``from my earliest years I have had a feeling of Dislike & Disgust connected with my own Christian Names: such a vile short plumpness, such a dull abortive smartness in the first Syllable, & this so harshly contrasted by the obscurity & indefiniteness of the syllable Vowel, and the feebleness of the uncovered liquid, with which it ends--the wabble it makes, & staggering between a diss--& a tri-syllable--& the whole name sounding as if you were abeeceeing S.M.U.L.--altogether it is perhaps the worst combination, of which vowels & consonants are susceptible.''

(but he liked Coleridge)

Some pseudonyms:

• STC, Estisi, or - his usual name for publishing poetry
• Silas Tomkyn Comberbache
• Nehemiah Higginbottom - in the Monthly Magazine for November, 1797, he published ``three mock Sonnets in ridicule of my own Poems, and Charles Lloyd's and Lamb's, etc., etc., exposing that affectation of unaffectedness, of jumping and misplaced accent in common-place epithets, flat lines forced into poetry by italics (signifying how well and mouthishly the author would read them), ... I think they may do good to our young Bards.''--S.T.C., letter to J. Cottle, November 1797.
• Other names used for publishing one or a very few (each name) humorous, political and/or serious poems in newspapers: Cuddy, Laberius, Nicias Erythraeus, Cordomi, Gnome, Ventifrons (= Windy Brow, a hill near Keswick), Zagri, Aphilos
• the Friend
• Idoloclastes Satyrane, or Satyrane

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