William Lawrence Bottomley in Richmond</hi> Charlottesville: University Press of Virginia, 1985. II Discusses the career of William Lawrence Bottomley, one of the leading colonial revival architects of the Twenties and Thirties, focusing on his work in Richmond, Virginia. Openo, Woodard Door. "The Summer Colony at Little Harbor in Portsmouth, New Hampshire, and its Relation to the Colonial Revival Movement." Ph.D. dissertation,University of Michigan, 1990. II Examines the architecture designed for a summer colony of Boston elites who collected early Americana and promoted a wide range of artistic activities. Argues that "shingle style" architecture was not stylistically distinct from Colonial Revival or Queen Anne, and should more accurately be termed "shingled Colonial." Palliser, Palliser & Co. <hi>Palliser's New Cottage Homes and Details, Containing Nearly Two Hundred & Fifty New & Original Designs in all the Modern Popular Styles</hi> New York: Palliser, Palliser & Co., 1887. II One example from the many builders' books of the late nineteenth and early twentieth century that helped to popularize the colonial style (see, e.g., Design 122 - the "Old Colonial"). Peabody, Robert S. "The Georgian Houses of New England. - II." American Architect and Building News 3 (16 February 1878): 54-55. II In this second part of his series on New England Georgian, Peabody comments on the qualities which make American colonial architecture worthy of emulation - "its disciplined and almost universal refinement and dignity, as well as the absence of vulgarity and eccentricity even when display is attempted. These virtues, not too common in our days, lend an added charm to it for us." Peabody, Robert S. "A Talk About "Queen Anne"." American Architect and Building News 2 (28 April 1877): 132-133. II The text of a speech on the English Queen Anne movement by the prominent Boston architect. Concludes with words of praise for American colonial architecture. Peabody, Robert S. "Georgian Houses of New England." American Architect and Building News 2 (20 October 1877): 338-339. II Promotes American Georgian mansions as guides to appropriate architectural design. Peet, Stephen D. "Architecture in America." American Architect and Building News 66 (21 October 1899): 22-23. II A call for an American style based on the domestic architecture of the colonial past. "The Quality House": That's What We Are Building Today in America." The Craftsman 31 (November 1916): 148-153, 185-186. II Presents a variety of contemporary colonial revival houses. Quinlan, Marjorie L. "Spanish Revival Homes in Buffalo." Niagara Frontier 28 (1981): 1-23.II Review of in-vogue architectural style, far removed from its sources in a more temperate climate. Randall, T. Henry. "Colonial Annapolis." Architectural Record 1 (January-March 1892): 309-343. II An early historical work that praises colonial buildings for "their simplicity, their dignity, their refinement of detail and the good common sense generally that pervades them throughout," and describes existing colonial architecture in Annapolis. Reynolds, Marcus T. "The Colonial Buildings of Rensselaerwyck." Architectural Record 4 (January-March 1895): 415-438. II Reviews the great colonial mansions of the Albany, New York area. Rhoads, William B. "Charles S. Keefe: Colonial Revivalist." Preservation League of New York State Newsletter 11 (September/October 1985): 4-5. II Very brief biographic on Keefe's influence as a "much-published" house designer of "Colonial Revival suburban and country houses" during the 1920s, across eighteen states. Based in New York, Keefe (1876- 1946) also edited the 1923 version of The Georgian Period and published The American House in 1922. Rhoads, William B. <hi>The Colonial Revival</hi>. 2 vols New York and London: Garland Publishing, Inc., 1977. II One of the most extensive analyses of Colonial Revival architecture. Investigates why the movement came into being in the nineteenth century and why it continued to thrive into the twentieth. Covers the 1870s to the mid-1920s. Rhoads, William B. "The Colonial Revival and American Nationalism." Journal of the Society of Architectural Historians 35 (December 1976): 239-254. II An examination of the patriotic aspects that helped to motivate early Colonial Revival. Rhoads, William B. "The Discovery of America's Architectural Past, 1874-1914." Studies in the History of Art 35 (1990): 23-39.II A concerted and useful historiography on the study of Colonial architecture, beginning with Robert Peabody's rediscovery of Langley and Benjamin in the 1870s, through John Maass' 1969 admonition that colonial studies were, up to that point, bourgeois in focus. Concise summaries on George Champlin Mason Sr. and Jr., Norman Isham, Aymar Embury II, Glenn Brown, Ann Hollingsworth Wharton, E. Eldon Deane, John Martin Hammond, Joseph Everett Chandler, William Roth Ware, Montgomery Schuyler, Charles McKim and others, with particular attention on the importance of measured drawing, and colonial architecture as a "required part of architectural training" after the 1870s. Rhoads, William B. "Donald G. Mitchell and the Colonial Revival Before 1876." Nineteenth Century 4 (Autumn 1978): 76-83. II The story of an early promoter of Colonial Revival who designed the Connecticut building in a colonial manner for the 1876 Centennial Exposition. Rhoads, William B. "Franklin D. Roosevelt and Dutch Colonial Architecture." New York History 59 (October 1978): 430-464.II Demonstrates how FDR's awareness of his Dutch roots, as well as his affection for Thomas Jefferson, led to his direct involvement with the redesign of Hyde Park in 1915, as well as the originating Dutch Colonial influence behind a proposed library and various post offices throughout Duchess County, New York. Includes plans sketched by FDR and excerpts from correspondence. Rhoads, William B. "The Rediscovery of America's Architectural Past, 1874-1914." In <hi>The Architectural Historian: A Symposium in Celebration of the Fiftieth Anniversary of the Founding of the Society of Architectural Historians,</hi> Elisabeth Blair MacDougall (ed.). Washington, D.C.: National Gallery of Art, 1990. II Records the discovery of America's colonial architecture by architects of the late nineteenth and early twentieth centuries. Rhoads, William B. "Roadside Colonial: Early American Design for the Automobile Age." Winterthur Portfolio 21 (Summer/Autumn 1986): 133-152. II An interesting look at a popular culture adaptation of the colonial revival - the gas station. Robertson, Jaquelin T. "Jaquelin T. Robertson." Architectural Design 56 (9 1986): 14-29. II Six examples of colonial-inspired work in the 1980s by architect Jaquelin Robertson. Robinson, Ethel Fay, and Thomas P. Robinson. <hi>Houses in America</hi> New York: The Viking Press, 1936. II Targeting the potential homeowner, this book contains a general summary of Spanish, French, Dutch, Swedish, German and English colonial traditions, essays on materials, and chapters on "Modern Plans," "Modern Houses," and "Helpful Hints." Rogers, Muriel B. "John Hartwell Cocke's Bremo Recess: The Romantic Colonial Revival Comes to Ante-Bellum Virginia." Bulletin of the Fluvanna County Historical Society 61 (1996): i-iii, 1-40.II Details General John Hartwell Cocke's rejection of Palladianism, despite his collaboration with Jefferson and the University of Virginia Board of Visitors from 1816-1851, in preference for the eclectic Jacobethan design of Bremo Recess (1803-1835) with John Neilson. Explains the Cockes family's ties to Malvern Hill, Bacon's Castle, and Washington Irving's Sunnyside. Roth, Leland. <hi>McKim, Mead & White, Architects</hi> New York: Harper & Row, 1983. II A monograph on the most prestigious American architectural firm at the turn of the century; includes discussions of their Colonial Revival and Shingle Style designs. Rowe, Henry W. "Reflections Gleaned From a Colonial Scrapbook." The American Architect 109 (29 March 1916): 202-207. II Notes in praise of rural colonial architecture in Hollis, New Hampshire, Nantucket, Massachusetts, and Lyme, Connecticut. Ruff, Joshua, and William Ayres. "H. F. du Pont's Chestertown House, Southampton, New York." Antiques 160 (1 July 2001): 98-107. II Interior views of du Pont's Long Island mansion from the Winterthur collection, as it was furnished in 1925 and 1927. Includes views of the library, dining room, entry hall, first floor bedroom, and porch. Essentially, visually summarizes the Long Island Museum of American Art exhibit, "Improving the Past: The Colonial Revival on Long Island". Sale, Edith Tunis. <hi>Colonial Interiors</hi>. 2nd series New York: William Helburn, Inc., 1930. II A continuation of Leigh French, Jr.'s first series, using examples of colonial interiors from Maryland, Virginia and North Carolina. Sale, Edith Tunis. <hi>Interiors of Virginia Houses of Colonial Times</hi> Richmond: William Byrd Press, Inc. , 1927. II A survey of the interior architecture and decoration of forty-two Virginia houses from the late-seventeenth to early nineteenth centuries. Saylor, Henry H. <hi>Distinctive Homes of Moderate Cost</hi>. Third edition New York: McBride, Nast & Company, 1913. II Intended for home builders and buyers, this book provides examples of many different styles of architecture and furnishings, including colonial. Schuler, Stanley. <hi>The Cape Cod House: America's Most Popular Home</hi> Exton, Penn.: Schiffer Publishing Ltd., 1982. II Photographs and plans of historical and modern Cape Cod houses. Shurcliff (Shurtleff), Arthur A. <hi>Mount Vernon and Other Colonial Places of the South</hi> Washington, D.C.: U.S. George Washington Bicentennial Commission, 1932.II Shurcliff's assessment of landscape and planning restorations at important Colonial sites, written shortly after his presidency of the American Society of Landscape Architects (1927-1932) and during his restoration work at Williamsburg.(Shurcliff changed his name from "Shurtleff" at some point, and subsequent references will include both names.) Shurtleff (Shurcliff), Arthur A. "Design of Colonial Places in Virginia." Landscape Architecture 19 (April 1929): 163-169.II A period piece that quaintly theorizes how colonials began applying English and French design to Virginian estates, such as Castle Hill (Albemarle Country) and Blanfield (Essex Country). Schuyler, Montgomery. "A History of Old Colonial Architecture." Architectural Record 4 (January-March 1895) : 312-366. II A far-ranging history of early American architecture that, despite its title, goes well into the nineteenth century with such works as the United States Capitol and the University of Virginia. Includes brief discussions of Dutch and Spanish colonial architecture. Scully, Vincent J., Jr. <hi>The Shingle Style and the Stick Style: Architectural Theory and Design from Richardson to the Origins of Wright</hi>. Revised edition New Haven and London: Yale University Press, 1971. II Details the development of the Shingle Style in American domestic architecture of the late nineteenth century, as a result of the influences of the English Queen Anne and the American colonial past. Scully, Vincent J., Jr. <hi>The Shingle Style Today or the Historian's Revenge</hi> New York: George Braziller, 1974. II A brief essay that looks at the influence of the Shingle Style on American postmodern architects in the early 1970s. Seabury, Joseph Stowe. <hi>New Homes Under Old Roofs</hi> New York: Frederick A. Stokes Company, 1916. II Documents the "restoration" of thirty-six 17th-19th century farmhouses in the Boston area. Seale, William. <hi>The President's House: a History</hi> Washington, D.C.: White House Historical Association with the cooperation of the National Geographic Society, 1986. II A largely anecdotal account of "one of the best documented houses in the United States," from L'Enfant to the Harrison administration. Clearly illustrated with changing floorplans, excellent period imagery, Presidential library files, and perspectives from the inhabitants. Highlights the preference for Colonial revival styles as a matter of taste with changing administrations. Seale, William. <hi>The White House: the History of an American Idea. </hi> Washington, D.C.: American Institute of Architects Press/ White House Historical Association, 1992.II Second volume covers Cleveland to Truman administrations, with photographs, correspondence and anecdotes about late 19th-century expansion plans, 1927 attic restoration, and 1949-1952 renovation and excavation of sub-basements. Seligmann, Claus. "The Popular Colonial Revival House of the Early Twentieth Century: Some Morphological Observations." Architectural Association Quarterly 12 (1980): 44-51. II The author identifies seven transformations in the development of the popular colonial revival house in the twentieth century from two historical models: the "I" house and the Georgian house. Sexton, Randolph Williams. <hi>Spanish Influence on American Architecture and Decoration</hi> New York: Brentano's, 1927 II Designed to promote the appreciation of Spanish Colonial architecture in the late 1920s. Smith, Robert C. "The Eighteenth Century House in America." Antiques 66 (December 1954): 