Hench is trying to locate correspondence between L.O. Howard and the yellow fever investigators at various U.S. government agencies. He inquires if Lucy Howard has any of her father's papers at the family home.

Howard informs Hench that she cannot find any correspondence between her father and Lazear.

Howard informs Hench that she has found important letters written by Reed and Kelly and will send him copies.

Hench informs Howard that he has a large file of letters between her father and Reed and Carroll but is still searching for more, especially between Howard and Lazear.

Kellogg feels it is essential that Hench see the preliminary sketches before Cornwell begins the work on canvas.

Kellogg thanks Hench for providing so much information for Cornwell's painting. He will discuss changes in the painting with Cornwell.

[Kellogg] discusses his meeting with Hench, as well as proposed changes to the Cornwell painting based on Hench's suggestions. He includes a list of questions for Truby concerning details that will appear in the painting.

Kellogg discusses his conversation with Cornwell and the changes that are planned for the yellow fever painting. Hench may take the preliminary sketches to Cuba with him if he likes.

Hench sends Kellogg photographs to be used by Cornwell for changes to the yellow fever painting. He discusses Clara Maass, the Cubans' representation of Finlay's work, and a need for two versions of the painting to please both Americans and Cubans.

Hench comments on Truby's suggestions regarding the Cornwell yellow fever painting.

Kellogg discusses the Cornwell painting in progress, proposed changes to the painting, and the possibility of producing a second painting to appease critics in Cuba.

Gomez requests information that he can use to show the Cuban government the part that Wyeth Company is playing in publicizing Finlay's work.

Hench requests copies of Mabel Lazear's photographs and discusses Agramonte's daughter. He recommends taking sketches of the "Cuban versions" of the painting rather than the originals to Cuba with him.

Kellogg discusses his efforts to assuage critics in Cuba. He will send Hench photographs of the preliminary "Cuban versions" of Cornwell's painting.

Kellogg thanks Hench for the letter, from Agramonte's daughter, in which she criticized the preliminary sketches of Cornwell's painting.

Kellogg thanks Agramonte's daughter for her comments on the Cornwell sketches and describes planned changes to the painting.

Hench thinks Kellogg handled the Cuban situation well. He comments on the Finlay supporters in Cuba. Hench discusses the Cornwell painting in progress and the suggestions Kellogg has received from various men concerning the painting.

Kellogg reports on his visit with Andrus and notes suggestions Andrus made for the Cornwell painting.

Kellogg discusses the depiction of soldier volunteers in the Cornwell painting. He will test reactions to the painting in Cuba before distributing it.

Kean criticizes the sketches for the Cornwell painting and discusses the anti-Reed sentiment in Cuba.

Hench offers more suggestions for the Cornwell painting.

Cornwell thanks Hench for the data on foods affecting migraines, and for his interest in the yellow fever painting.

Kellogg gives Hench information on the upcoming unveiling of the Cornwell painting.

Kellogg will invite Ireland to the unveiling of the Cornwell painting. He discusses Hench's speech for the event.

Kellogg discusses Hench's travel expenses and the guest list for the unveiling of the Cornwell painting.

Hench discusses his speech for the upcoming unveiling of the Cornwell portrait and suggests guests to be invited by Kellogg.

Hench discusses his speech for the upcoming unveiling of the Cornwell portrait and requests more details on the event and on the painting.

Hench is anxious about speaking at the upcoming unveiling of the Cornwell painting. He presses Kellogg for details about the event and the painting.

Kellogg supplies Hench with details on the upcoming unveiling of the Cornwell painting. He discusses Law's introduction of Hench, the guest list, Hench's speech, the planned order of proceedings, and the painting.

Hench discusses the ethics of having his yellow fever talk reprinted and distributed by the Wyeth Company. A note by Hewitt on the second page states that he sees no ethical problems with publication.

Kellogg discusses the publication of Hench's remarks on the Cornwell painting in medical journals. The Wyeth Company will provide color inserts of the painting for publication.

Hench requests that Cornwell omit the mustache from Moran's image in the yellow fever painting.

Kellogg informs Hench that the Moran figure in Cornwell's painting has already been completed with a mustache. Plates of the painting have also already been made. He discusses the publication of an article on the painting.

Hench discusses the planned publication of his speech and reproductions of the Cornwell painting in "Hygeia" and the "New York Sunday Mirror."

Truby approves of the finished Cornwell painting and is surprised to have been included in it.

Kean approves of the finished Cornwell painting. He comments on the various figures depicted in the work.

Cumming approves of the finished Cornwell painting, "Conquerors of Yellow Fever."

Gomez discusses the reactions of Cuban doctors to the Cornwell painting, "Conquerors of Yellow Fever".

Carlos E. Finlay expresses his dissatisfaction with Cornwell's painting, "Conquerors of Yellow Fever."

Jaime approves of Cornwell's painting, "Conquerors of Yellow Fever."

