Omnia Vincit Amor Ovid Illustrated: The Renaissance Reception
of Ovid in Image and Text

George Sandys, Ovid's Metamorphosis (1632)

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VPON THE TENTH BOOKE
OF OVID'S METAMORPHOSIS.

Inuoked Hymen repaires to the Nuptialls of Orpheus and Euridice: but with  ORPHEVS AND EVRIDICE  vnusuall silence, and an ominous sadnesse. He is said to be clothed in a mantle of a saffron dy, in that Brides accustomed to couer their faces with vailes of that colour: not only for modesty, and to conceale their resembled blushes, but as a happy presage, since continually worne by the wiues of the Flamins, betweene whom and their husbands there could be no diuorcement. The nuptiall Torches among the Romans were borne by fiue comely Youths of her kindred; pretending concord by that vneuen number, which cannot be diuided into an equal fraction; but one will remaine to compose the difference: and declaring by their light how the wife is the splendor and glory of her husband. But among the Grecians they vsed onely a single Torch, and that carryed by one who represented Hymen: which, if it burnt not clearely (as here) but crackled, and cast vp a black and clowdy vapour, was held to prognosticate infelicity; and therefore they not seldome made the staffe of White Thorne, which afforded but a little light, yet free from smoke or ill sauour. But truer presages they are of the weather: if the lights burne bright, of faire, if blew, of frosty; if obscurely and with spungeous weikes, of foule and rainy.
Night-working Spinsters know, when they behold
Oyle sputter in the blazing lamp, or view
The spungy weike, Ioule weather will insue.
1
So the trembling and flexuous burning of the flame prognosticates windes and a troubled sky: because no wind, till it hath driuen the Aire is apparent to the Sence, the flame then the Aire more easily shaken. These omens fore-runne the death of Euridice; bit on the heele by a Serpent, as she sported with the Naiades; and followed by her husband to the infernall Kingdome.
To Hell descends an easy way:
Black
Plutos gates stand open night and day.
But to retire to that pure light aboue,

Most hard! A, few belou'd by equall
Ioue,
By ardent vertue rais'd to blest aboads,
Could this atchieue: the sonnes of powerfull Gods.
2
Such was our Orpheus, the sonne of Apollo, and Calliope one of the Muses: who with the sweetnesse of his musick and sad lamentations drawes teares from the eyes of the remorsles Furies, and a consent from Pluto and Proserpina of his wifes restitution: prouided that he looked not back to behold her, before they had past the confines of the Stygian Empire. But,
True loue detests, and no delay can brooke:
Hasting to see, he lost her with a looke.3
I haue heard a fable (saith Sabinus) not vnlike vnto this, if it be to be reputed a fable, which the testimonies of many affirme for a history. A Gentleman in Bauaria of a noble family, so extreamely greiued for the death of his wife, that he abandoned all the comforts of life and fed his constant sorrow with solitarinesse; vntill at length he regained her: who told him how she had finished the time prescribed by Nature; but by his importunate prayers was restored to life, and commaunded by God to acompany him longer: vpon these conditions, that their matrimony dissolued by death should be againe solemnized; and with all, that he should abstaine from his former blasphemous execrations; for which he lost, and should loose her againe, vpon the like commission. This said she followed her househould affaires as before, and bare him some children; but was euer pensiue and of a pale complexion. Diuers years after, the Gentleman, heated with wine and coller, rapt out horrible oathes, and bitterly cursed his seruants; when his wife, with drawing into an other roome, was neuer more heard of: her apparrell, without her body, standing vpright, as if an apparition. This (saith he) haue I heard from many credible persons; who affirme that the Duke of Bauaria told it for a certaine truth to the Duke of Saxony. Pausanias reports, how Orpheus after the death of Euridice, repaired to Aornus in the country of the Thesports, where Oracles were giuen by raising of the dead (not in the power of Negromancy to effect, the diuell rather assuming their formes to delude his votaries) when imagining that his wife followed him, but looking back, and finding the contrary, forth-with for sorrow slue himselfe. In emulation of Orpheus the dames of his Country accustomed to throw themselues into the funeral fires that burnt their dead husbands (used not onely of old, but frequently at this day in diuers places of the East Indies) to testifie their affections, and out of hope to inioy in an other world their beloued societyes. So Dido who layd the foundation, and Asdrubals wife who beheld the ruin of Carthage, followed their husbands to the infernall Mansions. But the fable seemes to allude to the former story, differing not much but in the Catastrophe: and inuites vs to a moderation in our desires, least we loose what wee affect by to much affecting: Hell, the Furies, and infernall torments, being no other then the perturbations of his mind for the death of his beloued; pacified, and at length composed by the harmony of reason: when looking back, that is, recalling her to his remembrance, he falls into a desperate relaps, and as it were a second time looseth her.
    Orpheus retires to Haemus and Rhodope, who  ATTRACTED TREES  with the musick of his harp and voice, attracts euen beasts and sencelesse trees to heare and admire him. The morall of which fable may parallell with that former of Amphion: where of Horace in his art of Poetry.
Orpheus, the Gods interpreter, from blood
Rude men at first deter'd, and sauage food:
Hence said to haue Tigers and fell Lyons tam'd.

