Copyright information on the text (as text) and graphics included in this set of files follows below. Unless it is clear that the text or art is in the public domain, or unless otherwise indicated below, and except as permitted under the United States Copyright Act of 1976, no part of this set of documents may be printed, reproduced, or distributed in any form or by any means for commercial purposes without the prior written permission of the holder of the copyright.

You may download these materials for personal, noncommercial use as long as credit and notification are provided. Please retain this copyright file and include this statement with any copies that you make. Commercial use of these materials is prohibited without prior written permission from the holder of the copyright.

Poems, exerpts of prose works, miscellaneous notes, and letters by S. T. Coleridge that he published are assumed to be in the public domain. I checked all of them for accuracy against at least two printed editions. The same goes for material written by STC's contemporaries and earlier people.

Poems, exerpts of prose works, miscellaneous notes, and letters by S. T. Coleridge that were not published until after his death may or may not be in the public domain. Where possible, I checked them for accuracy against at least two printed editions, so these do not rely on any one published version. The same goes for material written by STC's contemporaries and earlier people.

The text of the reproduced ``Introduction'', by Donald A. Stauffer is from D. A. Stauffer, ed., 1951: Selected Poetry and Prose of Coleridge. The Modern Library, Random House, New York. In spite of its age, please do not assume that this work is in the public domain, since the copyright may have been renewed. I have asked Random House for additional information.

The ascii version (unannotated, unhypertexted) of the short biography by Bill Gilson was obtained from here, by searching for ``coleridge''. I could not find any copyright information at that site. The original (unannotated, unhypertexted) ascii versions of Frost at Midnight and Work without Hope were also downloaded from that site. (and also Forbearance, To Nature, a geometry poem + letter, and a poem by his son Hartley Coleridge, which I have not yet annotated or put into html.) The original (unannotated, unhypertexted) ascii versions of The Rime of the Ancient Mariner, Kubla Khan, and Dejection: An Ode were downloaded from here, and the original ascii versions of some poems by Wordsworth are from here. Additional information on that site is here. I got the ascii version of Christabel from here (and note that the parenthetical note near the bottom of the file there is simply wrong! All the poems by Coleridge that I put into html-hypertext were proofed against at least two printed editions. (Wordsworth poems were only minimally hypertexted and not proofed.)

I compiled the time line from multiple printed and electronic sources.

Some material taken from email communications with various people are acknowledged in the relevant files. Permission to publish exact quotations has been given.

The text exerpted from ``Coleridge's Conversation Poems'', by George McLean Harper, from M. H. Abrams, ed., 1960: English Romantic Poets - Modern Essays in Criticism. A Galaxy Book, Oxford University Press, New York. In spite of its age, please do not assume that this work is in the public domain, since the copyright may have been renewed. I have asked Oxford University Press for additional information.

The entire set of files constituting the hypertext historical novel For the Dreamer is copyright © 1994 by Marjorie A. Tiefert, except for exerpts of material written by Coleridge and his contemporaries, to which the above copyright statements apply.

I compiled the dictionary from several electronic and printed sources. Sources are acknowledged, except for those that I have long since forgotten. The above copyright statements apply to exerpts of material written by Coleridge, his contemporaries, and earlier people.

Miscellaneous notes and translations were compiled from several electronic and printed sources, as well as email communications. Sources are acknowledged wherever possible. The above copyright statements apply to exerpts of material written by Coleridge, his contemporaries, and earlier people.

Pictures were obtained from various sites on the Internet (including here [used with permission of gremarth@fac.anu.edu.au (Michael Greenhalgh)] and here [used with permission of Mark Handley <M.Handley@cs.ucl.ac.uk>]), except for this one (copyright © 1994 by Marjorie A. Tiefert) and the logo, which I constructed myself.

mtiefert@mindspring.com, last modified 5/10/99; standard disclaimer; copyright information.