477-480.II Illustrated with period interiors and the Bodleian sketches of Wren Hall at Williamsburg, Smith advocates a restatement of English and Italian Palladianism as the academic antidote to the "medieval vernacular of our seventeenth-century builders". "Spontaneous Architectural Expression Shown in the Building of American Homes." The Craftsman 12 (August 1907): 515-524. II A review of some of the "good national architecture" expressed in the colonial revival homes of Philadelphia architect David Knickerbocker Boyd. Stevenson, Katherine Cole, and H. Ward Jandl. <hi>Houses By Mail: A Guide to Houses from Sears, Roebuck and Company</hi> Washington, D.C.: The Preservation Press, 1986. II A catalog of hundreds of prefabricated homes available from Sears between 1908 and 1940, the majority of which demonstrate Colonial Revival characteristics. Sturges, Walter Knight. "Arthur Little and the Colonial Revival." Journal of the Society of Architectural Historians 32 (May 1973): 147-163. II An overview of the career of architect Arthur Little, who produced a number of Colonial Revival houses in New England in the late nineteenth century and published a book of sketches entitled Early New England Interiors in 1877. "A Style That Never Grows Old." Popular Mechanics 52 (November 1929): 879-880. II An example of a Popular Mechanics home - Plan No. 5-W-14, a "Cape Cod colonial," which demonstrates the simplicity, economy and good proportions of colonial architecture. "Summary." American Architect and Building News 1 (18 March 1876): 90. II An early call for the preservation of "old buildings" from the previous 200 years, citing them as "superior in style and good breeding." Taylor, Thomas H. "The Williamsburg Restoration and its Reception by the American Public: 1926-1942." Ph.D. dissertation,George Washington University, 1989. II An interesting look at the creation of Colonial Williamsburg and the public response. Teall, Gardner. "The Modern Colonial House: What it Holds of History and Beauty in the Development of an American Architecture." The Craftsman 24 (April 1914): 61-68. II Applauds recent work that turns its back on European imitation and is "suited to our way of living, to our bank accounts, to our climate, to our point of view toward life, beautiful, comfortable, definitely American." "Tradition and Comfort Charmingly Blended in a Modern Colonial Home." The Craftsman 30 (June 1916): 270-277, 319-320. II Argues for the blend of originality and tradition demonstrated in the de Vries house (Ida Grove, IA), by architect Bernhardt Muller; also shows how the New England colonial tradition (here, Dutch Colonial) had penetrated America's heartland. Treese, Lorett. "Through a Looking Glass: Colonial and Colonial Revival Hope Lodge." Pennsylvania Heritage 23 (2) (1997): 30-39.II Prelude to Treese's book (Hope Lodge and Mather Mill), a concise tour of Hope Lodge (1740s) and its Colonial and Colonial Revival features. Underwood, Francis H. <hi>The Colonial House Then and Now</hi> Rutland, VT and Tokyo: Charles E. Tuttle Company, 1977. II An interesting book: after a brief historical section, most of the book uses photographs and plans to compare 1950s-1960s revival houses with their historical prototypes. Upjohn, Richard. "The Colonial Architecture of New York and the New England States."Architectural Review and American Builders' Journal 2 (March 1870): 547-550. II Review of monuments considered stylistically colonial and influential, chiefly interesting in its source from the perspective of a leading Ecclesiological Movement architect. Wallace, Philip B. and M. Luther Miller. <hi>Colonial Houses</hi> New York: Architectural Book Publishing Co., 1931.II Photographic survey showcasing 22 houses that preserve the "pastoral simplicity" of the 18th century, including a selection of brick or stonework houses in Fairmount Park, with elevations, details, interior and exterior photography, and plans. Wallis, Frank E. <hi>Old Colonial Architecture and Furniture</hi> Boston: George H. Polley & Co. Publishers, 1887. II Sketches of details of colonial architecture and furniture from throughout the east coast. Wallis, Frank E. "What and Why is Colonial Architecture." House and Garden 16 (December 1909): 189-192, vi-vii. II An example of an article in a popular journal promoting Georgian architecture and a Colonial Revival - "not a faddish copying but a sincere and studied acceptance of our most precious architectural heritage." Ware, William Rotch, ed. <hi>The Georgian Period: Being photographs and measured drawings of Colonial work with text</hi>. Revised edition New York: U.P.C. Book Company, Inc., 1923. II Originally published by The American Architect and Building News and dating back to 1898, this self-proclaimed "standard authority on Colonial Architecture" in the early twentieth century contains historical commentary and 454 photographs, sketches and measured drawings of colonial buildings ranging from 1623 to 1838 and from areas throughout the eastern and southern portions of the United States. Waterman, Thomas Tileston. <hi>The Dwellings of Colonial America</hi> Chapel Hill, NC: The University of North Carolina Press, 1950. II A scholarly history of colonial domestic architecture, based on the evolution of styles from English sources. Waterman, Thomas Tileston. <hi>The Mansions of Virginia 1706-1776</hi> Chapel Hill, NC: The University of North Carolina Press, 1946. II The story of Virginia's colonial architecture by one of the most prominent architect-historians of the mid-twentieth century. Focuses on tracing the English antecedents of the great plantation houses. Wenger, Mark R. <hi>Carter's Grove: The Story of a Virginia Plantation</hi> Williamsburg,: Colonial Williamsburg Foundation, 1994. II A history of one of Virginia's most famous plantations, including its transformation from a colonial to a Colonial Revival house during a 1930s remodeling. Westcott, Thompson. <hi>The Historic Mansions and Buildings of Philadelphia</hi> Philadelphia: Porter & Coates, 1877. II Tells the histories of thirty-five Philadelphia buildings, many from the colonial period. Whitefield, Edwin. <hi>The Homes of Our Forefathers, Being a Selection of the Oldest and Most Interesting Buildings, Historical Houses, and Noted Places in Boston, Old England, and Boston, New England, From Original Drawings by E. Whitefield</hi> Boston: E.Whitefield and Crocker, 1889; microfilm reprint, Woodbridge, Conn.: Research Publications, 1973. II Twenty sketches of notable British monuments and sites in Boston, England, such as St. Botolph's Church and the half-timbered Three Tuns Inn, followed by sketches from Boston, New England, of 36 sites, including Paul Revere's House, Old South Church, the Old Corner Bookstore, and Hancock Tavern... sketched without "liberties" or a skyline. Formerly housed in the Boston Athenaeum collection. Whitefield, Edwin. <hi>The Homes of Our Forefathers, Being a Selection of the Oldest and Most Interesting Buildings, Historical Houses, and Noted Places in Maine, New Hampshire, and Vermont, From Original Drawings Made On the Spot</hi> Reading, Mass.: E. Whitefield, 1886; microfilm reprint, Woodbridge, Conn. : Research Publications, 1973. II The earliest volume from Whitefield's twelve-year odyssey to preserve accurate images of Colonial-era structures that were already disappearing. Over 100 illustrations, including examples of modest garrison or simple houses, block houses and forts, and historically notable monuments--such as Longfellow's birthplace and home in Portland, Daniel Webster's birthplace, the Old Jail in York, and Philips Academy's hall in Exeter. Includes concise printed descriptions of each site. Whitefield, Edwin. <hi>The Homes of Our Forefathers, Being a Selection of the Oldest and Most Interesting Buildings, Historical Houses, and Noted Places in Massachusetts, From Original Drawings Made On the Spot</hi> Boston: A. Williams and Co., 1879; 1880. (3rd edition); microfilm reprint.Woodbridge, Conn.: Research Publications, 1973. II Three editions featuring 130 images of Massachusetts' historical architecture, from Concord to Revere, and from humble and dilapidated bungalows to Captain John Standish's 17th-century house, Longfellow's mansion in Cambridge, the Old Shot Tower in Somerville, and the first stone bridge in New England (1764), with "no liberties" taken for "merely pictorial effect". Whitefield, Edwin. <hi>The Homes of Our Forefathers, Being a Selection of the Oldest and Most Interesting Buildings, Historical Houses, and Noted Places in Rhode Island and Connecticut, From Original Drawings Made On the Spot</hi> Boston: Whitefield and Crocker, 1882; microfilm reprint, Woodbridge, Conn.: Research Publications, 1973. II Approximately 80 sketches of mainly wooden structures, including Newport in its humbler days, the grave of Boston's first settler, taverns, "deserted" mansions, and saltboxes to a few stone houses. <hi>White Pine Series of Architectural Monographs</hi> 25 vols., 1915-1939. II An extremely important series of monographs originally published by the White Pine Bureau and edited by Russell Whitehead. The monographs were sent free to architects to promote both wood construction and the colonial revival style. After 1924, the monographs continued under the sponsorship of Weyerhaeuser Forest Products, which included former members of the White Pine Bureau commonly known as the Weyerhaeuser Mills. Later, ownership transferred to Editor Russell Fenimore Whitehead. From 1932-1939, the monographs were published in Pencil Points magazine. These monographs had a great effect on architects' understanding of and appreciation for the Colonial Revival, and also served as an impetus for the historic preservation movement. See White Pine Series Index included in this database. Wilson, Christopher. <hi>Facing Southwest: The Life and Houses of John Gaw Meem. </hi> New York and London: W.W. Norton, 2001.II Cross sections, recent photographs and plans demonstrate the particular synthesis of vernacular, Beaux Arts and Romantic tradition that Meem applied to his Santa Fe projects. "Design Patterns" and "Design Idioms" are organized by descriptions of characteristic floorplans, composition, siting, entries, courts, alcoves, fireplaces, ceilings, floor treatments, doors, porches and patios that typify Meem's contribution to the "Territorial Revival". Wilson, Richard Guy. "American Architecture and the Search for a National Style in the 1870s." Nineteenth Century 3 (Autumn 1977): 74-80. II Outlines the search for an American style of architecture in the 1870s, which led many architects to turn to the colonial past for inspiration and guidance. Wilson, Richard Guy. "Architecture and the Reinterpretation of the Past in the American Renaissance" Winterthur Portfolio 18 (Spring 1983): 69-87. II Discusses American architects' and artists' relationship with the colonial past and the Italian Renaissance during the "American Renaissance" (1870s-1930s) as a function of the search for a unique national iconology. Wilson, Richard Guy. "Edith and Ogden: Writing, Decoration, and Architecture." In <hi>Ogden Codman and the Decoration of Houses,</hi> Pauline C. Metcalf, (ed.). Boston: The Boston Athenaeum and David R. Godine, Publishers, 1988, 133-184. II Explains the progress of Edith Wharton's 50-year collaboration with Codman, including the design process for Land's End (Newport), a New York townhouse and the Mount. Reviews correspondence, anecdotes, period photographs, sketches and contemporary literature concerning decoration as an architectural practice, as well as the origins of Wharton and Codman's The Decoration of Houses from 1897. Wilson, Richard Guy. "The Early Work of Charles F. McKim: Country House Commissions." Winterthur Portfolio 14 (Autumn 1979): 235-267. II An examination of the early country houses of Charles F. McKim, who helped to create a colonial revival architecture by merging conceptions of space from English Queen Anne homes with details from American colonial houses. Includes a discussion of McKim's work on the Robinson-Smith House in Newport, RI, the "first example of the colonial revival in the United States." Wilson, Richard Guy. "Charles F. McKim and the Renaissance in America." Ph.D. dissertation,University of Michigan, 1972. II Surveys the early training of Charles F. McKim and his partners in the context of the 1870s and 1880s, as well as ideas about early American architecture and the American discovery of the Renaissance. Wilson, Richard Guy. <hi>McKim, Mead & White, Architects</hi> New York: Rizzoli, 1983.II Well-illustrated monograph reviews the precedents affecting McKim, Mead and White, presenting their achievements in useful project-by-project sections. Wise, Herbert C., and H. Ferdinand Beidleman. <hi>Colonial Architecture for Those About to Build</hi> Philadelphia and London: J.B. Lippincott Co. , 1913. II Intended as a sourcebook for colonial revivalists, containing photographs of exteriors, interiors and details of eighteenth-century buildings in the Philadelphia area. Woollett, William M. <hi>Old Homes Made New: Being a Collections of Plans, Exterior and Interior Views, Illustrating the Alteration and Remodeling