Amphion so, who Theban bulwarks fram'd
T' haue led the stones with musick of his lute,
And mild requests. Of old in high repute

Publique from priuat, sacred from profane,
To seperate; and wandring lust restraine

With matrimoniall tyes; faire Citties raise,
Lawes stamp in brasse. This gaue the honourd bayes

To sacred Poets, and to verse their prayse.
4
Yet musick in it selfe most strangely works vpon our humane affections. Not in that the Soule (according to the opinion of the Platonists) consisting of harmony, & rapt with the sphearicall musick before it descended from Heauen to inhabit the body, affects it with the like desire (there being no nation so barbarous, or man so austere and stupid, which is not by the melody of instruments and numerous composures, either incited to pleasure or animated to Virtue) but because the Spirits which agitate in the heart, receaue a warbling and dancing aire into the bosome, and are made one with the same where with they haue an affinity; whose motions lead the rest of the Spirits dispersed through the body, raising or suppressing the instrumentall parts according to the measures of the Musick; sometimes inflaming: and againe composing the affections: the sence of hearing stricking the Spirits more immediatly, then the rest of the sences. So those who become frantick by the mortal biting of a Tarantula, are onely appeased with Musick, when the Musitian lights vpon such a straine as sympathizeth with their Spirits; and by continuing the same are perfectly cured. Homer makes the Gods to pacify their dissention with musick: and Achilles with his owne to digest his anger.
His mind with his sweet harp he solac't, brought
From sackt
Eötian Thebes, diuinely wrought,
Which at a baldrick, purl'd with siluer, hung;
To this the deeds of great
Heroës sung.5
Dauid (who with his Harp subdued the euill Spirit which vexed Saule) introduced harmony into the Temple, as suting well with that diuine seruice: Yea euen the glorified Spirits are described with harps in their hands, and singing the praises of the Almighty. But the fable of Orpheus, and the walking trees that followed his harp and ditties (more sensible then the Emperour Tacitus, who could not indure the melody of numbers) had an originall, as they say, from this story. The Bacchides, hauing much damnified the country by their furious solemnities, and the cittizens fearing an increase of mischeife, intreated Orpheus to reduce them by one stratageme or other. He hauing ordained a feast to Bacchus, so calmed their rage, and allured their affections with his musick, that he drew them downe from the mountaine where they were assembled: who laying a side their iauelins, tooke branches of trees in their hands; and appeared a farr off like a mouing wood to such as beheld them: where vpon it was said that he attracted the sencelesse trees with his Harmony. William the Conqueror was so deluded by the Kentishmen; and the vsurper Macbeth by the expulsed Milcolmb.
    Among these assembled trees, which made a theater  ATYS  for the Sacred Singer, the Pine was one, into which the Phrygian Atis was converted. A beautifull boy, beloued of Cybil the mother of the Gods, and created the president of their Solemnities: who for affecting the Nymph Sangritis was castrated by her ielousy; as all her Priests euer after; whom they called Galli, of Gallus a Riuer of Phrygia, whose waters made the drinker franticke. Atis is said to haue his members cutt off, and to be transformed into a Pine, in regard of that trees infertility; as to be beloued by Cybil, in that consecrated vnto her. But this fable is also referred to a history: How Cybil, daughter to Menos king of Phrigia, so called of a mountaine where she was exposed; fell in loue with Atys, a young man of that country, by whom she was gotten with child. This knowne to her father, he caused Atys to be slaine, together with her Nurse, and interdicted their burials. When Cybil, distracted with loue and sorrow, ran about the Country, her haire disheueled, dancing, and playing on a timbrel: imitated after by her gelded Preists; in the celebration of her solemnities; gashing withall their faces and bodies; like the Priests of Baal in their contention with Eliah. Not long after afflicted with a greiuous pestilence, the Phrigians consulting with the Oracle, were commaunded to giue Atis interment, and worship Cybil for a Goddesse.
    The Cypresse tree crowded hether with the rest: the spirelike  CYPARISSVS  monument of Cyparissus. A louely boy beloued of Apollo: who killing by chance a stagg which he childishly affected, pined away with sorrow; and desiring the Gods that he might euer mourne, was changed into that funerall tree. Weake and effeminate Spirits are afflicted with trifles. He is fained to haue beene beloued of Apollo, in that hee was studious in Poetry, for such are said to be affected by Apollo and the Muses. And because the Cypresse tree, being cutt downe or lopt, (as man by the sith of Death) reflourisheth no more: it therefore was vsed at funeralls. Yet only at the exequeis of the more noble: and vrnes were also wrought of the same to inclose their bones who suffered death for the publique vtility; vpon an opinion that it preserues from putrefaction. The branches they stuck at the doores of the Deceased, least any ignorantly entring should be polluted by the dead body; according with the Leuiticall law. Our Orpheus had his statue in Lebethrius (a citty of Macedon) made of this wood, which swet exceedingly in the dayes of Alexander. The people not a little frighted with the prodigy, Aristander said, How it was to be hoped that Alexander was now in accomplishing, what would make all the Poets sweat to celebrate in their verses.
    Orpheus begins his song (containing the rest of this booke) with the  ORPHEVS HIS SONG  praises and omnipotency of Iupiter: it being the true and originall vse of Poetry, to sing the praises of the Highest, and to inflame the mind with zeale and deuotion. Such Moses among the Hebrewes, among the Grecians, Orpheus; who seemes to make mention of the former in one of his hymnes by the name of the Riuer-borne. And although he is said by the personating of qualities to haue introduced Idolatry, the allegory forgot, and the fable receiued for history: or mingling bad seede with the good, in imitation of Trismegistus; who concludes his diuine speculations of the Trinity, borrowed no doubt from Moses, with his owne idolatrous fancies: yet is it apparent by his Testament to his scholler Musaeus, whereof certaine verses are recited by Iustin Martyr, that his opinion in diuinity was in the maine part agreeable with the sacred Scriptures, which he had learnt in Aegypt (there left by the Israelites) and brought from thence into Greece. As of one God, the creator of Heauen and Earth, the author of all good, and punisher of all euill; exhorting him to the hearing and vnderstanding of that knowledge, which was reuealed from Heauen.
This sacred saw with all thy heart attend
(Thy reasons throne) the right high way ascend,
And see the onely king of Heauen and Earth;
Borne of himselfe; from whom all take their birth:

