[Footnote: 1. Of Moore's early poems Byron was an admirer. The influence of "Little" and "Anacreon" is strongly marked throughout 'Hours of Idleness'. For the "trite charge of immorality," see 'English Bards, etc.', lines 283-294; and 'Letters', vol. i. p. 113. Byron's opinion of Moore's later poetry was thus stated by him to Lady Blessington ('Conversations', pp. 354, 355):

"Having compared Rogers's poems to a flower-garden, to what shall I compare Moore's? -- to the Valley of Diamonds, where all is brilliant and attractive, but where one is so dazzled by the sparkling on every side that one knows not where to fix, each gem beautiful in itself, but overpowering to the eye from their quantity."]

[Footnote 2: 'The Knight of Snowdoun', a musical drama, written by Thomas Morton (1764-1838), and founded on 'The Lady of the Lake', was produced at Covent Garden, Feb. 5, 1811, and published the same year. John Liston (1776-1846), the most famous comedian of the century, played the part of "Macloon," his wife that of "Isabel." In act iii. sc. 3 Macloon says,

"Oh, woman! woman! deceitful, damnable, (changing into a half-smile) delightful woman! do all one can, there's nothing else worth thinking of."]