of Several Suburban Residences</hi> New York: A.J. Bicknell & Co. , 1878. II An interesting book that praises the "simple and beautiful spirit" of colonial architecture, then explains how to transform any older building into a Queen Anne cottage. Yetter, George Humphrey. <hi>Williamsburg Before and After: The Rebirth of Virginia's Colonial Capital</hi> Williamsburg: The Colonial Williamsburg Foundation, 1988. II Examines the reconstruction of Colonial Williamsburg through before and after photographs. Zaitzevsky, Cynthia. <hi>The Architecture of William Ralph Emerson 1833-1817</hi> Cambridge: Fogg Art Museum, Harvard University, 1969. II A catalogue of works by a largely-forgotten late-nineteenth century architect who specialized in Shingle Style homes. III. Art Ayers, William J., ed. <hi>Picturing History: American Painting 1770-1930</hi> New York: Rizzoli International Publishers, Inc., and Fraunces Tavern Museum, 1993. III Included in this collection of essays on history painting in America are three important essays that touch on the varied types of colonial representation in modern painting and their popular and critical reception: Wendy Greenhouse, "The Landing of the Fathers: Representing the National Past, 1770-1860;" Barbara J. Mitnick, "Paintings for the People: American Popular History Painting 1875-1930;" and Mark Thistlethwaite, "A Fall from Grace: The Critical Reception of History Painting, 1875-1925." Brooklyn Institute of Arts and Sciences. <hi>American Paintings</hi> New York: Museum of the Brooklyn Institute of Arts and Sciences, 1917. III An exhibition catalog from a show of portraits painted in America between 1750 and 1850. An early example of the attempt to "stimulate interest in art of a purely American character." Craven, Wayne. <hi>Sculpture in America</hi>. New and revised edition Newark: University of Delaware Press, 1984. III A survey of American sculpture containing examples of historical and genre sculpture influenced by the Colonial Revival. Fryd, Vivien Green. <hi>Art & Empire: The Politics of Ethnicity in the United States Capitol, 1815-1860</hi> New Haven and London: Yale University Press, 1992. III Tells the stories behind the creation of much of the art in the U.S. Capitol building, including a series of historical paintings by John Trumbull depicting important events from the Revolution. Argues that the art supported national ideals of Manifest Destiny and racial superiority. Hirshler, Erica Eve. "Lilian Westcott Hale (1880-1963): A Woman Painter of the Boston School." Ph.D. dissertation,Boston University, 1992. III Interprets the career of a "Boston School" painter in the context of the Colonial Revival that dominated New England culture in the early twentieth century. Larkin, Susan G. "A Regular Rendezvous for Impressionists: The Cos Cob Art Colony, 1882-1920."Ph.D. dissertation,City University of New York, 1996. III A history of the Cos Cob art colony in Greenwich, Connecticut, that also discusses the impact of the Colonial Revival on American Impressionist artists. McCausland, Elizabeth. <hi>The Life and Work of Edward Lamson Henry N.A. 1841-1919, New York State Museum Bulletin Number 339</hi> Albany: The University of the State of New York, 1945. III Henry was an acclaimed artist who painted genre and historical scenes, often containing buildings. Michaelis, David. <hi>N.C. Wyeth: A Biography</hi> New York: Alfred A. Knopf, 1998. III Investigates the life and work of a premier historical artist/illustrator of the early twentieth century. Pitz, Henry C. <hi>The Brandywine Tradition</hi> Boston: Houghton Mifflin Company, 1969. III A survey of the "Brandywine School" - Howard Pyle, N.C. Wyeth, Frank Schoonover, and other artists associated with the Brandywine River Valley in Delaware. These artists produced a large body of historical and genre paintings - much of it colonial in subject matter - during the early 1900s. Pitz, Henry C. <hi>Howard Pyle: Writer, Illustrator, Founder of the Brandywine School</hi> New York: Clarkson N. Potter, Inc., 1975. III A biography of an important American illustrator, best known for his work in magazines like Scribner's and Harper's New Monthly. Pyle created a number of colonial and Revolutionary-themed works, many of which have become iconic images, such as The Battle of Bunker Hill (1898). Richman, Michael. <hi>Daniel Chester French: An American Sculptor</hi> New York: The Metropolitan Museum of Art, 1976. III Surveys the career of one of America's premier sculptors; includes his statue Minute Man (1874). Rogers, Millard F., Jr. <hi>Randolph Rogers: American Sculptor in Rome</hi> Amherst: The University of Massachusetts Press, 1971. III An artistic biography of a late nineteenth century sculptor who created monuments to many Revolutionary heroes. Sheldon, George William. <hi>Recent Ideals of American Art. 1890</hi>, facsimile edition New York and London: Garland Publishing, Inc., 1977. III A review of late nineteenth century American painting that contains examples of colonial scenes painted by Percy Moran, Carl Marr, F.C. Jones, Walter McEwen, Francis D. Millet, Edwin A. Abbey, and Elizabeth J. Gardner. Skinner, Charles M. "The Domestic Pictures of Frank D. Millet." International Studio 32 (October 1907): cxi-cxx. III Evaluates the technical qualities of Millet's colonial genre paintings and their "agreeable" and "delightful" nature. Smart, Mary. <hi>A Flight with Fame: The Life and Art of Frederick Macmonnies (1863-1937)</hi> Madison, Conn.: Sound View Press, 1996. III A review of the life and work of the sculptor who designed Nathan Hale (1890) and the Princeton Battle Monument: General Washington Refusing Defeat at the Battle of Princeton, January 3D, 1777 (1922). Trumble, Alfred, ed. <hi>Representative Works of Contemporary American Artists. Facsimile edition of 1887 edition</hi> New York & London: Garland Publishing, Inc., 1978. III Contains a few examples of contemporary paintings depicting Revolutionary War and colonial scenes. Weinberg, H. Barbara. "The Career of Francis Davis Millet."Archives of American Art Journal 17 (1 1977): 2-18. III Surveys the career of a turn of the century American painter who specialized in colonial genre scenes. Wilkinson, Burke. <hi>Uncommon Clay: The Life and Works of Augustus Saint Gaudens</hi> San Diego, New York, London: Harcourt Brace Jovanovich, Publishers, 1985. III The biography of America's premier Beaux-Arts sculptor; among his works was The Puritan (1887). Woods, Marianne Berger. "Viewing Colonial America through the Lens of Wallace Nutting." American Art 8 (Spring 1994): 67-86. III Examines the impact of Nutting's faux-colonial photographs on the Colonial Revival movement. IV. Decorative Arts, Furniture, Interiors "The Antique Craze." Cabinet Making and Upholstery 1 (15 March 1884): 30.IV A very brief but whimsical commentary on how "the manufacture of antiques has become a modern industry", which hints at the origins of professional 'distressing'. "The Antiques of Williamsburg." Antiques 63 (May 1953): 160-298. IV An entire issue devoted to antique furniture and decorative objects used in the reconstruction of Colonial Williamsburg. Ames, Kenneth L., ed. <hi> Victorian Furniture: Essays from a Victorian Society Autumn Symposium</hi>[Nineteenth Century: Vol. 8, Nos. 3-4]. Philadelphia: The Victorian Society in America, 1982. IV Two-volume edition features seventeen essays from the symposium which, the editor proposes, demonstrate attentiveness to the emergence of "material culture as a form of nonverbal communication." Contributors who model a variety of new approaches to furniture and design studies include Donald Fennimore, David Hanks, Christopher Monkhouse, Rodris Roth, Page Talbott, Edward Teitelman and Richard Guy Wilson. Includes “The Ironies of Style: Complexities and Contradictions in Decorative Arts, 1850 — 1900” by Harvey Green. Arthur, Catherine Rogers. "The True Antiques of Tomorrow": Potthast Bros., Inc., Baltimore Furniture Craftsmen, 1892-1975." M.A.thesis,University of Delaware, 1999. IV Tells the story of a Baltimore furniture-making firm that has produced hand-crafted reproduction furniture for almost a century. Brazer, Esther Stevens. <hi>Early American Decoration: A Comprehensive Treatise</hi> Springfield, Mass.: The Pond-Ekberg Company, 1940. IV Detailed information on colonial furniture and wall decoration, with practical demonstrations, done in the hope that "Colonial interior decoration will come into its own as a delightful background for daily living." Cantor, Jay E. <hi> Winterthur</hi> New York: Harry N. Abrams, 1985/1997 revision. IV History of the transformation of the du Pont home to a museum after 1951, owing to Henry Francis du Pont's avid conoisseurship of the decorative arts. Throughly illustrated account demonstrates how du Pont's personal collection became a tool of scholarship, and turned the display of objects into an artform. Chamberlain, Samuel. <hi>Beyond New England Thresholds</hi> New York: Hastings House, 1937. IV A photographic essay on the interiors of forty-five houses from the colonial and Early Republican periods, designed to tell the story of the progress of American taste and manners. "Colonial Furniture and Bric-a-Brac." The Decorator and Furnisher 1 (March 1883): 196.IVQuaintly contemporary commentary on seeking value in old things. Cook, Clarence. <hi>The House Beautiful: Essays on Beds and Tables, Stools and Candlesticks. New York: Charles Scribner's Sons, 1881</hi> reprint New York: Dover Publications, 1995. IV A guide to taste in the decoration of the home, which contains scattered references of admiration concerning "old" furniture. Cord, Xenia E. "Marketing Quilts in the 1920s and 1930s." Uncoverings 16 (1995): 139-173. IV Examines the development of a popular market for Colonial Revival kit quilts in the twenties and thirties and the manner in which sentimental rhetoric was used to target potential buyers. Cunningham, Patricia A. , and Susan Voso Lab, eds. <hi>Dress in American Culture</hi> Bowling Green, OH: Bowling Green University Popular Press, 1993. IV A collection of papers on American clothing that contains Beverly Gordon's, "Dressing the Colonial Past: Nineteenth Century New Englanders Look Back," an essay that describes how some mid-nineteenth century people costumed themselves in colonial-type dress as a way of "enacting" the past. Davidson, Marshall B. and Elizabeth Stillinger. <hi> The American Wing at the Metropolitan Museum of Art</hi> New York: The Metropolitan Museum of Art, 1985.IV Helpful visual review of museum holdings acquired since 1924, organized by period and collection type. Includes "Early Colonial, 1630-1730" and "Late Colonial, 1730-1790" headings for sections on period rooms, furniture, silver, pewter, ceramics, glass, and art. Dulaney, William L. "Wallace Nutting: Collector and Entrepreneur." Winterthur Portfolio 13 (1979): 47-60. IV This article describes the activities of Wallace Nutting (1861-1941), a prolific and important collector, photographer, promoter and designer of colonial and Colonial Revival furniture and objects. Dunbar, Jean. "One House at a Time." Preservation 50 (September/October 1998): 60-67. IV Reviews the life and work of Candace Thurber Wheeler, one of the first American women to make a living as a designer. Wheeler co-founded the Associated Artists firm in 1879 along with Louis Comfort Tiffany, Samuel Coleman and Lockwood de Forest. She promoted Colonial Revival styles in architecture, decorative arts and interior design in an attempt to reform the quality of modern life. "Duncan Phyfe, Master Craftsman." American Architect 122 (8 November 1922): 427-429. IV An illustrated description of Phyfe's colonial furniture, published in conjunction with an exhibition at New York's Metropolitan Museum of Art. Eberlein, Harold Donaldson, and Abbot McClure. <hi>The Practical Book of American Antiques Exclusive of Furniture. Revised edition with new supplement</hi> Philadelphia and London: J.B. Lippincott Company, 1929. IV A compendium for "collectors, amateurs and searchers for fine old things," designed to provide "precious knowledge of our artistic heritage." Covers glass, metalwork, needlecraft, silver, pewter, pottery, decorative painting, portraiture and allegorical painting, weaving, fractur, woodblock printing, wood and stone carving and lace. Emlen, Robert P. "Imagining America in 1834: Zuber's Scenic Wallpaper "Vues d'Am_rique du Nord." Winterthur Portfolio (Summer/Autumn 32 1997): 189-210. IV Studies the history of a scenic wallpaper designed by the French company Jean Zuber et Cie in 1834. The forty-nine foot wallpaper, which depicted "a rose-colored view of life in Jacksonian America," became so popular that it was reissued many times between 1854 and 1864, and again in 1880 and 1923. It was a favorite of colonial revivalists, and was even used by Jacqueline Kennedy for the White House's Diplomatic Reception Room. Farnam, Anne. "A.H. Davenport and Company, Boston furniture makers." Antiques 109 (May 1976): 1048-1055. IV A brief history of an important furniture-making company of the late-nineteenth and early-twentieth centuries, which specialized in revival styles and made furniture for the White House and many of Boston and New York's wealthy elite. "The Furniture of Our Forefathers: How it Embodies the History and Romance of Its Period." The Craftsman 24 (May 1913): 148-157. IV Describes and praises (and overestimates the availability of) Chippendale, Hepplewhite and Sheraton furniture in the colonial period, implying that it is worth our attention and affection. Garrett, Wendell D. "Furniture owned by the American Antiquarian Society." Antiques 97 (March 1970): 402-407. IV The story of how the American Antiquarian Society, which is not in the business of collecting furniture, has compiled an impressive collection of colonial furniture since 1814. Gordon, Beverly. "Spinning Wheels, Samplers, and the Modern Priscilla: The Images and Paradoxes of Colonial Revival Needlework." Winterthur Portfolio 33 (Summer/Autumn 1998): 163-194. IV Examines American needlework from the mid-nineteenth to the mid-twentieth centuries, with particular attention given to the changing nature of "colonial" during that time and the role of women in the production of both material objects and meanings. Halsey, R. T. Haines and Elizabeth Tower. <hi> The Homes of Our Ancestors, as Shown in the American Wing of the Metropolitan Museum of Art of New York [...]