Who moues in all; vnseene by mortall eyes;

Yet nothing from his sight concealed lies.6
As for the many names which he giues to the Gods; no other thereby is meant, but diuine and naturall Virtues: shaddowing God himselfe vnder the name of Iupiter, to auoid the enuy and danger of the times, as is euident by these attributes.
Omnipotent Ioue, the first and last of things;
The head, the midst: all from his bounty springs.

Foundation of the Earth, and starred sky:

A male, a female; who can neuer dy.

Spirit of all; the force of awfull fire;
Sourse of the Sea; Sun, Moone, th' originall
The end of all things; and the King of all.
At first conceald, then by his wonderous might,
And sacred Goodnesse, all produc'd to light.
7
    Formerly he sung (as here he intimates) of the Gyants (so called  THE BATTAILE OF PHLEGRA  of their inhumanity and arrogancy) foyled by Iupiter in the fields of Phlegra: who being inuaded by Hercules, by the abundance of lightning, which then flasht in their faces, were put to flight; and therefore said to be ouerthrowne by Iupiter: whereupon grew the fable of their fighting with the Gods. Now Phlegra signifies to burne: a name appropriated to the place; which lies betweene Naples and Puteoli. A plaine inuironed with high chalky cliffes, out of which on euery side black and smoky exhalations ascend, of a sulphurous sauour. The Earth roareth vnder foot, and at diuers vents casts vp boyling water mingled with flames. To this, which I haue seene, adde we that description of Petronius.
A place deepe sunke in yauning clifes, twixt great
Dicarchea and Parthenope, repleat
With black Cocytus waues: for winds that straine
To rush forth there, a deadly heat containe.
Th' earth fruits in Autumne beares not, nor sad field
Once puts on greene; nor sprouting branches yeild
Their vernall songs: but Chaos and ragg'd stone,
Smircht with black pumice, there insult; o're-growne
With mournefull Cypresse.
Dis his head here raises,
Couer'd with ashes pale, and funerall blazes.
8
    Orpheus now sings in a lower straine of boyes beloued of  GANYMEDES  Gods, and inordinate affections of women. And first of all of Ganymedes, rapt by Iupiter, in the forme of an Eagle. Wherein he differs from his former character, if not vindicated by the allegory. This Ganymede was the sonne of Tros, the brother of Ilus and Assaracus. A youth of surpassing beauty: stolne away from Ida by Iupiter. And because he wore an Eagle on his crest (for that, as he sacrificed before the battaile with the Titans, an Eagle flying ouer his head, gaue a happy augury) he was said to haue rauish't him in that forme. But others report that he was secretly murdered by the enuy of his brothers and as secretly interred: when to comfort his pensiue parents, the people gaue him diuine honours, and deuized this fable of his assumption, and conversion into the signe of Aquarius. And because that Coelestiall constellation is resembled to a boy, powring water out of a goblet, he is fained to fill Nectar for Iupiter in the roome of Hebe the daughter of Iuno: supposed not the least occasion of her hatred to the Troians.
Old seeds of wrath, and bitter hate, infest
As yet her mind. Deepe rooted in the brest