Mabel Lazear expresses her approval of Cornwell's painting, "Conquerors of Yellow Fever," and requests more copies. She mentions her preoccupation with war preparations.

Cooke approves of Cornwell's painting, "Conquerors of Yellow Fever," and requests more copies.

Hench discusses changes to Cornwell's "Conquerors of Yellow Fever" painting that would improve its historical accuracy.

Hench responds to Carlos E. Finlay's criticism of Cornwell's "Conquerors of Yellow Fever" painting.

Hench thanks Kellogg for the reaction letters, from both Cubans and Americans, to the painting. He discusses the sentiments in these letters.

Carlos E. Finlay apologizes for his earlier criticism of the Cornwell painting. He is glad that the contributions of his father, Carlos J. Finlay, and the Yellow Fever Board are being brought together.

Kellogg discusses identification of the figures in Cornwell's painting for an upcoming "Hygeia" article that will feature a copy of the painting.

Hench discusses identification of the figures in Cornwell's painting for an upcoming "Hygeia" article that will feature a copy of the painting. He presents a strong argument for including Ames.

In a numbered list, Hench names and identifies the figures in the Cornwell yellow fever painting.

Hench discusses the Cornwell painting and an upcoming "Hygeia" article based on his speech at the unveiling. He thinks it appropriate for Moran to be depicted in a military uniform in the painting.

Kellogg discusses the inclusion of Ames in the Cornwell painting. He has contacted Kean regarding this matter.

Kellogg informs Kean of the final decisions made in identifying the figures in the Cornwell painting. He informs Kean that Carlos E. Finlay has altered his earlier judgement of the painting.

Kellogg thanks Finlay for his letter and assures him that his opinion was welcomed. He discusses the possibility of a second yellow fever painting.

Kellogg sends Hench copies of correspondence with Carlos E. Finlay. He discusses Cubans' attitudes toward the work of Carlos J. Finlay and the possibility of a "Cuban version" of the Cornwell painting.

Hench discusses Cuban attitudes towards Finlay and the identification of figures in the Cornwell painting.

Agramonte's daughter expresses her approval of the finished Cornwell painting and requests reproductions.

Kellogg discusses the painting of McDowell, which is being planned by Wyeth, and describes Rankin's criticism of the Cornwell yellow fever painting.

Artigas praises the Cornwell painting for honoring the work of Finlay. He discusses Cuban publicity pieces for the painting and the planned public exhibition of a reproduction.

Hench thanks Kellogg for the acknowledgement included in the journal article on the Cornwell painting. However, he suggests a few changes to the acknowledgement.

Kellogg has received favorable comments on the Cornwell painting from Cumming and Kahn. Kahn, a friend of Carlos E. Finlay, reported Finlay's approval.

Kellogg discusses the favorable reaction to the Cornwell yellow fever painting. He has sent a proof and copies to Agramonte's daughter.

Hutchison thanks Kellogg for the print of the Cornwell painting, which will be placed in the Lazear Building.

Hench thanks Law for the two oil sketches of the “Cuban version” of the yellow fever painting.

Law is glad that Hench likes the two oil sketches of the "Cuban version" of Cornwell's yellow fever painting.

Kellogg discusses the display of the "Cuban version" sketches of Cornwell's yellow fever painting, in Cuba.

Agramonte's daughter thanks Kellogg for the print of Cornwell's painting.

Hench describes the display of the Cornwell paintings at the Mayo Clinic. He would be pleased to attend future unveilings of other paintings in the series. Hench mentions the publication of his yellow fever article in the Mayo Clinic Proceedings.

Kellogg assures Hench that he will still be involved with the "Pioneers of American Medicine Series," despite the fact that he no longer with Wyeth. He and Cornwell received an award from the National Art Director's Club. He expresses concern about Kean.

Hench congratulates Kellogg on his award from the National Art Director's Club. He expresses regret that Cornwell's remarks at the unveiling of the yellow fever painting were never recorded. He mentions the books of Laura Wood, Hume and Truby.

Moran notifies Kissinger that they are going to receive the Finlay Medal from the Cuban Government in Washington, D.C. He provides further detailed information concerning the upcoming event and hopes that Kissinger will be able to attend. This letter was forwarded to Hench.

Kissinger complains about the conflicting stories concerning the yellow fever experiments. He discusses his willingness to participate in the human experiments.

Hench informs Kissinger about his plans to purchase the site of Camp Lazear and the remains of Building No. 1. He discusses his correspondence with Kean and Truby and his intention to find incontrovertible evidence concerning the yellow fever story.

Hench requests Kissinger's help in identifying persons and buildings in two photographs.

Ida Kissinger sends her husband's identifications of the persons in a photograph. She discusses their health problems.

Kissinger describes the yellow fever experiments and comments on the men involved. He also describes the experience of suffering from yellow fever and the treatment for the disease. Kissinger remarks on inaccuracies in the play "Yellow Jack." He maintains that he volunteered before Moran.

Kissinger responds to questions regarding the yellow fever experiments. He asserts that he volunteered before Moran.