</hi> Garden City, LI: Doubleday, Page, and Company, 1925. IVLater editions, such as the 1928 version, feature increasingly finer photographs of room interiors, which at the time of this initial "deluxe" run were state-of-the-art. Subtitling says it all: "From the beginnings of New England through the early days of the republic; exhibiting the development of the arts of interior architecture and house decoration, the arts of cabinetmaking, silversmithing, etc., especial emphasis being laid upon the point that our early craftsmen evolved from the fashions of the Old World a style of their own; with an account of the social conditions surrounding the life of the original owners of the various rooms." Harrison, Constance Cary. <hi>Women's Handiwork in Modern Homes</hi> New York: Charles Scribner's Sons, 1881.IV Influential in its time, this how-to guide includes sections on needlework with types of stitches, china painting, and hints for decorating the “modern” home, including decorations for dinner tables. Hill, John H. "Furniture Designs of Henry W. Jenkins & Sons Co." Winterthur Portfolio 5 (1969): 154-187. IV Tells the history of a Baltimore furniture-making firm that produced Colonial Revival pieces among its other work over a 105-year period. Holloway, Edward Stratton. <hi>American Furniture and Decoration - Colonial and Federal</hi> Philadelphia: J.B. Lippincott Co., 1928.IV Presents furniture styles of Colonial and Federal periods, illustrated with b/w photos, and provides one of the earliest rationales for the sources of certain styles of furniture. "The House and Garden Dictionary of Period Decoration: Colonial."House and Garden 79 (March 1941): 41-44. IV One of a series of guides to period decoration from one of America's most popular homemaking magazines. Each article provides an illustrated dictionary of furniture and architectural decoration. Demonstrates the popularity of the Colonial Revival on the eve of World War II. "The House and Garden Dictionary of Period Decoration: Early Colonial Period." House and Garden 80 (July 1941): 29-32. IV One of a series of guides to period decoration from one of America's most popular homemaking magazines. Each article provides an illustrated dictionary of furniture and architectural decoration. Demonstrates the popularity of the Colonial Revival on the eve of World War II. "The House and Garden Dictionary of Period Decoration: Georgian Period." House and Garden 80 (September and November 1941): 41-44; 53-56. IV One of a series of guides to period decoration from one of America's most popular homemaking magazines. Each article provides an illustrated dictionary of furniture and architectural decoration. Demonstrates the popularity of the Colonial Revival on the eve of World War II. Kardon, Janet, ed. <hi>Revivals! Diverse Traditions, 1920-1945: The History of Twentieth-Century American Craft</hi> New York: Harry N. Abrams, Inc., Publishers, in association with the American Craft Museum, 1994. IV Exhibition catalog that highlights various craft revivals in the interwar years. Includes essays by Harvey Green ("Culture and Crisis: Americans and the Craft Revival"), William B. Rhoads ("Colonial Revival in American Craft: Nationalism and the Opposition to Multicultural and Regional Traditions"), William Wroth ("The Hispanic Craft Revival in New Mexico"), and John Michael Vlach (""Keeping On Keeping On": African American Craft during the Era of Revivals"). Kimerly, William Lowing. <hi>How to Know Period Styles in Furniture; A Brief History of Furniture from the Days of Ancient Egypt to the Present Time</hi> Grand Rapids, MI: Grand Rapids Furniture Record Co., 1912. IV A demonstration of early twentieth century interests in historical furniture, including that of the American colonial period. Lasansky, Jeannette. <hi>Pieced By Mother: Over 100 Years of Quiltmaking Traditions</hi> Lewisburg, Penn.: The Oral Tradition Project of the Union County Historical Society, 1987. IV This study of central Pennsylvania quilts includes a chapter on the "grandmother's quilt" movement of the 1890s to 1930s. Lockwood, Luke Vincent. <hi>Colonial Furniture in America</hi>. Third edition. 2 vols New York: Charles Scribner's Sons, 1926. IV A handbook on colonial American furniture for the collector and connoisseur. Lynes, Russell. <hi>The Tastemakers</hi> New York: Grosset & Dunlap, 1949. IV An interesting history of American taste and those who shape it in the architecture and the arts. Lyon, Irving Whitall. <hi>The Colonial Furniture of New England: A Study of the Domestic Furniture in Use in the Seventeenth and Eighteenth Centuries</hi> New York: Houghton, Mifflin, & Co., 1891. IV A good example of an early colonial era furniture study. Mayhew, Edgar de N., and Jr. Minor Myers. <hi>A Documentary History of American Interiors From the Colonial Era to 1915</hi> New York: Charles Scribner's Sons, 1980. IV An illustrated book on the history of American interiors, with sections on colonial and colonial revival eras. McClelland, Nancy. <hi>Furnishing the Colonial and Federal House</hi>. Revised edition Philadelphia and New York: J.B. Lippincott Company, 1947. IV Intended for those who, "desiring to furnish their houses comfortably and at a modest expense, want them at the same time to express the atmosphere and feeling that existed in the days of which our modern Colonial and Federal dwellings are reminiscent." McClelland, Nancy. <hi>Historic Wallpapers from their Inception to the Introduction of Machinery</hi> Philadelphia: J.B. Lippincott Co., 1924. IV This history of wallpaper includes 12 color plates, 245 half-tone illustrations and a chart of periods. Monkhouse, Christopher. "The Spinning Wheel as Artifact, Symbol, and Source of Design." Nineteenth Century 8 (3-4 1982): 153-172. IV Charts the revived interest in spinning wheels during mid-19th century as symbolic of the pre-industrial era. Monkhouse argues that modern versions of the Philadelphia Centennial, at 1976 bicentennial exhibits, often featured spinning wheels, and led to a wave of furniture styles that resembled spinning wheels. Monkman, Betty C. and Bruce White. <hi>The White House: its Historic Furnishings and First Families</hi> New York: White House Historical Association/Abbeville Press, 2000. . IV Highly visual history of the White House from Washington's era to the Clinton administration, with emphasis on how furnishings and decorative objects were acquired by various presidential families. "Catalog of Objects", chapter on “National Identity and the Colonial Revival, 1900 — 1950s" and a separate roster of "Important Acquisitions, 1961-2000" of particular interest. Morse, Frances Clary. <hi>Furniture of the Olden Time</hi> New York: The Macmillan Company, 1913. IV A survey of colonial period furniture. Nutting, Wallace. <hi>Furniture of the Pilgrim Century (of American origin) 1620-1720</hi>. 2 vols. 1924; reprint New York: Dover Publications, 1965. IV This two-volume compendium by one of the major figures in the Colonial Revival contains all types of early colonial furniture. Nutting, Wallace. <hi>Furniture Treasury (Mostly of American Origin)</hi>. 3 vols Framingham, Mass.: Old America Company, 1928. IV A vast catalog of 5,000 pieces of colonial furniture and household objects. Nutting, Wallace. <hi>Wallace Nutting Supreme Edition General Catalog</hi>.1930; reprint Exton, Penn.: Schiffer Publishing Ltd., 1984. IV Catalog of Wallace Nutting colonial furniture reproductions from the 1930s. Ormsbee, Thomas Hamilton. <hi>Early American Furniture Makers: A Social and Biographical Study</hi> New York: Tudor Publishing Company, 1930. IV A survey of the history of American furniture to the mid-nineteenth century. Roessel, Elizabeth Harding. "'The Way We've Always Made It': The C. Dodge Furniture Company and the Cabinetmaking Industry of Manchester, Massachusetts." M.A. thesis,University of Delaware, 1987. IV Tells the story of a furniture making company that continued to use "old-fashioned" techniques and tools to produce colonial style furniture into the 1960s. Roth, Rodris. "The Colonial Revival and "Centennial Furniture." The Art Quarterly 27 (1 1964): 57-77. IV An important article on the early Colonial Revival interest in furniture. Roth, Rodris. "Pieces of History: Relic Furniture of the 19th Century." Antiques 101 (May 1972) : 874-878.IV Giving expression to the idea that furniture transmits history, Roth features special furniture was created for the 1876 Centennial Exposition in Philadelphia. Pieces of interest include "relic furniture", created from a tree in Independence Square, hickory chairs from the grounds of Andrew Jackson's Hermitage, and furniture made from the Charter Oak in Connecticut (the site where the colony's charter was hidden from English government representatives). Seale, William. <hi>The Tasteful Interlude: American Interiors Through the Camera's Eye, 1860-1917</hi> New York: Praeger Publishers, 1975. IV A collection of photographs of Victorian-era interiors that demonstrates how colonial reproduction furniture was often incorporated with other decorative items to produce an eclectic whole. Shackleton, Robert, and Elizabeth Shackleton. <hi>The Quest of the Colonial</hi> New York: The Century Company, 1913. IV A chatty book that details the authors' never-ending search for colonial objects. Singleton, Edith. <hi>The Furniture of Our Forefathers</hi>. 1900/01; "improved" edition New York: Benjamin Blom, Inc., Publishers, 1970. IV Combines tales of daily social life in the colonial period with notes on individual pieces of furniture by architectural critic Russell Sturgis. Smith, Robert C. "Furniture of the Eclectic Decades, 1870-1900." Antiques 76 (July 1959) : 52.IV Popularized through expositions such as the Paris Exposition of 1878, the Philadelphia Centennial in 1876 and the World's Columbian Exposition of 1893 in Chicago, Smith illustrates how revivals in furniture design often combined two or more styles. Stillinger, Elizabeth. <hi>The Antiquers: The Lives and Careers, the Deals, the Finds, the Collections of the Men and Women Who Were Responsible for the Changing Taste in American Antiques, 1850-1930 </hi> New York: Alfred A. Knopf, 1980. IV Described by the subtitle: "The lives and careers, the deals, the finds, the collections of the men and women who were responsible for the changing taste in American antiques, 1850-1930." Includes many Colonial Revival promoters found in this bibliography. Stillinger, Elizabeth. <hi>The Antiques Guide to Decorative Arts in America, 1600-1875</hi> New York: E.P. Dutton & Co., Inc., 1972. IV A guide to early American decorative arts. Arranged by chronological style, covering furniture, silver, ceramics and glass. Thomson, James. "The Adam Style as Applied to Furniture and Fittings." The Craftsman 27 (February 1915): 470-478. IV A review of Adam style furniture, the source for the "delicacy and restraint" in American colonial style designs. Thomson, James. "In the Days of Good Queen Anne." The Craftsman 28 (June 1915): 304-311. IV A review of the Queen Anne style in furniture and architecture; all illustrations are of furniture. Thomson, James. "What is Colonial Furniture?" The Craftsman 25 (October 1913): 104-108. IV Defines colonial furniture ("all furniture in vogue prior to the beginning of the nineteenth century") and compares it to the "clumsy pseudo classic stuff" that dates from 1810-1870 and fools many collectors. Thomson, James. "What is the Chippendale Style? A Study of This Great Cabinetmaker." The Craftsman 26 (April 1914): 59-66. IV An effort to end confusion over what is and is not Chippendale style, in light of the multitude of mislabeled revival pieces. Ulrich, Laurel Thatcher. <hi>The Age of Homespun: Objects and Stories in the Creation of an American Myth</hi> New York: Alfred A. Knopf/Random House, 2001. IV Twelve chapters spanning the 17th- to early 19th-century demonstrate how New England's