Was
Paris Iudgement, and the iniury
Of her despised forme; his kindred high

In her distast; and Ioue-rapt
Ganimed
To honoures rais'd: her flames this fuell fed.
9
But Ganimed, according to Xenophon; was rather assumed into heauen for the beauty of his mind, then that of his body: not so called of banquetting and indulgency, but to expresse the excellency of Wisdome and Counsell. Ganimed therefore, or a wise and vnderstanding Soule, vncontaminated with the vices of the flesh, and drawing neerest vnto the nature of God, is by him beloued, and rapt into heauen, (as Enoch, or Eliah in a fiery charriot) and on the wings of an Eagle, in regard of her high-touring and perspicuity. He is fained to fill Nectar for Iupiter, in that prudence and innocency is so acceptable to God; whereby we feast him, as it were, with coelestiall viands. But Physically Hebe is said to be remoued from that office, for stumbling and vndecently shewing her nakednesse; because Hebe, which is the youth and flourishing estate in plants & vegetables, by the fall of the leafe doe shew their deformity, and so loose their honour: when Ganimed is entertained in her roome, which is winter; and therefore fained to haue beene converted into the winter signe of Aquarius; and because abundance of raine is powred vpon the Earth from the clouds when the Sunne is in that Signe, he is said to be Iupiters Cup-bearer.
    As Iupiter Ganimed, so had Apollo aduanced  HYACINTHVS  his beloued Hyacinthus, had hee not beene preuented by the death, which he vnfortunately gaue him: yet changeth him into a beautifull flower; which not only carries his name but expresseth his own sorrow; Ai, Ai, an afflicted ingemination, charactred in the leaues: into which hee prophesies that the great in valour (meant by Aiax Telamon) should hereafter be converted; which also presents the two first letters of his name: whereof Virgill aenigmatically.
Tell me, where growes those flowers, whose leaues inshrine
The names of Kings; and
Phillis shall be thine?10
But no such impression there is in that which wee call a Hyacinth. Yet Lazarus Bonamicus affirmeth that at Venice he once saw a flower, brought thither from Alexandria, which agreed with our Poets description. This flourisheth in the end of March and beginning of Aprill: which not only presenteth the season and beauty of youth; but keepes the haire from sprouting on the chin, if annoynted with the oyle thereof. Now Apollo, the God of wit, of learning, and the Muses, is fained to affect the young Hyacinthus for his beauty, and after his death to haue turned him into a flower: because the naturall vnderstanding, when innocent and vncorrupted, resembles a boy; that is, wanting wisdome, yet repleat with beauty, in that it exciteth the mind to a selfe contemplation: whereby at length putting off the affections and feruor of youth, by his owne vigour it produceth the flower of knowledge and wisdome, sweetly smelling with the fragrant odours of Vertue; whose memory by monumentall letters is deriued to posterity. The Poets, shaddowing vnder their fables Philosophicall and Theologicall instructions, by the loue of the Gods vnto boyes expresse the graciousnesse of simplicity and innocency: and like little children, or not at all, must we ascend the celestiall habitations. Now flowers are Physically said to be beloued of Apollo, because they receaue by the heat and virtue of the Sun their growth and production.
    Hyacinthus was an honour to Sparta; whose festiualls they celebrated yearely. But  CERASTAE  no lesse a shame were the Propaetides, than the Cerastae to Cyprus; transformed by Venus into Bulls for their inhospitality and humane sacrifices. Few Nations there are, that were not contaminated with this barbarous superstition: yet found it alwaies some opposers. Diphilus King of Cyprus made this Idoll of Iupiter, contented with an oxe in steed of a man; and Hercules taught the Italians to drowne a man made of straw, in stead of the liuing. But when ciuility and knowledge had informed them better, they were generally abrogated. Tiberius crucifying the Affrican Priests, euen in those groues where they had butchered so many: and Adrian suppressed this abhorred custome of our Cypriots in Salamina. But although abolished among ciuill nations; yet the Diuell whose malice is still the same, hath introduced these bloody Ceremonies among the saluage Americans, not differing from those in the cruell sacrifices to Saturne, described by Diodorus; to shew that both had one teacher. Ceraste signifies horned; and these Cypriots were fained to haue beene changed into Bulls, in regard of their brutish immanity: or rather taking their name from that Iland, called formerly Cerastis, of her many Promontories so called of their similitude; as in Phillis to Demophon:
A bay there is, like to a bow when bent;
Rough hornes aduancing on the shores extent.
11
    Yet would the obscene Propaetides deny the Deity of Venus:  PROPOETIDES  by whose reuenge inflamed with lust and auarice, they prostituted themselues vnto euery stranger. The fable deriued from the ancient custome of the Cypriots: who at certaine times of the yeare brought their daughters to the Sea coast to purchase their dowries with the losse of their virginities: and willingly offered their forfeited Chastities to Venus. A law which was left them by their lasciuious Goddesse: the first that taught them to play the mercenary Curtizans: being her selfe the concubine to Cyneras king of Cyprus who built her a temple, and instituted sundry new Ceremonies to this his Cyprian Venus; amongst the rest, that those who would be initiated, should secretly conuay a halfepenny into the hand of her statue, in name of a reward. Well therefore (saith Firmicus) did the louer Cyneras obserue the rules of a strumpet, in commaunding her Preists to giue her a hire, as vnto a prostitute. The Armenians had the like Custome in selling the honour of their daughters: and the Babilonians, being poore so purchased their sustenance. There is nothing so impudent as a woman, when once she beginns to contemne her fame, & is hardned by Customary euill. And therefore the Propaetides abandoning their shamefastnes, are aptly fained to haue their blood congeal'd in their faces; and little to differ from the stones whereinto they were converted: where of Menander.
Who haue no feare, nor blush at their offence,
Are hardned with a stony impudence.12
Impudence, according to Xenophon; being the conductresse to all dishonesty. Plato compares our life to a iourney; Reason the directer of the charriot; the two horses, one white and the other black, our sublime, and our base affections. The diuine Prouidence determining to restraine vs from vice and prouoke vs to Vertue hath giuen vs an inbred modesty and magnanimity; that our charrioter might curb vs, as it were with the bridle of shame, from what is dishonest, though neuer so pleasing; and incite vs to that which is honest, though neuer so no difficult, with the spur of magnanimity.
    Pygmalion (not that King of Tyrus who was Didos  PYGMALION  brother, but the sonne of Cilax the Cypriot) deterred by the beastly life of the Propoetides, and the many vices which raigned in women, resolued to liue a single life: who caruing the image of a Virgin in Iuory, surpassing the perfection of Nature, fell in loue with his owne workmanship. Nor is it extraordinary for excellent artizans to admire their owne skill, which addes to industry, as industry to perfection. And perhaps the life which was giuen it by the Goddesse, was no other then the grace and beauty of the figure; which Apelles, in his pictures, called the Venus; which made it liue in the estimation of those times, and admiration of Posterity: as his sonne by her might be taken for the honour acquired by his admirable art; the Grecian and the Roman statues, after so many hundred of yeares, affording as long a life to the fame of the Artificer. But taken historically, this statue may be some Virgin on whom Pygmalion was enamoured, who long as obdurat as the matter whereof she was made, was mollified at length by his obsequiousnesse: the Iuory expressing the beauty of her body, and her blushes the modesty of her mind.
His lips to hers he ioynes, which seeme to melt.
The blushing Virgin now his kisses felt
:
And fearefully erecting her faire eyes,
Together with the light her louer spies.
Blushing is a resort of the blood to the face; which, in the passion of shame, labours most in that part, and is seen in the brest as it ascendeth: but most apparent in those that are young; in regard of their greater heat, and tender complexions. Which proceeds not from an infirmity of the mind, but the nouelty of the thing; nor can bee either put on or restrained. The ensigne of natiue Modesty, & the colour of virtue. A beautifull and modest wife is therefore here said to be giuen him by the Goddesse, in reward of his deuotion, as the greatest temporall happinesse. Neither may Pigmalions being in loue with an image be altogether fictitious: since both Pliny and Lucian make mention of a Youth of no ignoble family (his name suppressed for the foulenesse of the fact) who grew so desperatly enamored on that celebrated Statue of naked Venus, carued in Parian marble by Praxitiles, and inshrined in her Temple at Gnidos; that all the day long he would gaze thereon, mouing his lips as if hee sued for acceptance, sigh, change colour, and expressing all the distemperatures of a louer; offering at her Altar whatsoeuer his meanes would afford. And so farre his fury increased, that hiding himselfe one euening in the Temple, and being lockt in by the Sexton, he ran to the Statue, imbraced it strictly in his armes, warming the cold marble with his burning kisses, and so contaminated it with his lust, that the staines euer after remained, as a monument of his impiety. Who either struck with the horror of the deed, or that it was not in Nature to satisfie his desires; threwe himselfe from a rocke and so perished. Beautifull women, though metamorphized into stone, would not want their louers.
    Pygmalion on his wife Eburnia begot Paphus; who gaue a name to the Iland, and that celebrated Citty where Venus was principally adored.
The pleasant Queene to Paphos then retires,
Where stood her temple: there a hundred fires,
Whose fragrant flame
Sabaean gums deuoures,
Blaze on as many altars crown'd with flowers.13
Paphos begot Cyneras, and Cyneras Myrrha. Cupid (which is a  MYRRHA  desire of generation according to the order of Nature) denies to haue kindled her vnnaturall flames: imputed to infernall Alecto, or the Diuell, who begets in the impious soule, deserted by Virtue, such hellish affections. She excuses, accuses, her fury; and despairing attempteth to hang her selfe: the last and surest of these three remedies prescribed by Crates.
Hard fare will famish loue: if not, then will
Time and long absence cure that fatall ill.