female-centered production of textiles developed long before the Revolution or hydraulic technologies as a response to new marketing opportunities in the rural North. The story of the feminization of weaving in the 18th century. By the 19th-century, Americans began collecting "authentic" items that were valued as expressions of patriotism, family pride, national identity, domestic thrift, and household industry. Thoroughly indexed and footnoted. Wallis, Frank E. <hi>American Architecture, Decoration and Furniture of the Eighteenth Century</hi> New York: Paul Wenzel, 1896. IV Measured drawings and sketches of details from colonial and Colonial Revival houses. Wheeler, Candace. <hi>The Development of Embroidery in America</hi> New York and London: Harper & Brothers, 1921.IV Wheeler's simple narrative about the history of American needlework, and some of its sources, elevates American native quillwork, crewel work, samplers and quilts as records of history, revealing a perspective that was contemporary with the 20th-century Colonial Revival. Wheeler, Candace. <hi>Principles of Home Decoration</hi> New York: Doubleday, Page & Company, 1908. IV A primer on home decoration as the art of good taste by a prominent Colonial Revival promoter. Includes many examples of colonial antique or revival decoration, and praises the "fine fitness" of colonial furniture. Wilson, Kathleen Curtis. "Weaving Cloth and Marketing Nostalgia: Clinch Valley Blanket Mills, 1890-1950, Cedar Bluff, Virginia." Uncoverings 15 (1994): 169-204. IV Thorough recounting of the savvy marketing of southern Appalachian crafts, and one of the earliest campaigns to sell a concept of tradition, which influenced the general public between 1890 and 1950. Although Clinch Valley's looms were powered by steam, water and electricity, its brochures, promotional flyers and mail order ads show how the Goodwin family intentionally projected a sense of historical authenticity for commercial gain. V. Landscape Architecture and Urbanism American Society of Landscape Architects, ed. <hi>Colonial Gardens: The Landscape Architecture of George Washington's Time</hi> Washington, D.C. : United States George Washington Bicentennial Commission, 1932. V Mainly a history of colonial gardens, but also contains a chapter on "The Colonial Garden To-day," by landscape architect Fletcher Steele, which gives advice on how to create a colonial garden appropriate to modern times. Betts, Edwin M. and Hazlehurst Bolton Perkins. <hi>Thomas Jefferson's Flower Garden at Monticello</hi> Richmond, VA: The Dietz Press, 1941. V Brief history of the gardens at Monticello with excerpts from Jefferson's writings. Includes plans and lists of plants for flowerbeds by Jefferson, and a chapter detailing the Garden Club of Virginia's restoration (1939-1941). Appendix lists of trees, shrubs, and plants mentioned in Jefferson's letters, garden inventories, and Weather Book. Blanchan, Neltje. <hi>The American Flower Garden</hi> New York: Doubleday, Page & Company, 1909. V An examination of the various types of American gardens and their typical plants. Includes a chapter on "The Old-Fashioned Garden" which relates the history of English and Dutch gardens in the New England and the Middle Atlantic colonies. Brandau, Roberta Seawall, ed. <hi>History of the Homes and Gardens of Tennessee</hi> Nashville: Garden Study Club of Nashville, 1936.V Ilustrated survey of historic homes and gardens of Tennessee by the Garden Study Club of Nashville, organized by region and time period. Includes brief histories, basic garden plans, sketches, some interiors and photographs of house exteriors that span the earliest gardens, installed by Spaniards near Memphis in 1795 to the 1930s society homes of Nashville. Older images of Civil War-era houses and properties, often destroyed by modern urbanization schemes, might prove useful. Briggs, Loutrel. <hi>Charleston Gardens</hi> Columbia, SC: The University of South Carolina Press, 1951. V History of Charleston area gardens with detailed lists of native plants and imports that would have been popular in the 18th and 19th centuries. Numerous plans and photographs of both town and plantation gardens. Brinkley, M. Kent. "Colonial Williamsburg." Landscape Architect 10 (1994): 28-33.VBrief descriptive update on relatively recent renovations, discoveries and additions. "British and American Gardens." Eighteenth Century Life 8 (January 1983): 93-188. V A collection of essays on colonial gardens, including James Kornwolf, "The Picturesque in the American Garden and Landscape before 1800," Peter Martin, "'Long and Assiduous Endeavours': Gardening in Early Eighteenth-Century Virginia," John Flowers, "People and Plants: North Carolina's Garden History Revisited," Abbott Lowell Cummings, "Eighteen-Century New England Garden Design: The Pictorial Evidence," Elizabeth McLean, "Town and Country Gardens in Eighteenth-Century Philadelphia," George C. Rogers, Jr., "Gardens and Landscapes in Eighteenth-Century South Carolina," William M. Kelso, "Landscape Archaeology: A Key to Virginia's Cultivated Past," and William L. Beiswanger, "The Temple in the Garden: Thomas Jefferson's Vision of the Monticello Landscape." Carraway, Gertrude S. <hi>Old World Gardens in the New World</hi> New Bern, NC: Tryon Palace Commission, 1968. V Brief history of the gardens at Tryon Palace in North Carolina, and their restoration between 1952 and 1959, with concise descriptions of each area. Includes extensive list of plantings. Chandler, Joseph Everett. <hi>The Colonial House</hi> New York: Robert M. McBride & Company, 1916. V A history of colonial houses designed for history buffs and contemporary builders "who wish to avoid in their possible building operations, certain short-comings recognizable in much of the supposedly-in-the-old-vein modern work;" includes chapters on restorations, "What not to Do," Modern Colonial examples, and colonial gardens. Chase, David B. "The Beginnings of the Landscape Tradition in America." Historic Preservation 25 (January-March 1973): 34-41. V Briefly discusses colonial interest in landscape architecture in the context of a much broader treatment of the development of American landscape architecture in the mid-19th century; focuses on American adaptations of the English garden. Christian, Frances Archer, and Susanne Williams Massie. <hi>Homes and Gardens in Old Virginia</hi> Richmond:: Garden Club of Virginia, 1929. V A romanticized look at the homes and gardens of some of Virginia's most famous estates. Concosta, David R. "Philadelphia's "Miniature Williamsburg": The Colonial Revival and Germantown's Market Square."The Pennsylvania Magazine of History and Biography 120 (October 1996): 283-320. V An interesting account of Philadelphia's largely unsuccessful attempt to build a "miniature Williamsburg" in the Germantown neighborhood between the end of World War I and the mid-1970s. Cone, John P. "Harrow House at Deerfield, Massachusetts." Landscape Architecture 22 (April 1932): 211-214. V Examines a historic house and garden in one of the famous "museum villages" of the Northeast. Davis, Timothy. "Mount Vernon Memorial Highway: Changing Conceptions of an American Commemorative Landscape." In <hi>Places of Commemoration, Search for Identity and Landscape Design,</hi> Joachim Wolschke-Bulmahn, (ed.) 123-177. Washington, D.C. : Dumbarton Oaks, 2001. . V Characterized at the time as the nation's finest tribute to Washington, the 1932 Mount Vernon Memorial Highway represented a concerted effort to combine modern highway engineering with Colonial Revival design. “Colonial”-style signs, lamp posts and roadside pavilions presented a selective image of American history and national identity to tourists. De Forest, Elizabeth Kellam. <hi>The Gardens and Grounds at Mount Vernon, How George Washington Planned and Planted Them</hi> Mount Vernon: Mount Vernon Ladies' Association of the Union, 1982. V An account of Washington's "little amusement," as he called his landscape at Mount Vernon, as well as a contemporary guide to the grounds. Includes plans,historic paintings, photographs, and a comprehensive list of plants mentioned in Washington's correspondence and featured on the grounds, and selected bibliography. Draper, Earl S. "The Gardens at Hills and Dales." House Beautiful 71 (May 1932): 372-416. V Plan of estate gardens in LaGrange, Georgia, under Draper's 1930s restoration by the students of the Schools of Architecture and Landscape Gardening of the Alabama Polytechnic Institute. Draper amended the initial 1800 plan, which he called “a splendid example of Italian Renaissance work at the time of the Baroque period, when informalism was creeping in.” Earle, Alice Morse. <hi>Old Time Gardens</hi> New York: The Macmillan Company, 1901. V Romantic stories about colonial and neo-colonial gardens. Elwood, Philip Homer. <hi>American Landscape Architecture</hi> New York: The Architectural Book Publishing Co., Inc., 1924. V A pictorial survey of the state of American landscape architecture. Includes examples of many different design styles, including Colonial Revival. Emmet, Alan. <hi> So Fine a Prospect: Historic New England Gardens</hi> Hanover: University Press of New England, 1995. V History of New England gardens and their designers, organized chronologically from the early years of the republic to World War I. Includes gardens of Daniel Chester French, Edith Wharton, and the Webbs of Shelburne Farms, with endnotes and index. Favretti, Rudy. <hi>New England Colonial Gardens</hi> Stonington, Conn.: The Pequot Press, Inc., 1964. V A small pamphlet that discusses the plans and materials of colonial gardens, as well as how to design and maintain your own colonial garden. Favretti, Rudy F., and Gordon P. DeWolf. <hi>Colonial Gardens</hi> Barre, Mass.: Barre Publishers, 1972. V Most of the book is a listing of flowers, herbs, trees, vegetables, etc., used during the colonial period, but also contains some discussion of colonial vegetable and flower gardens. Favretti, Rudy J. <hi>Early New England Gardens, 1620-1840</hi> Sturbridge, Mass.: Old Sturbridge Village, 1962.V Compares and contrasts the layout of colonial gardens from historical plans, with information on colonial plants and a section on how to create a colonial garden, as well as a list of sources for historic plants. Favretti, Rudy J. and Joy P. Favretti. <hi>For Every House a Garden: A Guide for Reproducing Period Gardens</hi> Chester, Conn.: Pequot Press, 1977.V Plans, engravings and old paintings serve as the sources for reproducing period gardens as a complement to older homes, in styles that were popular between 1620 and 1900. A third of the book lists authentic plants for each period. Favretti, Rudy J., and Joy Putnam Favretti. <hi>Landscapes and Gardens for Historic Buildings</hi> Nashville: American Association for State and Local History, 1978. V A book intended to help homeowners reproduce and recreate authentic historic landscapes. Includes chapters on American landscape history, authentic plants for period landscapes, and monitoring restored landscapes. Ferree, Barr. <hi>American Estates and Gardens</hi> New York: Munn, 1904. V A limited overview centered on estates in New York, New Jersey, and New England, with scant attention to California and the South, and a section on Newport. Although some examples demonstrate colonial revival influence, this 1904 book is mainly useful for preserving numerous images of interiors and exteriors belonging to mansions that were privately owned at the time. Gebhard, David and Sheila Lynds, eds. <hi>An Arcadian Landscape: The California Gardens of A.E. Hanson, 1920-1932 </hi> Los Angeles: Hennessey & Ingalls, 1985. V A review of Hanson's 1920s landscaping practice in California, using Hispanic and Italian Renaissance approaches. Hanson's largest commission was movie star Harold Lloyd's Beverly Hills estate. Flynt, Suzanne. <hi> The Allen Sisters: Pictorial Photographers, 1885-1920</hi> Hanover: University Press of New England, 2002. V Frances and Mary Allen were particularly inspired by the mounting interest in colonial artifacts, buildings, and fashion occasioned by the 1876 Centennial Exposition. Their hometown, Deerfield, Massachusetts, often served as the backdrop for photographs of colonial homes and Deerfield citizens in period dress that were reproduced in magazines such as Good Housekeeping, Ladies Home Journal, and Country Life in America. Griswold, Mac, and Eleanor Weller. <hi>The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940</hi> New York: Harry N. Abrams, Inc., Publishers, 1992. V Investigates American estate gardens across the country during the time period most associated with the architectural Colonial Revival. Although the authors make no direct references to "colonial" style gardens, many of the examples demonstrate the qualities thought to be colonial by contemporaries. Griswold, Mac K. <hi>Washington's Gardens at Mount Vernon</hi> Boston and New York: Houghton Mifflin Company, 1999. V Largely a picture book, but also contains historical information about Washington's gardens and their restoration in the 1930s. Hall, Glenn L. "A Delaware Colonial in California." Landscape Architecture 