If neither of these remedies succeed,

Then take a halter; that will doe the deed.14
But Myrrha is preuented by her Nurse; who comforts, inquires and promiseth the assistance of her Arts: as cunning belike as the Massilian Priest:
She can with charmes release the loue-sicke mind:
And whom she will in amorous fetters bind.15
Which is neither in the power of the Diuell, nor those black arts to effect: as appeared by the vaine assaies of S. Cyprian, at first a Negromancer, and after a souldier of Christs, as recorded by Laurentius Surius. Bodin obserues that Witches for the most part are old women (not one among an hundred a man) as more easily seduced by the Diuell in regard of their melancholy and enuy. Though Myrrha at the first was ashamed to confesse so detested a guilt; yet could the experienced old woman discouer it to be loue; which as other diseases hath his vnfallible symptomes: being too strong an affection of the soule, allied, and like vnto Melancholy; which continually agitates the mind, and inflames it with the conceaued beauty & graces of the beloued; let in by the eye, and inthroned in the heart of the louer. This ardor increaseth dayly, incensed by desire, and fomented by hope, vntill it attaine to fruition. Their eyes grow immoderate dry, wanting teares to relieue the oppressed heart, vnlesse they fall into a violent weeping. Their eye-lids twinkle in a frequent motion: insomuch as their lookes sometimes expresse a smiling alacrity, as if with delight they either saw or heard the obiect of their contemplations. Their affections are transported with ioy, sorrow, hope, feare, audacity, and diffidence: especially when the power of Loue is in discourse; the toyle, the iniuries, and miseries thereupon depending. Their lookes are macilent and pale, their eyes hollow, their eyelids galled with teares, and blew with inordinate watchings. Often they sigh, to refresh the hot and labouring heart with a greater quantitie of breath; the voice expelled in grones by the strugling of the ouer-charged spirits. Their pulses keepe no time, but either beat too faintly or too fast, according to the disposition of their tempestuous mindes; by which their affections, and to whom, may be knowne, howeuer they indeauour to conceale it: for if the beloued come in by chance, or many names be repeated, when you light vpon his, or hers, the pulse will suddenly change, and pant with extraordinary violence. So Erasistratus discouered the concealed affections of loue-sick Antiochus. Yet this discouery may bee the better confirmed by the reiterated praises of the beloued: and withall, the ioy thereof inlightens the lookes, and giues a vigour to the eye, through the dilating of the spirits, and drawing of them forth to the outward parts. But Myrrha with much a doe confessing her impious affections, is disswaded in vaine, and at length assisted by her Nurse, who basely preferres her life before her virtue or honour.
Contemne we fame: fame seldome truth befriends;
Oft blasts the good, as oft the bad commends.
16
And driues whom she could not restraine into ruine. The Witch and Baud now puts in practice her horrid designe:
Not Stygian Pluto euer durst pursue,
What a bold Monk, or fraudulent Hag durst doe.
17
Who takes her opportunity at the Festiuall of Ceres: to which none were admitted that were either vncleane, or whose consciences accused them of any secret crime: the Crier proclaiming; Fly, fly farre hence, O you that are prophane. Wherefore Nero durst not come to the like, in regard of his guilt: and Antoninus would needs be inuited, to proue himselfe innocent. The Queene, a votaresse, and separated for that time from her husband; Cyneras, full of wine, is tempted and deceaued by the Nurse. Wine is a spur vnto Venus, and prodigall cups besot the vnderstanding: exemplified by Lot who then lay with his two daughters (wherewith this fable agrees in sundry particulars) at that time remoued from his knowledge. But drunkennesse confounds the memory, and so bemists the eye, that things appeare not the same that they are: and therefore said to see all things double:
Mad Pentheus such, whom troopes of furies fright:
Who saw two Sunnes,
Thebes doubling in his sight.18
But Myrrha at the knowledge of her Nurses successe, is distracted at once with all the foure effects of the minde; whereof two are delightfull, and two sorrowfull. Of the first, the one belongs to things present, which is ioy; and is an opinion of a present good: the other, desire vnto the future; and is an opinion of a good to come. Of the two sad ones, sorrow is an opinion of a present euill; and Feare, of a future. Hence all imbosomed perturbations are deriued. Now led by the Nurse to the bed of her father. The starres hid their heads in clowdes as detesting so horrible a spectacle; but first of all Icarius and Erigone.
    This Icarius was  Icarius & Erigone  a Guest to Bacchus, who gaue him a Borachio of wine, and bad him communicate it to others. Certaine sheepheards, in his returne into Attica, drinking thereof immoderatly, intoxicated fell on the Earth: and imagining that he had poysoned them, slew him with their staues. His dog Nerea, by running before and howling, shew'd Erigone her father where he lay vnburied: who after she had interred him, ascended the mountaine Hymettus, and there hung her selfe. It is fained that Iupiter, at the intreaty of Bacchus, changed them both into Constellations: calling Erigone, Virgo; one of the six Northerne signes, who carries in her left hand an eare of corne with a starre of the first magnitude; and her father Bootes; betweene whose legs shines the eminent Arcturus, which in reuenge of his murder ariseth in tempests. The Athenians afflicted with pestilence, had an answer from the Oracle, that it then should cease, when they offered their first fruits to Icarius and Erigone; who moreouer erected Altars vnto them, and appointed festiuall daies; deuising certaine games of swinging in the ayre, to represent the manner of her death. The like were introduced by Ascanius for the losse of his father Aeneas: in vse among the Turkes at this day; as I haue seene at the feast of their greater Biram. But Icarius his dog, which died at the feet of his hanging Mistris, was called Astricyon, by vs the Dog-star: his malignancy, as they faigne, proceeding from the former occasion; causing burning feuers, frenzies, and infections: whose raigne determines with the rising of Arcturus; the season then suffering an alteration. The rising and setting of these, and the like notable starres (or rather their disparition from the beames of the Sun, and their being obscured by his greater light) was to the marriner and husbandmen insteed of a Kalender.
    Myrrha attaines to an horrid fruition. And least this should seeme fabulous, it is paralleled in history, if not transcended, by Lucretia the daughter of Pope Alexander the sixth: who not only lay with her father (not vnknowne to him, as Myrrha to Cyneras) but with her brother the Duke of Candy, who was slaine by Caesar Borgio, for being his riuall in his sisters bed. Of whom this Epitaph is extant:
Here Lucrece lyes; a Thais in her life:
Pope
Sixtus daughter, daughter in law, and wife.19
And Sanazarus
Must Sextus, Lucrece, still burne in thy fire?
O fatall! this adulterer thy Sire.
20
Myrrha at length discouered by her father, flyes from his fury; and wandring as far as Sabaea, fearing to dy, and not desiring to liue, is changed into a tree (so fained, in that shee concealed her selfe euer after) by the compassionate Gods, who accept of her repentance: and although insensitiue, sheds bitter teares (meant by the odorous Gum which distilleth from thence) for her former transgressions. This tree growes only in Arabia the Happy, of which Sabaea is a part; being high and thorny; prospering the better by boring the root, and lancing the rine: and then when the windes most bluster, sheds her pretious iuice in the greater plenty; which preserues the bodies of the dead from corruption. So a Mind vpright and constant to it selfe, remaines vnuiolated by the turbulent tempests of Enuy but rather so exercised, produceth the fruit of virtue with the greater alacrity; and becomes thereby more perspicuous.
Nor wicked sway of popular heat,
No nor the haughty Tyrants threat,

Can shake the iust and solid Minde
To virtue true: nor high South-winde

Which
Adrias toyling waues commands;
Nor thundring
Ioues almighty hands.
Who, should the heauens dissolue, would beare

Their fearefull ruine without feare.
21
The tree, according to the time of women, is deliuered of Adonis; which signifies sweetnesse, and may be taken for that fragrant gumme; as the story of Myrrha's affecting her father, for the sun, the father of all vegitables; this plant delighting, & fructifying onely with immoderate feruor, which chaps the rine, and opens a passage for that delicate liquor.
    Adonis now growne a boy, and of mortals the most beautifull,  VENVS AND ADONIS  is beloued by Venus (so fained perhaps in that Myrrhe is so great a prouocatiue to lust) who preferreth earth, and the fruition of a mortall, before heauen (a vice not rare in a louer) and now turnes Huntresse to comply with her beloued: for loue begets a similitude in disposition, and facilitates all labour, euen in the naturally lazie. Out of a louers feare she perswades him to auoid such beasts as are naturally cruell: and by her expressed hatred to the Lyon, relates  HIPPOMONES AND ATALANTA  the story of Hippomenes and Atalanta. She, deterred from marriage by the Oracle, indents with her suiters, that hee onely should haue her (the loser rewarded with death) who had the power to out-run her: which Hippomenes performes by the deceit of three golden apples, which were giuen him by Venus. This fable is said to signifie the contention betweene Art and Nature. Art expressed by Atalanta; which in her owne virtue, if not interrupted, is swifter by far then Nature, or Hippomenes; and sooner arriues at the proposed end, as almost is euident in all things. Fruits are long in growing from kernells, but quickly produced by grafting: clay long ere it generate a stone, yet suddenly changed into brick by the fire. So in morality, continuance of time procures an obliuion of sorrow, and comforts as it were by the benefit of Nature: but Philosophy, which may be called the Art of liuing, expects not time but preuents it. Yet these Golden Apples giue impediment to this prerogatiue and vigor of Art, to the infinite detriment of humane affaires. Neither is there any of the Arts and sciences which constantly proceed in a true and legitimate course to the end prefixed; but interrupt their vndertakings, and desert the Palme, like Atalanta diuerted by inticing lucre. And therefore no maruell though Art ouercome not Nature, and destroy not the vanquished, according to the compact of their contention: when contrarily it falls out, that Art is vnder her command, and obeyes her as a wife doth her husband. This fable deciphers also the vnconstant minde of a woman; diuerted by gold, or pleasure, from her intended course, and obedience to the heauenly Oracle, to her fore-known and assured destruction. Now apples were consecrated to Venus, by which the fruits of loue were expressed: and therefore shee was stamped on diuers coynes with her left hand holding by a tree, & proffering an apple with the right, with one of these inscriptions, VENVS S.C. or VENVS FAELIX.
    Hippomenes ingratefull to the Goddesse for her timely assistance, by her instigation pollutes a sacred Grotte with his vnseasonable lust: when both he and his wife are converted by Cybel into Lyons, and forced to draw in her chariot. Ingratitude to man is a hatefull vice, but to God a flagitious. It is seconded, saith Xenophon, by Impudence, and Impudency is the conducter to all vncleanesse. Wherefore ingratefull Hippomenes becomming impudent and vnchast, defiles euen holy places with his vnbridled concupiscence: and in regard of the saluage fury of lust, is fained with Atalanta to haue beene changed into furious Lyons. The Images of the Gods are here said to turne their faces aside from so beastly a spectacle: nor greatly to be wondred at, if possessed by hypocriticall Diuels, according to the opinion of Trismegistus. Our fathers, saith he, exceedingly erring in incredulity concerning the Deity, and neuer penetrating into the depth of Diuine religion, invented the art of making of Gods: whereunto they ioyned a virtue out of some part of the nature of the world, alike to the other, and conioyning these two, because they could create no Soules, framed certaine Images, into which they inuoked either Angells or Divells; and so by these mysteries, gaue those Idols power both to hurt and helpe them. To this add we that of Lactantius. These subtill and vagrant Spirits perturbe the quiet of all things, mingle falsehoods with truths, and sow the seeds of errors in the mindes of mortals. And surely both the sweating, motion, weeping, & speaking of Images, was formerly frequent: wherewith at this day the common people in sundry countries are not rarely illuded. But Hippomenes and Atalanta were not punished by Venus, to whom they proued vngratefull; because it becomes not them, who bestow a benefit to punish ingratitude, least thereby they loose the glory of their munificence; wherefore Venus, as if thereof vnsensible, leaues them to bee confounded by the wrath of Cybel: who is fained to be crowned with towres, in that taken for the Earth which supporteth so many: said to be the mother of the Gods; or rather the general mother of all things: from whom we haue both our substance and sustenance; who when we are cast from the aboades of the liuing, receaues vs againe into her peacefull bosome. Shee is said to be drawne by Lyons, in regard of their heat and rapacity, representing the Heauens wherein the Ayre, which carrieth the Earth, or Cybel is contained. Marcus Antonius, after the battaile of Pharsalia, had his charriot drawne by two Lyons: as after Heliogabalus, which by him were named Cybelenses.