29 (January 1939): 70-71. V Tells the story of a historic New England-style house and garden in Los Angeles. Hill, May Brawley. <hi> Furnishing the Old-Fashioned Garden: Three Centuries of American Summerhouses, Dovecotes, Pergolas, Privies, Fences, and Birdhouses. </hi>New York: Abrams, 1998.V Illustrated monograph on garden ornament and architecture includes extensive bibliography and index, with a chapter of particular interest on “Arts and Crafts and the Colonial Revival, 1900-1930". Hill cites the founding of the Garden Club of America in 1913 as the catalyst for the proliferation of 20th-century gardening books. Hill, May Brawley. <hi>Grandmother's Garden: The Old-Fashioned American Garden 1865-1915</hi> New York: Harry N. Abrams, Inc., Publishers, 1999. V A nostalgic look at late-nineteenth and early-twentieth century gardens, many of which were inspired by the colonial era; contains a chapter on "The Colonial Revival and the Old-Fashioned Garden" which highlights the work of Alice Morse Earle. Hitchcock, Susan Lee. "The Colonial Revival Gardens of Hubert Bond Owens." M.H.P. thesis,University of Georgia, 1997. V A survey of the career of a Southern residential garden designer; includes a discussion of the garden restoration movement in the Twenties and Thirties. Hood, Davyd Foard. "The Renaissance of Southern Gardening in the Early Twentieth Century." Journal of Garden History 16 (April-June 1996): 129-152. V An article on the development of garden design in the South that describes how gardeners and architects looked back to the colonial period for precedents - possibly to escape associations with the humiliation of the Civil War. Jeanloz, Donna. "Landscaping the Pre-1840 House." Old House Journal 5 (February 1977): 13, 18-21. V Provides suggestions on how to create a colonial-style garden based on historical examples. Kimball, Fiske. "The Beginnings of Landscape Gardening in America." Landscape Architecture 7 (July 1917): 181-187. V A brief sketch of the early interest in the "landscape garden" exhibited by Thomas Jefferson and William Hamilton, based on historic documents. Laird, Mark. "Approaches to Planting in the Late Eighteenth Century: Some Imperfect Ideas on the Origins of the American Garden." Journal of Garden History 11 (July - September 1991): 154-72.VWell-illustrated account of the 18th- and early 19th-century discussion about “ suitable” American garden designs, tendered by Fairchild (1722), Langley (1728), Meader (1779), Loudon's Encyclopedia (1824), John Rutter at Fonthill Abbey (1883), and others. Lambeth, William A., and Warren H. Manning. <hi>Thomas Jefferson As an Architect and a Designer of Landscapes</hi> Boston and New York: Houghton Mifflin Company, 1913. V Reviews Jefferson's career as an architectural and landscape designer. Lanman, Susan Warren. "The Rise of the Industrial Garden." Ph.D. dissertation,University of Denver, 1998. V An economic analysis of the development of gardens in nineteenth-century England and America. Theorizes that the Colonial Revival garden expressed women's role as conservators of the values of the pre-industrial moral economy. Leighton, Ann. <hi>American Gardens in the Eighteenth Century: "For Use or for Delight."</hi> Amherst: University of Massachusetts Press, 1976.V This scholarly work emphasizes features an alphabetical listing of the most frequently grown plants during this period, an extensive bibliography and an index. Includes excerpts of settlers' accounts, as well as the records of naturalists and botanists featuring newly-discovered flora and medicinal plants. Leighton, Ann. <hi>Early American Gardens: "For Meate or Medicine."</hi> Amherst: The University of Massachusetts Press, 1986. V This historical study of early gardens aims "to make the gardens of the early settlers of New England, the founders of our country, grow again" by discovering what was grown and why. Lillie, Rupert B. "Georgian Gardens of Early Cambridge." Landscape Architecture 31 (October 1940): 1-3. V An attempt to promote the colonial gardens of New England (in contrast to Southern gardens) by showing that "symmetrical design on a large scale was by no means confined to the southern colonies." Lockwood, Alice G.B., ed. <hi>Gardens of Colony and State</hi> New York: Charles Scribner's Sons, 1931. V A Garden Club of America book full of information on colonial gardens. Lowell, Guy, ed. <hi>American Gardens</hi> Boston: Bates & Guild Company, 1902. V A broad survey of turn-of-the-century American landscape gardening; includes some "colonial" gardens, which are considered charming because of "their power to call up reminiscences and pictures of other days." Maccubbin, Robert P. and Peter Martin. <hi>British and American Gardens in the Eighteenth Century: Eighteen Illustrated Essays on Garden History</hi> Williamsburg: Colonial Williamsburg Foundation, 1984.V Scholarly effort to offset the prevailing neglect at the time in the study of 18th-century American gardens, in contrast to British studies, citing a renewed interest from 1981 onwards, after the founding of the Southern Garden History Society and an American section in the American Society of Landscape Architects. Illustrated essays focus specifically on New England, Virginia, North Carolina, Philadelphia, South Carolina, and Monticello. Magnani, Denise. <hi>The Winterthur Garden: Henry Francis du Pont's Romance with the Land</hi> New York: H.N. Abrams in association with the Henry Francis du Pont Winterthur Museum, 1995. V Archival correspondence, chronology and bibliography regarding H.F. du Pont's appreciation for the "agricultural landscape," and Winterthur as a 900-acre "masterpiece of 20th-century naturalism". Features plans and photographs from the early 1990s, as well as du Pont's personal "Canons of Design". Martin, Mrs. James Bland. <hi>Follow the Green Arrow: The History of the Garden Club of Virginia, 1920-1970 </hi> Richmond: Dietz Press, Inc., 1970. V Traces the activities and membership of an organization that has done much to preserve and restore historic gardens across Virginia. Massie, Susanne Williams and Frances Archer Christian. <hi>Descriptive Guide Book of Virginia's Old Gardens</hi> Richmond: J.W. Fergusson & Sons, 1929.V Brief descriptions of historic homes and gardens throughout the state and the people associated with them, organized by regions, and intended as a guide. Massie, Susanne Williams and Frances Archer Christian. <hi>Homes and Gardens in Old Virginia</hi> Richmond: Garrett & Massie, Inc., 1931.V Reference book of photographs and brief histories of a number of historic homes and gardens throughout the state, divided by region. McCormick, Kathleen. "Coming Into Their Own: Colonial Revival landscapes are being taken seriously - even if they aren't authentic." Historic Preservation 48 (May/June 1996): 108, 110, 112, 115. V A brief history of the Colonial Revival garden and the challenges faced by modern reconstructionists as they consider what to do with these mixtures of nostalgia and historical accuracy. Newton, Norman T. <hi>Design on the Land: The Development of Landscape Architecture</hi> Cambridge and London: The Belknap Press of Harvard University Press, 1971. V A standard textbook on the history of landscape architecture which includes a chapter on colonial American expressions. Nichols, Frederick Doveton and Ralph E. Griswold. <hi>Thomas Jefferson, Landscape Architect</hi> Charlottesville: University of Virginia Press, 1978. V Exploration of Jefferson's landscape plans for Monticello and the University of Virginia, as well as other properties. Includes discussion of the garden literature in his library, his horticultural influences, and experiments. Illustrated with Jefferson's sketches, plans and notes on landscape design. Rainwater, Hattie C., ed. <hi>Garden History of Georgia, 1733-1933</hi> Atlanta: The Peachtree Garden Club, 1933. V An example of the many books on colonial gardening published by garden clubs in the original thirteen colonies during the heyday of the colonial revival. Root, R.R., and G.R. Forbes. "Notes Upon a Colonial Garden, at Salem, Mass." Landscape Architecture 2 (October 1911): 16-20. V Analyzes the "colonial garden" of the Nichols-Johonnot house (Salem, MA) and the relationship between house and garden, while admitting that few original plants exist. Sale, Edith Tunis, ed. <hi>Historic Gardens of Virginia</hi> Richmond, VA: The James River Garden Club, 1923. V A survey of Virginia's historic gardens spurred by the revival of interest in old-fashioned gardens. Sale, Edith Tunis, ed. <hi>Historic Gardens of Virginia</hi> Richmond, VA: The William Byrd Press, Inc., 1923.V Short history on various focused on garden design and plantings, regionally organized, with some plans and many photographs. Shaffer, E.T.H. <hi>Carolina Gardens</hi> Chapel Hill, NC: University of North Carolina Press, 1939.V Brief histories of noteworthy public and private gardens in North and South Carolina, arranged topographically. Chapter on “Famous Colonial Gardens” and some historical background on early land use in the Carolinas, including plantation crops, of particular interest. Szczesny, Christy M. "Americanization in a Greenbelt Town : the Colonial Revival in Greendale, Wisconsin." Arch. His. M.A. thesis,University of Virginia, 2000. V Documents the imposition of Colonial Revival style in Greendale, Wisconsin,as an "Americanizing" influence. Contextualizes designer Elbert Peet's plan in comparison to the garden city and other reform movements, and describes the government's endorsement of Colonial Revival as a unifying symbol of American identity during the 1920s. Shelton, Louise. <hi>Beautiful Gardens in America</hi> New York: Charles Scribners' Sons, 1915. V A pictorial survey of estate gardens from twenty-six states across the country, emphasizing the plants rather than "fine imitations of lovely French, English, and Italian formalism and works of art in marble or other stone" are illustrated in most garden publications. Emphasizes the variability and originality of the American garden as its distinguishing characteristics. Shurcliff (Shurtleff), Arthur A. "The Ancient Plan of Williamsburg." Landscape Architecture 28 (January 1938): 87-101. V An illustrated account of the historical background that influenced the development of the Colonial Williamsburg plan. Shurcliff (Shurtleff), Arthur A. "The Gardens of the Governor's Palace, Williamsburg, Virginia." Landscape Architecture 27 (January 1937): 55-95. V Relatively detailed rationales for Shurcliff's choices, as head of landscape and city planning, in the early phases of Williamsburg's restoration. Includes site maps, crisp contemporary photographs, and sketches as well as a brief listing of related sources. Shurcliff (Shurtleff), Arthur A. "'Look Here Upon This Picture, and on this' at Williamsburg, Virginia." Landscape Architecture 28 (January 1938): 102-107. V Before and after photographs of the Colonial Williamsburg reconstruction. Shurtleff (Shurcliff), Arthur A. "The Colonial Renaissance as an Impulse to Cooperation." Landscape Architecture 20 (July 1930): 315-318. V The prominent landscape architect writes of the importance of cooperation between designers, builders and craftsmen - in the true spirit of colonial times - that is especially pertinent to the "rebirth" of colonial work. Shurcliff (Shurtleff), Arthur A. <hi>Gardens of Old Salem and the New England Colonies</hi> Washington, D.C.: U.S. George Washington Bicentennial Commission, 1932.VWritten at his peak as a Williamsburg landscape architect, Shurcliff applies his seasoned logic to the expression of a colonially "authentic" landscape and city plan at Salem and other properties long regarded as touristic sites. Streatfield, David. "The Evolution of the Southern California Landscape." Landscape Architecture 66-67. (January, March, May and September 1977): 39-46; 117-126; 229-239; 417-424. V This four-part series examines the history of the Southern California landscape from the 1760s to the 1930s: I. Settling into Arcadia; II. Arcadia Compromised; III. The Great Promotions; and IV. Suburbia at the Zenith. Tabor, Grace. <hi>Old Fashioned Gardening: A History and A Reconstruction</hi> New York: McBride, Nast & Co., 1913.V Semi-historical account of colonial gardens, with a list of sources, plantings and design types. Chapters on colonial-era gardens in St. Augustine, New Amsterdam, New England, Monticello and Mount Vernon. Tankard, Judith B. <hi>The Gardens of Ellen Biddle Shipman</hi> Sagaponack: Sagapress, Inc., 1996. V Surveys the designs of a prominent Colonial Revival landscape designer. Thomas, Elizabeth Patterson. <hi>Old Kentucky Homes and Gardens</hi> Louisville: Standard Printing Co., 1939.V Brief entries and photographs of approximately 300 historic homes throughout Kentucky, including mention of the original owners and significant historical facts. Treese, Lorrett. <hi>Hope Lodge and Mather Mill</hi> Mechanicsburg, Penn.: Stackpole Books, 2001. V A tour of Hope Lodge, built in the 1740s, and considered one of the finest surviving examples of Georgian architecture. Features an interior tour and contrast style variations between the Colonial era and its