    Venus, hauing admonished Adonis, is drawne  ADONIS  through the aire by her siluer Swans: a fowle dedicated vnto her in regard of his beauty and cleaneliness. But the courage and youth of Adonis, vncapable of aduice, thrust him on to encounter with a Bore; by whom he was slaine: whose dying groanes reuoke the affrighted Venus; who bewailes his death, and converts him into a flower now called Anemony. Men of excellent beauties haue likely beene subiect to miserable destinies.
Beauty in men (search former times)
Hath still beene punished, as crimes.
22
Of which Muretus and Cantarus produce a number of examples. Now beauty consists not only (as some imagine) in the fauour of the face and delicacy of the complection; but in the dignitie of the stature, the apt composition of the limbs, and harmonious summetry of the lineaments: whose smallest discord is forthwith apprehended by the eye, and as soone distasted. The face is to be thrice the length of the nose: the halfe circles of the eares being ioyned together, are to equall the widenesse of the mouth when extended; so are the vnited eye-browes. The length of each lip, of the nose, and of either eare holding one proportion, being measured as before. The circles of both the eyes and the mouth alike. Eight times the length of the face should be the length of the body, of equall breadth when the armes are displayed. Vnto these are to be added a bright sparkling of the eie, well mixed colours and a concinnity of the lineaments. This being annexed to the beauty of the body, which Athenaeus, Euripides and Isocrates held to be most exquisite. Hippocrates obserues that those who are tall of stature are most comely in their youth, but in their age most deformed: yet surely that is the best which neither procureth contempt nor wonder.
    The feasts of Adonis were yearely celebrated by the Phoenicians (of which country they report him to be) beating their breasts and tearing their garments, with vniuersall sorrow: offering sacrifices to his Manes; yet affirming the day following that he liu'd, and was ascended into heauen. The women that would not cut their haire, were enioyned to prostitute themselues vnto strangers, and to offer the hire of their bodies vnto Venus. This lamentation for the death of Adonis is mentioned by the Prophet Ezechiel: for so Thamuz is interpreted in the vulgar translation; although Tremelius take it for Osyris: howsoeuer, both are the same in the allegorie. Salomon is said in the first of the Chronicles to haue followed Astarten; which some interpret to be this Venus, the goddesse of the Sidonians. Shee had her statue in mount Libanus in a mournefull posture: her head couered with a vaile; leaning her cheeke on her left hand, and sustaining her mantle with the other, into which her teares appeared to descend. Now Adonis was no other then the Sun, adored vnder that name by the Phaenicians; as Venus by the name of Astarten: for the Naturalists call the vpper Hemisphere of the Earth, in which we inhabit, Venus; as the lower Proserpina: Therefore they made the Goddesse to weepe, when the Sun retired from her to the sixe winter signes of the Zodiacke; shortning the daies, and depriuing the earth of her delight and beauty: which againe he restores by his approach into Aries. Adonis is said to be slaine by a Bore, because that beast is the Image of the Winter; saluage, horrid, delighting in mire, and feeding on ackornes, a fruit which is proper to that season. So the Winter wounds, as it were, the Sunne to death, by deminishing his heate and lustre: whose losse is lamented by Venus, or the widdowed Earth, then couered with a vaile of clowds; Springs gushing fro thence, the teares of her eies, in greater abundance; the fields presenting a sad aspect, as being depriued of their ornament. But when the Sun returnes to the Aequator, Venus recouers her alacrity; the trees inuested with leaues, and the earth with her flowrie mantle: wherefore the ancient did dedicate the month of Aprill vnto Venus. And not onely the Phaenicians, but the house of Iudah did worship the Sun vnder the name of Tamuz, the same with Adonis: for Adon in Hebrew signifies Lord, and he the Lord and Prince of the Planets: they calling his entrance into the signe of Cancer, the reuolution of Tamuz.
    The louely Adonis is fained to haue beene changed into Anemony; a beautifull, but no permanent flower: to expresse the fraile condition and short continuance of Beautie.
Beauty, a doubtfull good, the grace
And bounty of a little space,

How more then swiftly dost thou run!

Not so the feruor of the Sun

Deflowers the meddows of their pride

When in his Solstice, at noone tide;
And Night on hasty charriot flies.

The Lilly languishes and dies;
Nor Roses long thy garland grace:

So the sweet splendor of the face

Fades in a moment: and no day

But beares from thence some spoile away.
O fleeting shaddow! who is wise,
That on so fraile a good relies!
23
Thus ends the tenth booke; together with the song of Orpheus.

On to Book XI