revival in the early 20th century, illustrating how both styles appear in the house. Wheelwright, Robert. "Southern Estates of Colonial Days." Landscape Architecture 22 (April 1932): 201-209. V A brief history of famous colonial estates in Virginia and Maryland. Williams, Dorothy Hunt. <hi>Historic Virginia Gardens</hi> Charlottesville: The University Press of Virginia, 1975. V Documents the twentieth century preservation/restoration of historic gardens and grounds around the Old Dominion by The Garden Club of Virginia. Includes many architectural drawings and planting lists. Williams, Morley Jeffers. "Washington's Changes at Mount Vernon Plantation." Landscape Architecture 28 (January 1938): 63-73. V A study of George Washington's landscaping work at Mount Vernon by the Director of Research and Restoration for the Mount Vernon Ladies' Association. VI. Preservation, Colonial History, Analysis, and Cultural Studies Barrington, Lewis. <hi>Historic Restorations of the Daughters of the American Revolution</hi> New York: Richard R. Smith, 1941. VI A guidebook of 243 buildings in 43 states whose preservation or restoration was in some way effected by the State and National Chapters of the National Society of the Daughters of the American Revolution. Clark, Ricky. "Ruth Finley and the Colonial Revival Era." Uncoverings 16 (1995): 33-65.VI Finley (1884-1955) was a journalist, a feminist, a D.A.R., and the author of Old Patchwork Quilts and the Women Who Made Them (1920), as well as an Ohioan with colonial roots in Connecticut. Clark traces her ethnographic interest in the influence of American history on quilt names through previously unavailable correspondence, documents, public records,interviews, Finley's press scrapbook, and field research. Cleary, Calista Keller. "The Past is Present: Historical Representation at the Sesquicentennial International Exposition." Ph.D. dissertation, University of Pennsylvania, 1999. . VI Constructed in the Colonial Revival style, the Sesquicentennial International Exposition celebrated the 150th anniversary of the Declaration of Independence signing in 1926, and was avidly promoted as a commemoration of the past. Cleary explains how various groups (African Americans, immigrants, Protestants, women, corporations, civic leaders, fraternal organizations) recalibrated America's early history to reinforce their own agenda or sense of identity in the face of modernism within this supposedly unifying design context. Conforti, Joseph. <hi> Imagining New England: Exploration of Regional Identity from the Pilgrims to the mid-20th Century</hi> Chapel Hill, NC: University of North Carolina Press, 2001. VI Traces a changing, collective identity over three periods in the region, from depictions of the Puritan, the Yankee, or the Whig, through popular literature, scholarly assessments, history, art, material culture, and geography. Chapter 5, "Old New England: Nostalgia, Reaction and Reform in the Colonial Revival 1870-1910", focuses on early engravings of the ideal village green by John Barber; the romanticized accounts of Alice Morse Earle and Harriet Beecher Stowe; campaigns to 'tutor' New England farmers to project a more poetic and pastoral identity; the reconstruction of Old York (Maine); and the ambitious 1910 renovation of the House of Seven Gables in Salem, Massachusetts. Denenburg, Thomas Andrew. "Consumed by the Past: Wallace Nutting and the Invention of Old America." Ph.D. dissertation, Boston University, 2000. VI Investigates how Wallace Nutting (1861-1941) developed a paradigm for middlebrow culture, and reinforced an idealized version of American history during a period of social upheaval through his Colonial Revival industries. Earle, Alice Morse. <hi>Colonial Dames and Good Wives</hi> Boston and New York: Houghton, Mifflin & Company, 1895. VI Collected stories about colonial women. Includes a chapter entitled, "Fireside Industries," describing craft making processes in the colonial period. Typical of many late nineteenth century books seeking to revisit the romance of a more wholesome, family-oriented time. Earle, Alice Morse. <hi>Home Life in Colonial Days</hi> New York: The Macmillan Company, 1913. VI Attempts to tell the story of everyday life in the colonial period, with chapters on houses, crafts, and "Old-time Flower Gardens." Faris, John T. <hi>Historic Shrines of America: Being the Story of One Hundred and Twenty Historic Buildings and the Pioneers Who Made Them Notable</hi> New York: George H. Doran Company, 1918. VI A guidebook to historic houses, churches and other buildings, mainly in the original thirteen colonies. Fitzpatrick, Dr. John C., ed. <hi>Some Historic Houses: Their Builders and Their Places in History</hi> New York: The Macmillan Company, 1939. VI Short histories of twenty-four eighteenth and early nineteenth century houses maintained by the Colonial Dames of America, collected "to show the coming generations the accomplishments of the heroic people of Colonial America whose ability, valor, sufferings and achievements are beyond all praise for upon those foundations rest our Constitution and our liberties." Fox, Stephen. "(Tall) Tales from the Borderland: Brownsville and the Spanish Colonial Revival." Texas Architect 31(4 July-Aug 1981) : 59-65. VI Details why the civic leaders of Brownsville, Texas, which was constructed between 1925-1930, chose the Spanish Colonial Revival, inadvertently connecting the area with a similar architectural language in Southern California. Green, Harvey. "Popular Science and Political Thought Converge: Colonial Survival Becomes Colonial Revival, 1830-1910." Journal of American Culture 6 (Winter 1983): 3-24. VI An interpretation of the Colonial Revival in the broader context of American social and intellectual history that argues that its popularity was due to an Anglo-Saxon Protestant response to increasing European immigration; this racial fear was transformed into a glorification of the past. Harland, Marion. <hi>More Colonial Homesteads and Their Stories</hi> New York and London: G.P. Putnam's Sons, 1899. VI A sequel - tales of famous colonial houses and their families. Harland, Marion. <hi>Some Colonial Homesteads and Their Stories</hi> New York and London: G.P. Putnam's Sons, 1897. VI The first collection of tales of famous colonial houses and their families. Hollister, Paul M. <hi>Famous Colonial Houses</hi> Philadelphia: David McKay Company, 1921. VI The romantic tales of twelve colonial houses, including Mount Vernon and the Longfellow House. Hosmer, Charles B., Jr. <hi>Presence of the Past: A History of the Preservation Movement in the United States Before Williamsburg</hi> New York: G.P. Putnam's Sons, 1965. VI A detailed history of American preservation efforts prior to the 1930s. Hosmer, Charles B. Jr. <hi>Preservation Comes of Age: From Williamsburg to the National Trust, 1926-1949.</hi> 2 vols. Charlottesville: University Press of Virginia, 1981. VI A sequel to Presence of the Past, continuing the story of the American preservation movement up to 1949. Howett, Catherine. <hi>Land of Our Own: Landscape and Gardening Traditions in Georgia, 1733-1983</hi> Atlanta: Atlanta Historical Society, 1983.V Exhibit catalog for 1983 event in Georgia celebrating 250 years of gardening, with brief section on landscape architecture of 1900 to 1945 that notes the popularity of American colonial architecture in the state. Hudnut, Joseph. "We Are No Longer Colonials." House and Garden 97 (May 1950): 166-67, 201-206.VI As Dean of Graduate School of Design at Harvard University in 1950, Hudnut argued that although colonial architecture was appropriate for its period, the need to emulate European motifs and assume a Continental identity was no longer necessary--since Americans were no longer colonials. Kammen, Michael. <hi>Mystic Chords of Memory: The Transformation of Tradition in American Culture</hi> New York: Vintage Books, 1991. VI Examines the Colonial Revival in the larger context of America' relationship with its historical past. Lindgren, James M. <hi>Preserving Historic New England: Preservation, Progressivism, and the Remaking of Memory</hi> New York: Oxford University Press, 1995.VI A history of the Society for the Preservation of New England Antiquities, founded in 1910 by William Appleton Sumner, Jr., its development of the historic preservation movement, and its role in redefining the meaning of the Anglo-American past. Lint-Sagarena, Roberto Ramon. "Inheriting the Land: Defining Place in Southern California from the Mexican American War to the Plan Espiritual de Aztlan." Ph.D. dissertation, Princeton University, 2000. . VI A critical investigation of southern Californian regionalism in the aftermath of the Mexican-American War. Explains how regional identity shifted when Spanish Franciscans were equated with English Puritans--a connection expressed through Mission and Spanish Revival architecture and religious fiestas--at the expense of the area's Mexican population. In reality, Lint-Sagarena argues, the invention of a Spanish Colonial identity was also influenced by Chicanos, who looked to an archaic, pre-Columbian past in a legendary Aztec homeland rather than a Spanish orientation. Lord, Ruth and R.W.B. Lewis. <hi>Henry F. Du Pont and Winterthur: A Daughter's Portrait. </hi> New Haven: Yale University Press, 1999. VI Biography of Henry F. du Pont (1880-1969) by his youngest daughter includes the transformation of the family home, Winterthur, into a museum of decorative arts. Du Pont avidly collected Americana and complete rooms, lifted from colonial period houses. Lossing, Benson J. <hi>Mount Vernon and Its Associations, Historical, Biographical, and Pictorial</hi> New York: W.A. Townsend & Company, 1859. VI An early example of how the Colonial Revival began as a form of hero-worship. Marling, Karal Ann. <hi>George Washington Slept Here: Colonial Revivals and American Culture, 1876-1986</hi> Cambridge and London: Harvard University Press, 1988. VI In a far-ranging discussion of Washington's legacy and the persistence of colonial imagery, the author addresses such issues as the restoration of Mount Vernon and colonial revival architecture and decoration in the early twentieth century. Montgomery, Charles. <hi>The Spanish Redemption: Heritage, Power and Loss on the New Mexico's Upper Rio Grande</hi> Berkeley: University of California Press, 2002. VI Surveys the development of Mission-style architecture(1904-1920), the discovery of “Spanish culture” at the Santa Fe Fiesta (1919-1936), and the revival of the Spanish Colonial arts (1924-1936). Murtaugh, William J. <hi>Keeping Time: The History and Theory of Preservation in America</hi>. Revised edition New York: John Wiley & Sons, Inc., 1997. VI A concise history of the American preservation movement. Addresses important topics like the management of house museums, historic districts and landscape preservation; also includes relevant federal legislation. Sarles, Frank B., and Charles E. Shedd. <hi>Colonials and Patriots: Historic Places Commemorating Our Forebears, 1700-1783</hi> Washington, D.C.: United States Department of the Interior, National Park Service, 1964. VI A two-part book on historic sites from the colonial period. The first part provides historical background, while the second briefly describes important sites by location, ownership, significance, and present appearance. Starr, Kevin. <hi>Americans and the California Dream, 1850-1915,</hi> Americans and the California Dream series. New York: Oxford University Press., 1973. VI <hi>The Dream Endures: California Enters the 1940s, </hi>, Americans and the California Dream series.New York: Oxford University Press., 1997. VI <hi>Embattled Dreams: California in War and Peace,</hi> Americans and the California Dream series.New York: Oxford University Press., 1940-1950, 2002. VI <hi>Endangered Dreams: the Great Depression in California,</hi>, Americans and the California Dream series. New York: Oxford University Press., 1996. VI <hi>Inventing the Dream: California through the Progressive Era,</hi>, Americans and the California Dream series. New York: Oxford University Press., 1985. VI <hi>Material Dreams: Southern California through the 1920's,</hi>, Americans and the California Dream series.New York: Oxford University Press., 1990.VI One of the most comprehensive and multidisciplinary histories of California in a six-volume set, from 1850 to 1950, with particular attention to the development of regional identity through architectural styles and architects. In Americans and the California Dream (1973), Chapter 9 reveals a "specifically Californian aesthetic" in "The City Beautiful and the San Francisco Fair"; Chapter 12 explores the metaphor in play that envisioned California as "An American Mediterranean." Inventing the Dream(1985) highlights "Art and Life in the Turn-of-the-Century Southland" (Ch. 3); "Pasadena and the Arroyo: Two Modes of Bohemia" (Ch. 4); and "Arthur Page Brown and the Dream of San Francisco" (Ch. 6), which point up California's embrace of the Mission style. Material Dreams (1990) touches on Los Angeles' "less than congenial" planning, hydraulic visions,and the enthusiastic reception that Southern California's architects gave to Old World historical identities, particularly in Santa Barbara. Stillinger, Elizabeth. <hi>Historic Deerfield: Portrait of Early America. </hi> New York: Dutton Studio Books, 1992. VI Illustrated history of the restoration of Deerfield, Massachusetts, organized by buildings and showing the area prior to preservation, campaigns in the 1940s and 1950s, and subsequent incorporations of recent preservation standards. Traces the museum's development from a private to professional operation in the 1960s. Tankard, Judith B. "Henry Davis Sleeper's Gardens at Beauport." Journal of the New England Garden History Society 10 (2002): 30-43. VI Detailed descriptions of Sleeper's version of English formal gardens, landscaping and ornamentation, reflecting his sensibilities as an interior designer, antiquarian, and conoisseur. Also traces Sleeper's influence on a prestigious coterie of friends, including Childe Hassam, Isabella Stewart Gardener, John Singer Sargent and Henry F. du Pont. Weinberg, Nathan Gerald. "Historic Preservation and Tradition in California: The Restoration of the Missions and the Spanish-Colonial Revival." Ph.D. dissertation,University of California, Davis, 1974.VI Sociological perspective about the shift in Californian historic preservation from its early impetus as a patriotic impulse, to an assessment of social motivations, and the implications that this development imparts on changing views of Californian identity. Weitze, Karen J. <hi> California's Mission Revival</hi>, No. 3, California Architecture and Architects series Los Angeles: Hennessey and Ingalls, 1984. II Well-illustrated, scholarly treatment of the Mission revival, reliant on excerpts from regional magazines, correspondence between architects, and photographic archives. Wharton, Anne Hollingsworth. <hi>Through Colonial Doorways</hi> Philadelphia: J.B. Lippincott Company, 1893. VI Recognizing that "the revival of interest in Colonial and Revolutionary times has become a marked feature of the life of to-day," this book attempts to describe social and domestic life in colonial days. Wilstach, Paul. <hi>Mount Vernon: Washington's Home and the Nation's Shrine</hi> Garden City, NY: Doubleday, Page & Company, 1925. VI The romanticized story of Mount Vernon, including Washington's participation in the design and the preservation by the Mount Vernon Ladies' Association. The White Pine Series, Vols. 1-25 (1915-1929)

Vol. No. Title Author I 1 Colonial Cottages Joseph Everett Chandler I 2 New England Colonial Houses Frank Chouteau Brown I 3 Farm Houses of New Netherlands Aymar Embury II II 1 Houses of the Middle and Southern Colonies Frank E. Wallis II 2 Domestic Architecture in Massachusetts Julian Buckly II 3 Early Houses of the Connecticut River Valley Richard B. Derby II 4 A Suburban House and Garage Report of Jury Award II 5 Old Woodbury and Adjacent Domestic Architecture in Connecticut Wesley S. Bessell II 6 Colonial Architecture of the Eastern Shore of MD Charles A. Ziegler III 1 Three-Story Houses of New England Frank Chouteau Brown III 2 Early Wooden Architecture of Andover, MA Addison B. Le Boutillier III 3 Old Houses of Newburyport, MA Richard Arnold Fisher III 4 A White Pine House to Cost $12,500.00 Report of Jury Award III 5 The Bristol Renaissance Joy Wheeler Dow III 6 The Early Dwellings of Nantucket J.A. Schweinfurth IV 1 Marblehead William Truman Aldrich IV 2 Some Old Houses on the Southern Coast of Maine C. Howard Walker IV 3 Providence and Its Colonial Houses Norman M. Isham IV 4 White Pine House for the Vacation Season Report of Jury Award IV 5 Early Wood-Built Houses of Central New York Carl C. Tallman IV 6 Colonial Architecture in Vermont George S. Chappell V 1 The Seventeenth Century Connecticut House Harold Donaldson Eberlein V 2 The Settlements on the Eastern End of Long Island William Edgar Moran V 3 Historic Houses of Litchfield C. Matlack Price V 4 A Community Center Building Report of Jury Award V 5 Old Chatham and Neighbouring Dwellings South of the Berkshires Alwyn T. Covell VI 1 The Boston Post Road Peter Augustus Pindar VI 2 A New England Village Hubert G. Ripley VI 3 The Wooden Architecture of the Lower Delaware Valley Jewett A. Grosvenor VI 4 A Roadside Tavern Report of Jury Award VI 5 Old Deerfield, Massachusetts Rawson W. Haddon VI 6 Essex: A Connecticut River Town H. Van Buren Magonigle VII 1 Portsmouth, New Hampshire, An Early American Metropolis Electus D. Litchfield VII 2 Comparative Study of a Group of Early American Doorways, Part I Aymar Embury II VII 3 The Greek Revival in Owego and Near-by New York Towns Alexander B. Trowbridge VII 4 Three Teacher Rural School Report of Jury Award VII 5 Comparative Study of a Group of Early American Doorways, Part II Aymar Embury II VII 6 The Town of Suffield, Connecticut David E. Tarn VIII 1 Port Towns of Penobscot Bay Charles Dana Loomis VIII 2 Dependencies of the Old-Fashioned House Irving B. Eventworth VIII 3 Newport, Rhode Island, An Early American Seaport Kenneth Clark VIII 4 Country Church and Sunday School BuildingWith Minister's Residence Report of Jury Award VIII 5 Houses of Bennington, Vermont and Vicinity Cameron Clark VIII 6 Fences and Fence Posts of Colonial Times Alfred Hopkins IX 1 Some Forgotten Farmhouses on Manhattan Island Lemuel Hoadley Fowler IX 2 River Towns on the Connecticut William D. Foster IX 3 Cooperstown in the Days of Our Forefathers Frank P. Whiting IX 4 A Rural Library Building Report of Jury Award IX 5 The Stage Coach Road From Hartford to Litchfield Peter Augustus Pindar IX 6 Old Canterbury on the Quinnebaug Richard H. Dana, Jr. X 1 The Old Hill Towns of Windham County, CT Richard H. Dana, Jr. X 2 A Comparative Study of a Group of Early American Ornamental Cornices, Part I Aymar Embury, II X 3 A Comparative Study of a Group of Early American Ornamental Cornices, Part II Aymar Embury, II X 4 Rensselaerville: An Old Village of the Helderbergs William A. Keller X 5 Wooden Architecture in the Berkshires Roger Wearne Ramsdell X 6 A Review and a Forecast Russell F. Whitehead Valediction and Felicitation George F. Lindsay XI 1 Massachusetts Bay Influence on Connecticut Valley Colonial George Clarence Gardner Squire Bowdoin House, South Hadley Falls, MA XI 2 Interior Woodwork in New England During the Seventeenth and Eighteenth Centuries Edwin J. Hipkiss The Webb House - "Hospitality Hall," Wethersfield, CT XI 3 Early Dutch Houses of Northern New Jersey Clifford C. Wendehack The Vreeland House, Nordhoff, NJ XI 4 Late Eighteenth Century Architecture in Western Massachusetts Ernest Newton Bagg The Field House, Longmeadow, MA XI 5 Country Meeting Houses Along the MA-NH Line Robert P. Bellows The Park Hill Church, Westmoreland, NH XI 6 The George Read, II, House at New Castle, DE Herbert C. Wise Reception Room of the George Read, II House XII 1 New Castle, Delaware, An Eighteenth-Century Town William D. Foster The Living Room and the Dining Room of the Kensey Johns House, New Castle, DE XII 2 Farmington, Connecticut Wesley Sherwood Bessell The West Parlor and the Hall of the Cowles-Lewis House XII 3 The Burlington County Court House at Mount Holly, New Jersey Fenimore C. Woolman The Burlington County Court House XII 4 Alexandria, Virginia Henry H. Saylor The Colross House, Alexandria, VA XII 5 Early Dwellings in New Hampshire A.E. Ferguson The John Bellows House, Walpole, NH XII 6 Wiscasset, Maine William D. Patterson The Lee-Smith House, Wiscasset, ME XIII 1 New Bern, "The Athens of North Carolina" Charles Francis Hannigan The Masonic Lodge Room, New Bern, NC XIII 2 New England Influence on North Carolina Architecture: New Bern - Part II Aymar Embury, II Second Floor Drawing Room, The Smallwood House, New Bern, NC XIII 3 An Eastern North Carolina Town House: The Smallwood-Jones Residence Kenneth Clark The Smallwood-Jones House, New Bern, NC XIII 4 Moravian Architecture of Bethlehem, PA Karl H. Snyder The John Freeman House, Freemansburg, PA XIII 5 The Colonel Robert Means House, Amherst, NH Lois Lilley How The Colonel Robert Means House, Amherst, NH XIII 6 Some Old Time Churches of Vermont Egerton Swartwout The Rockingham Meeting House, Rockingham, VT XIV 1 Houses in Southeastern MassachusettsAymar Embury, II The Deane-Barstow House, East Taunton, MA XIV 2 The Charm of Old Charleston: A New World City of Old World MemoriesPortfolio of Picturesque Charleston Sketches XIV 3 A Town House of Charleston, SC: The William Gibbes Residence Roy Marvin The William Gibbes House, Charleston, SC XIV 4 Some Charleston MansionsJoseph Everett Chandler The Brewton-Sawter House, Charleston, SC XIV 5 Charleston Doorways: Entrance Motives from aSouth Carolina City William Casey The Ralph Izard House, Charleston, SC XIV6 The Edwards-Smith House, Charleston, SC Albert Simons The Gateway and Fence of The Edwards-Smith House, Charleston, SC XV 1 Churches in Eight American ColoniesHobart B. UpjohnPulpit - First Presbyterian Church, Tennent, NJ XV 2 Old Salem, NC Hall Crews The John Vogler House - Old Salem, Winston-Salem, NC XV 3 The House of John Imlay, Esq., Allentown, NJ John Taylor Boyd, Jr. The John Imlay House, Allentown, NJ XV 4 The Mathias Hammond House Built 1770-1774, Matthew Buckland, Architect Effingham C. Desmond The Mathias Hammond House, Annapolis, MD XV 5 The Mathias Hammond House - Part II R.T.H. Halsey The Grand Dining Room of the Mathias Hammond House, Annapolis, MD XV 6 Annapolis on the SevernDelos Smith The Brice House, Built in 1740, Annapolis, MD XVI 1 "Montpelier," Prince George County, MD Ward Brown Southeast Drawing Room, The Snowden-Long House, Laurel, MD XVI 2 Early American Windows Aymar Embury, II Window Details - Living Room, The James BriceHouse, Annapolis, MD XVI 3 Gunston Hall, VA Harry R. Connor The Drawing Room, Gunston Hall, Fairfax County, VA XVI 4 Houses of Colonial Maryland John H. Scarff The Living Room, The James Brice House, Annapolis, MD XVI 5 Wye House, Talbot County, MD Elliott L. Chisling Orangery, Wye House, Talbot County, MD XVI 6 Public Buildings - Part I J. Frederick Kelly The Old Court House, Chester, PA XVII 1 "The Builder's Companion Demonstrating All the Principal Rules of Architecture:"Part I - A Reprint of the Hand-Book by William Pain, London, 1762 XVII 2 "The Builder's Companion Demonstrating All the Principal Rules of Architecture:"Part II - A Reprint of the Hand-Book by William Pain, London, 1762 XVII 3 Architectural Inspiration from Northern Virginia Kenneth Clark XVII 4 The Charm of Old San Antonio Harvey P. Smith Portfolio of San Antonio Sketches XVII 5 Domestic Architecture of Anne Arundel County, MD Arthur C. Holden XVII 6 Small Colonial Houses Peter Augustus Pindar XVIII 1 Roofs! Aymar Embury, II XVIII 2 Old Concord Frank Chouteau Brown XVIII 3 Public Buildings of Salem, Massachusetts M.S.Franklin XVIII 4 Farmhouses of Oley Valley, Berks County, PA Dean Kennedy XVIII 5 Early Interior Doorways in New England Arthur C.Haskell XVIII 6 New England Inns and Taverns Hubert G. Ripley XIX 1 Cape Ann: Some Earlier Colonial Dwellings in and about Annisquam, MA Frank Chouteau Brown XIX 2 The Dwellings of Newbury Old Town Frank Chouteau XIX 3 Garrison Houses Along the New England Frontier Stuart Bartlett XIX 4 Some Old Houses of Pigeon Cove, MA Thomas Williams XIX 5 Some New England Staircases - 1670-1770 Benjamin Graham XIX 6 The Cottages of Cape Ann - Part I Daniel O. Brewster XX 1 The Cottage Interiors of Cape Ann M.S. Franklin XX 2 Early Brickwork in New England Frank Chouteau Brown XX 3 A Group of Eastern Massachusetts Vestibules Benjamin H. Newton >XX 4 The Later Dwelling Architecture of Cape Ann, Part I Stuart Bartlett XX 5 The Later Dwelling Architecture of Cape Ann, Part II Stuart Bartlett XX 6 Early College and Educational Buildings in New England Eldon L. Dean XXI 1 Some Early "Single Room Houses" of Lincoln, RI George W. Gardner XXI 2 Rhode Island Houses along the Blackstone River Valley Frank Chouteau Brown XXI 3 Dwellings in Northeastern RI and the Smithfields Grover L. Jenks XXI 4 The Houses and Villages of North Smithfield, RI M.S. Franklin XXI 5 Some Old Houses of Warren, RI, Part I J. Fenimore Russell XXI 6 Some Old Houses of Warren, RI, Part II J. Fenimore Russell XXII 1 A Providence, Rhode Island, Georgian Mansion Frank Chouteau Brown XXII 2 Rhode Island Mill Towns A.N. Fowler XXII 3 The Houses of Bristol, Rhode Island - Part I William J. Burleigh XXII 4 The Houses of Bristol, Rhode Island - Part II William J. Burleigh XXII 5 Tiverton, Rhode Island, and Some of Its Early Dwellings Roderick H. Parker XXII 6 Little Compton and Tiverton Four Corners John C. Halden XXIII 1 Historic Boston, Massachusetts Frank Chouteau Brown XXIII 2 Salem, Massachusetts Frank Chouteau Brown XXIII 3 Watertown, Massachusetts Frank Chouteau Brown XXIII 4 Cambridge, Massachusetts Charles N. Cogswell XXIII 5 Cambridge, Massachusetts: Part II Charles N. Cogswell XXIII 6 Early Boston Churches Frank Chouteau Brown XXIV 1 Beacon Hill, Boston, Massachusetts Frank Chouteau Brown XXIV 2 Old Marblehead Frank Chouteau Brown XXIV 3 Old Marblehead, Massachusetts: Part II Frank Chouteau Brown XXIV 4 Old Marblehead, Massachusetts Frank Chouteau Brown XXIV 5 Danvers (Old "Salem Village"), Massachusetts Frank Chouteau Brown